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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 25 219 it is the complementary color RGB 228 230 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 25 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 27 25 219: RGB 32 25 214, RGB 49 43 233, RGB 66 61 252, RGB 83 79 255 and RGB 100 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 25 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 27 25 219: RGB 27 25 219, RGB 10 7 200, RGB 0 0 181, RGB 0 0 162 and RGB 0 0 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 89 / 0 / 14

HEX #1B19DB

RGB 27 25 219

HSL 240.62, 0.8%, 0.48%

LAB 29.52, 65.22, -92.02

 

Complementary color

CMYK 1 / 0 / 84 / 10

HEX #E4E624

RGB 228 230 36

HSL 60.62, 0.8%, 0.52%

LAB 88.55, -20.28, 82.78

 

CMYK 85 / 88 / 0 / 16

HEX #2019D6

RGB 32 25 214

HSL 242.22, 0.79%, 0.47%

LAB 29.05, 63.97, -89.91

 

CMYK 79 / 82 / 0 / 9

HEX #312BE9

RGB 49 43 233

HSL 241.89, 0.81%, 0.54%

LAB 34.53, 63.03, -91.68

 

CMYK 74 / 76 / 0 / 1

HEX #423DFC

RGB 66 61 252

HSL 241.57, 0.97%, 0.61%

LAB 40.45, 61.27, -92.56

 

CMYK 67 / 69 / 0 / 0

HEX #534FFF

RGB 83 79 255

HSL 241.36, 1%, 0.65%

LAB 45.15, 54.25, -86.44

 

CMYK 61 / 62 / 0 / 0

HEX #6461FF

RGB 100 97 255

HSL 241.14, 1%, 0.69%

LAB 50.07, 46.23, -78.34

 

CMYK 88 / 89 / 0 / 14

HEX #1B19DB

RGB 27 25 219

HSL 240.62, 0.8%, 0.48%

LAB 29.52, 65.22, -92.02

 

CMYK 95 / 97 / 0 / 22

HEX #0A07C8

RGB 10 7 200

HSL 240.93, 0.93%, 0.41%

LAB 24.91, 64.53, -88.68

 

CMYK 100 / 100 / 0 / 29

HEX #0000B5

RGB 0 0 181

HSL 240, 1%, 0.35%

LAB 21.34, 61.23, -83.39

 

CMYK 100 / 100 / 0 / 36

HEX #0000A2

RGB 0 0 162

HSL 240, 1%, 0.32%

LAB 18.4, 56.41, -76.82

 

CMYK 100 / 100 / 0 / 44

HEX #00008F

RGB 0 0 143

HSL 240, 1%, 0.28%

LAB 15.4, 51.48, -70.12

 

CMYK 88 / 89 / 0 / 14

HEX #1B19DB

RGB 27 25 219

HSL 240.62, 0.8%, 0.48%

LAB 29.52, 65.22, -92.02

 

CMYK 74 / 89 / 0 / 14

HEX #3918DC

RGB 57 24 220

HSL 250.1, 0.8%, 0.48%

LAB 31.09, 66.81, -89.94

 

CMYK 60 / 89 / 0 / 14

HEX #5918DC

RGB 89 24 220

HSL 259.9, 0.8%, 0.48%

LAB 33.87, 68.77, -85.25

 

CMYK 45 / 89 / 0 / 14

HEX #7A18DC

RGB 122 24 220

HSL 270, 0.8%, 0.48%

LAB 37.77, 71.81, -78.68

 

CMYK 30 / 89 / 0 / 14

HEX #9B18DC

RGB 155 24 220

HSL 280.1, 0.8%, 0.48%

LAB 42.44, 75.8, -70.83

 

CMYK 88 / 89 / 0 / 14

HEX #1B19DB

RGB 27 25 219

HSL 240.62, 0.8%, 0.48%

LAB 29.52, 65.22, -92.02

 

CMYK 87 / 87 / 0 / 94

HEX #02020F

RGB 2 2 15

HSL 240, 0.76%, 0.03%

LAB 0.82, 1.91, -5.2

 

CMYK 88 / 88 / 0 / 74

HEX #080842

RGB 8 8 66

HSL 240, 0.78%, 0.15%

LAB 5.59, 22.41, -35.4

 

CMYK 88 / 89 / 0 / 54

HEX #0E0D75

RGB 14 13 117

HSL 240.58, 0.8%, 0.25%

LAB 13.62, 39.22, -56.54

 

CMYK 88 / 89 / 0 / 34

HEX #1513A8

RGB 21 19 168

HSL 240.81, 0.8%, 0.37%

LAB 21.77, 52.7, -74.83

 

CMYK 88 / 89 / 0 / 14

HEX #1B19DB

RGB 27 25 219

HSL 240.62, 0.8%, 0.48%

LAB 29.52, 65.22, -92.02

 

CMYK 0 / 89 / 18 / 14

HEX #DC18B5

RGB 220 24 181

HSL 311.94, 0.8%, 0.48%

LAB 50.93, 80.46, -34.04

 

CMYK 54 / 0 / 89 / 14

HEX #66DC18

RGB 102 220 24

HSL 96.12, 0.8%, 0.48%

LAB 78.51, -62.31, 73.75

 

CMYK 88 / 89 / 0 / 14

HEX #1B19DB

RGB 27 25 219

HSL 240.62, 0.8%, 0.48%

LAB 29.52, 65.22, -92.02

 

CMYK 0 / 89 / 89 / 14

HEX #DC1818

RGB 220 24 24

HSL 0, 0.8%, 0.48%

LAB 46.89, 69.38, 52.68

 

CMYK 89 / 0 / 89 / 14

HEX #18DC18

RGB 24 220 24

HSL 120, 0.8%, 0.48%

LAB 76.95, -75.51, 71.81

 

CMYK 88 / 89 / 0 / 14

HEX #1B19DB

RGB 27 25 219

HSL 240.62, 0.8%, 0.48%

LAB 29.52, 65.22, -92.02

 

CMYK 0 / 89 / 18 / 14

HEX #DC18B5

RGB 220 24 181

HSL 311.94, 0.8%, 0.48%

LAB 50.93, 80.46, -34.04

 

CMYK 0 / 0 / 89 / 14

HEX #DCDC18

RGB 220 220 24

HSL 60, 0.8%, 0.48%

LAB 85.23, -19.01, 82.02

 

CMYK 89 / 0 / 71 / 14

HEX #18DC3F

RGB 24 220 63

HSL 131.94, 0.8%, 0.48%

LAB 77.12, -73.26, 61.39

 

CMYK 88 / 89 / 0 / 14

HEX #1B19DB

RGB 27 25 219

HSL 240.62, 0.8%, 0.48%

LAB 29.52, 65.22, -92.02

 

CMYK 0 / 89 / 45 / 14

HEX #DC187A

RGB 220 24 122

HSL 330, 0.8%, 0.48%

LAB 48.6, 74.21, -2.28

 

CMYK 0 / 0 / 89 / 14

HEX #DCDC18

RGB 220 220 24

HSL 60, 0.8%, 0.48%

LAB 85.23, -19.01, 82.02

 

CMYK 89 / 0 / 45 / 14

HEX #18DC7A

RGB 24 220 122

HSL 150, 0.8%, 0.48%

LAB 77.75, -65.62, 35.91

 

Description

Color code: RGB 27 25 219 | qconv.com Color code: RGB 27 25 219 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 25 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 25 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 89 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 89% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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