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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 75 247 it is the complementary color RGB 228 180 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 75 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 27 75 247: RGB 32 75 242, RGB 49 93 255, RGB 66 111 255, RGB 83 129 255 and RGB 100 147 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 75 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 27 75 247: RGB 27 75 247, RGB 10 57 228, RGB 0 39 209, RGB 0 21 190 and RGB 0 3 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 70 / 0 / 3

HEX #1B4BF7

RGB 27 75 247

HSL 226.91, 0.93%, 0.54%

LAB 41.19, 49.7, -88.59

 

Complementary color

CMYK 0 / 21 / 96 / 11

HEX #E4B408

RGB 228 180 8

HSL 46.91, 0.93%, 0.46%

LAB 75.55, 4.57, 77.08

 

CMYK 87 / 69 / 0 / 5

HEX #204BF2

RGB 32 75 242

HSL 227.71, 0.89%, 0.54%

LAB 40.82, 48.17, -86.39

 

CMYK 81 / 64 / 0 / 0

HEX #315DFF

RGB 49 93 255

HSL 227.18, 1%, 0.6%

LAB 46.58, 42.87, -84.16

 

CMYK 74 / 56 / 0 / 0

HEX #426FFF

RGB 66 111 255

HSL 225.71, 1%, 0.63%

LAB 51.55, 33.33, -76.01

 

CMYK 67 / 49 / 0 / 0

HEX #5381FF

RGB 83 129 255

HSL 223.95, 1%, 0.66%

LAB 56.84, 24.44, -67.41

 

CMYK 61 / 42 / 0 / 0

HEX #6493FF

RGB 100 147 255

HSL 221.81, 1%, 0.7%

LAB 62.34, 16.37, -58.55

 

CMYK 89 / 70 / 0 / 3

HEX #1B4BF7

RGB 27 75 247

HSL 226.91, 0.93%, 0.54%

LAB 41.19, 49.7, -88.59

 

CMYK 96 / 75 / 0 / 11

HEX #0A39E4

RGB 10 57 228

HSL 227.06, 0.92%, 0.47%

LAB 35.19, 53.08, -87.77

 

CMYK 100 / 81 / 0 / 18

HEX #0027D1

RGB 0 39 209

HSL 228.8, 1%, 0.41%

LAB 29.55, 56.12, -86.2

 

CMYK 100 / 89 / 0 / 25

HEX #0015BE

RGB 0 21 190

HSL 233.37, 1%, 0.37%

LAB 24.49, 58, -83.48

 

CMYK 100 / 98 / 0 / 33

HEX #0003AB

RGB 0 3 171

HSL 238.95, 1%, 0.34%

LAB 20.07, 57.89, -79.51

 

CMYK 89 / 70 / 0 / 3

HEX #1B4BF7

RGB 27 75 247

HSL 226.91, 0.93%, 0.54%

LAB 41.19, 49.7, -88.59

 

CMYK 89 / 83 / 0 / 4

HEX #1C2BF6

RGB 28 43 246

HSL 235.87, 0.92%, 0.54%

LAB 35.26, 66.07, -97.85

 

CMYK 80 / 89 / 0 / 4

HEX #321CF6

RGB 50 28 246

HSL 246.06, 0.92%, 0.54%

LAB 34.32, 72.17, -99.4

 

CMYK 65 / 89 / 0 / 4

HEX #561CF6

RGB 86 28 246

HSL 255.96, 0.92%, 0.54%

LAB 36.86, 73.88, -95.1

 

CMYK 50 / 89 / 0 / 4

HEX #7B1CF6

RGB 123 28 246

HSL 266.15, 0.92%, 0.54%

LAB 40.73, 76.77, -88.57

 

CMYK 89 / 70 / 0 / 3

HEX #1B4BF7

RGB 27 75 247

HSL 226.91, 0.93%, 0.54%

LAB 41.19, 49.7, -88.59

 

CMYK 88 / 70 / 0 / 83

HEX #050D2B

RGB 5 13 43

HSL 227.37, 0.79%, 0.09%

LAB 4.47, 7.07, -20.37

 

CMYK 89 / 69 / 0 / 63

HEX #0A1D5E

RGB 10 29 94

HSL 226.43, 0.81%, 0.2%

LAB 14.12, 20.52, -40.62

 

CMYK 89 / 70 / 0 / 43

HEX #102C91

RGB 16 44 145

HSL 226.98, 0.8%, 0.32%

LAB 23.52, 31.18, -57.85

 

CMYK 89 / 69 / 0 / 23

HEX #153CC4

RGB 21 60 196

HSL 226.63, 0.81%, 0.43%

LAB 32.65, 40.36, -73.47

 

CMYK 89 / 70 / 0 / 3

HEX #1B4BF7

RGB 27 75 247

HSL 226.91, 0.93%, 0.54%

LAB 41.19, 49.7, -88.59

 

CMYK 3 / 89 / 0 / 4

HEX #EF1CF6

RGB 239 28 246

HSL 298.07, 0.92%, 0.54%

LAB 57.88, 92.18, -59.9

 

CMYK 33 / 0 / 89 / 4

HEX #A6F61C

RGB 166 246 28

HSL 82.02, 0.92%, 0.54%

LAB 88.97, -51.84, 82.95

 

CMYK 89 / 70 / 0 / 3

HEX #1B4BF7

RGB 27 75 247

HSL 226.91, 0.93%, 0.54%

LAB 41.19, 49.7, -88.59

 

CMYK 0 / 89 / 68 / 4

HEX #F61C4F

RGB 246 28 79

HSL 345.96, 0.92%, 0.54%

LAB 52.94, 77.03, 30.62

 

CMYK 68 / 0 / 89 / 4

HEX #4FF61C

RGB 79 246 28

HSL 105.96, 0.92%, 0.54%

LAB 85.83, -75.88, 79.05

 

CMYK 89 / 70 / 0 / 3

HEX #1B4BF7

RGB 27 75 247

HSL 226.91, 0.93%, 0.54%

LAB 41.19, 49.7, -88.59

 

CMYK 3 / 89 / 0 / 4

HEX #EF1CF6

RGB 239 28 246

HSL 298.07, 0.92%, 0.54%

LAB 57.88, 92.18, -59.9

 

CMYK 0 / 21 / 89 / 4

HEX #F6C31C

RGB 246 195 28

HSL 45.96, 0.92%, 0.54%

LAB 81.13, 4.78, 79.11

 

CMYK 86 / 0 / 89 / 4

HEX #23F61C

RGB 35 246 28

HSL 118.07, 0.92%, 0.54%

LAB 85.18, -81.66, 78.23

 

CMYK 89 / 70 / 0 / 3

HEX #1B4BF7

RGB 27 75 247

HSL 226.91, 0.93%, 0.54%

LAB 41.19, 49.7, -88.59

 

CMYK 0 / 89 / 24 / 4

HEX #F61CBC

RGB 246 28 188

HSL 315.96, 0.92%, 0.54%

LAB 56.14, 85.82, -29.63

 

CMYK 0 / 21 / 89 / 4

HEX #F6C31C

RGB 246 195 28

HSL 45.96, 0.92%, 0.54%

LAB 81.13, 4.78, 79.11

 

CMYK 89 / 0 / 65 / 4

HEX #1CF656

RGB 28 246 86

HSL 135.96, 0.92%, 0.54%

LAB 85.42, -78.38, 61.45

 

Description

Color code: RGB 27 75 247 | qconv.com Color code: RGB 27 75 247 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 75 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 75 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 70 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 70% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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