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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 201 41 it is the complementary color RGB 228 54 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 201 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 27 201 41: RGB 32 201 36, RGB 49 219 55, RGB 66 237 74, RGB 83 255 93 and RGB 100 255 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 201 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 27 201 41: RGB 27 201 41, RGB 10 183 22, RGB 0 165 3, RGB 0 147 0 and RGB 0 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 80 / 21

HEX #1BC929

RGB 27 201 41

HSL 124.83, 0.76%, 0.45%

LAB 70.99, -69.16, 62.56

 

Complementary color

CMYK 0 / 76 / 6 / 11

HEX #E436D6

RGB 228 54 214

HSL 304.83, 0.76%, 0.55%

LAB 56.08, 80.33, -44.87

 

CMYK 84 / 0 / 82 / 21

HEX #20C924

RGB 32 201 36

HSL 121.42, 0.73%, 0.46%

LAB 71.01, -68.99, 63.99

 

CMYK 78 / 0 / 75 / 14

HEX #31DB37

RGB 49 219 55

HSL 122.12, 0.7%, 0.53%

LAB 77.04, -71.17, 64.16

 

CMYK 72 / 0 / 69 / 7

HEX #42ED4A

RGB 66 237 74

HSL 122.81, 0.83%, 0.59%

LAB 83.03, -72.73, 63.67

 

CMYK 67 / 0 / 64 / 0

HEX #53FF5D

RGB 83 255 93

HSL 123.49, 1%, 0.66%

LAB 88.99, -73.84, 62.8

 

CMYK 61 / 0 / 56 / 0

HEX #64FF70

RGB 100 255 112

HSL 124.65, 1%, 0.7%

LAB 89.58, -68.47, 55.51

 

CMYK 87 / 0 / 80 / 21

HEX #1BC929

RGB 27 201 41

HSL 124.83, 0.76%, 0.45%

LAB 70.99, -69.16, 62.56

 

CMYK 95 / 0 / 88 / 28

HEX #0AB716

RGB 10 183 22

HSL 124.16, 0.9%, 0.38%

LAB 64.95, -66.11, 61.76

 

CMYK 100 / 0 / 98 / 35

HEX #00A503

RGB 0 165 3

HSL 121.09, 1%, 0.32%

LAB 58.9, -62.14, 59.62

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 87 / 0 / 80 / 21

HEX #1BC929

RGB 27 201 41

HSL 124.83, 0.76%, 0.45%

LAB 70.99, -69.16, 62.56

 

CMYK 87 / 0 / 66 / 21

HEX #1BC944

RGB 27 201 68

HSL 134.14, 0.76%, 0.45%

LAB 71.16, -66.94, 53.13

 

CMYK 87 / 0 / 52 / 21

HEX #1BC961

RGB 27 201 97

HSL 144.14, 0.76%, 0.45%

LAB 71.47, -63.21, 40.34

 

CMYK 87 / 0 / 37 / 21

HEX #1BC97E

RGB 27 201 126

HSL 154.14, 0.76%, 0.45%

LAB 71.9, -58.08, 26.19

 

CMYK 87 / 0 / 23 / 21

HEX #1BC99B

RGB 27 201 155

HSL 164.14, 0.76%, 0.45%

LAB 72.48, -51.65, 11.56

 

CMYK 87 / 0 / 80 / 21

HEX #1BC929

RGB 27 201 41

HSL 124.83, 0.76%, 0.45%

LAB 70.99, -69.16, 62.56

 

CMYK 87 / 0 / 80 / 1

HEX #22FC33

RGB 34 252 51

HSL 124.68, 0.97%, 0.56%

LAB 87.09, -82.38, 74.96

 

CMYK 88 / 0 / 79 / 81

HEX #06300A

RGB 6 48 10

HSL 125.71, 0.78%, 0.11%

LAB 16.38, -23.56, 19.02

 

CMYK 87 / 0 / 80 / 61

HEX #0D6314

RGB 13 99 20

HSL 124.88, 0.77%, 0.22%

LAB 36.1, -40.34, 35.69

 

CMYK 87 / 0 / 79 / 41

HEX #14961F

RGB 20 150 31

HSL 125.08, 0.76%, 0.33%

LAB 54.09, -55.23, 49.46

 

CMYK 87 / 0 / 80 / 21

HEX #1BC929

RGB 27 201 41

HSL 124.83, 0.76%, 0.45%

LAB 70.99, -69.16, 62.56

 

CMYK 87 / 23 / 0 / 21

HEX #1B9BC9

RGB 27 155 201

HSL 195.86, 0.76%, 0.45%

LAB 59.79, -16.4, -32.79

 

CMYK 0 / 87 / 58 / 21

HEX #C91B55

RGB 201 27 85

HSL 340, 0.76%, 0.45%

LAB 44.03, 66.33, 13.59

 

CMYK 87 / 0 / 80 / 21

HEX #1BC929

RGB 27 201 41

HSL 124.83, 0.76%, 0.45%

LAB 70.99, -69.16, 62.56

 

CMYK 81 / 87 / 0 / 21

HEX #271BC9

RGB 39 27 201

HSL 244.14, 0.76%, 0.45%

LAB 27.93, 59.87, -84.2

 

CMYK 0 / 81 / 87 / 21

HEX #C9271B

RGB 201 39 27

HSL 4.14, 0.76%, 0.45%

LAB 44.16, 61.1, 47.56

 

CMYK 87 / 0 / 80 / 21

HEX #1BC929

RGB 27 201 41

HSL 124.83, 0.76%, 0.45%

LAB 70.99, -69.16, 62.56

 

CMYK 87 / 23 / 0 / 21

HEX #1B9BC9

RGB 27 155 201

HSL 195.86, 0.76%, 0.45%

LAB 59.79, -16.4, -32.79

 

CMYK 0 / 87 / 5 / 21

HEX #C91BBE

RGB 201 27 190

HSL 303.79, 0.76%, 0.45%

LAB 48.16, 77.6, -43.89

 

CMYK 0 / 63 / 87 / 21

HEX #C94A1B

RGB 201 74 27

HSL 16.21, 0.76%, 0.45%

LAB 48.75, 48.49, 51.34

 

CMYK 87 / 0 / 80 / 21

HEX #1BC929

RGB 27 201 41

HSL 124.83, 0.76%, 0.45%

LAB 70.99, -69.16, 62.56

 

CMYK 87 / 49 / 0 / 21

HEX #1B67C9

RGB 27 103 201

HSL 213.79, 0.76%, 0.45%

LAB 44.45, 14.63, -57.11

 

CMYK 0 / 87 / 5 / 21

HEX #C91BBE

RGB 201 27 190

HSL 303.79, 0.76%, 0.45%

LAB 48.16, 77.6, -43.89

 

CMYK 0 / 37 / 87 / 21

HEX #C97E1B

RGB 201 126 27

HSL 34.14, 0.76%, 0.45%

LAB 59.36, 22.09, 59.99

 

Description

Color code: RGB 27 201 41 | qconv.com Color code: RGB 27 201 41 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 201 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 201 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 80 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 80% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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