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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 177 177 it is the complementary color RGB 228 78 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 177 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 27 177 177: RGB 32 177 172, RGB 49 195 191, RGB 66 213 210, RGB 83 231 229 and RGB 100 249 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 177 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 27 177 177: RGB 27 177 177, RGB 10 159 158, RGB 0 141 139, RGB 0 123 120 and RGB 0 105 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 0 / 31

HEX #1BB1B1

RGB 27 177 177

HSL 180, 0.74%, 0.4%

LAB 65.63, -35.35, -10.46

 

Complementary color

CMYK 0 / 66 / 66 / 11

HEX #E44E4E

RGB 228 78 78

HSL 0, 0.74%, 0.6%

LAB 54.55, 58, 32.47

 

CMYK 82 / 0 / 3 / 31

HEX #20B1AC

RGB 32 177 172

HSL 177.93, 0.69%, 0.41%

LAB 65.54, -36.47, -7.82

 

CMYK 75 / 0 / 2 / 24

HEX #31C3BF

RGB 49 195 191

HSL 178.36, 0.6%, 0.48%

LAB 71.86, -37.56, -8.85

 

CMYK 69 / 0 / 1 / 16

HEX #42D5D2

RGB 66 213 210

HSL 178.78, 0.64%, 0.55%

LAB 78.11, -38.36, -9.77

 

CMYK 64 / 0 / 1 / 9

HEX #53E7E5

RGB 83 231 229

HSL 179.19, 0.76%, 0.62%

LAB 84.3, -38.96, -10.62

 

CMYK 60 / 0 / 0 / 2

HEX #64F9F8

RGB 100 249 248

HSL 179.6, 0.93%, 0.68%

LAB 90.43, -39.4, -11.4

 

CMYK 85 / 0 / 0 / 31

HEX #1BB1B1

RGB 27 177 177

HSL 180, 0.74%, 0.4%

LAB 65.63, -35.35, -10.46

 

CMYK 94 / 0 / 1 / 38

HEX #0A9F9E

RGB 10 159 158

HSL 179.6, 0.88%, 0.33%

LAB 59.28, -33.69, -9.32

 

CMYK 100 / 0 / 1 / 45

HEX #008D8B

RGB 0 141 139

HSL 179.15, 1%, 0.28%

LAB 52.86, -31.57, -8.03

 

CMYK 100 / 0 / 2 / 52

HEX #007B78

RGB 0 123 120

HSL 178.54, 1%, 0.24%

LAB 46.34, -29, -6.61

 

CMYK 100 / 0 / 4 / 59

HEX #006965

RGB 0 105 101

HSL 177.71, 1%, 0.21%

LAB 39.65, -26.37, -5.12

 

CMYK 85 / 0 / 0 / 31

HEX #1BB1B1

RGB 27 177 177

HSL 180, 0.74%, 0.4%

LAB 65.63, -35.35, -10.46

 

CMYK 85 / 14 / 0 / 31

HEX #1A98B1

RGB 26 152 177

HSL 189.93, 0.74%, 0.4%

LAB 57.89, -23.16, -22.18

 

CMYK 85 / 28 / 0 / 31

HEX #1A7FB1

RGB 26 127 177

HSL 199.87, 0.74%, 0.4%

LAB 50.18, -9.48, -34.13

 

CMYK 85 / 42 / 0 / 31

HEX #1A66B1

RGB 26 102 177

HSL 209.8, 0.74%, 0.4%

LAB 42.61, 5.74, -46.13

 

CMYK 85 / 57 / 0 / 31

HEX #1A4CB1

RGB 26 76 177

HSL 220.13, 0.74%, 0.4%

LAB 35.13, 22.88, -58.21

 

CMYK 85 / 0 / 0 / 31

HEX #1BB1B1

RGB 27 177 177

HSL 180, 0.74%, 0.4%

LAB 65.63, -35.35, -10.46

 

CMYK 85 / 0 / 0 / 11

HEX #23E4E4

RGB 35 228 228

HSL 180, 0.78%, 0.52%

LAB 82.62, -42.91, -12.68

 

CMYK 83 / 0 / 0 / 91

HEX #041818

RGB 4 24 24

HSL 180, 0.71%, 0.05%

LAB 6.73, -6.82, -2.4

 

CMYK 85 / 0 / 0 / 71

HEX #0B4B4B

RGB 11 75 75

HSL 180, 0.74%, 0.17%

LAB 28.41, -18.61, -5.54

 

CMYK 85 / 0 / 0 / 51

HEX #137E7E

RGB 19 126 126

HSL 180, 0.74%, 0.28%

LAB 47.71, -27.34, -8.1

 

CMYK 85 / 0 / 0 / 31

HEX #1BB1B1

RGB 27 177 177

HSL 180, 0.74%, 0.4%

LAB 65.63, -35.35, -10.46

 

CMYK 68 / 85 / 0 / 31

HEX #381AB1

RGB 56 26 177

HSL 251.92, 0.74%, 0.4%

LAB 26.02, 54.41, -73.12

 

CMYK 0 / 34 / 85 / 31

HEX #B1751A

RGB 177 117 26

HSL 36.16, 0.74%, 0.4%

LAB 54.18, 16.48, 54.79

 

CMYK 85 / 0 / 0 / 31

HEX #1BB1B1

RGB 27 177 177

HSL 180, 0.74%, 0.4%

LAB 65.63, -35.35, -10.46

 

CMYK 0 / 85 / 0 / 31

HEX #B11AB1

RGB 177 26 177

HSL 300, 0.74%, 0.4%

LAB 43.15, 71.41, -44.47

 

CMYK 0 / 0 / 85 / 31

HEX #B1B11A

RGB 177 177 26

HSL 60, 0.74%, 0.4%

LAB 70.08, -15.97, 68.03

 

CMYK 85 / 0 / 0 / 31

HEX #1BB1B1

RGB 27 177 177

HSL 180, 0.74%, 0.4%

LAB 65.63, -35.35, -10.46

 

CMYK 68 / 85 / 0 / 31

HEX #381AB1

RGB 56 26 177

HSL 251.92, 0.74%, 0.4%

LAB 26.02, 54.41, -73.12

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 17 / 0 / 85 / 31

HEX #93B11A

RGB 147 177 26

HSL 71.92, 0.74%, 0.4%

LAB 67.82, -28.81, 65.21

 

CMYK 85 / 0 / 0 / 31

HEX #1BB1B1

RGB 27 177 177

HSL 180, 0.74%, 0.4%

LAB 65.63, -35.35, -10.46

 

CMYK 42 / 85 / 0 / 31

HEX #661AB1

RGB 102 26 177

HSL 270.2, 0.74%, 0.4%

LAB 31.2, 59.24, -64.4

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 42 / 0 / 85 / 31

HEX #66B11A

RGB 102 177 26

HSL 89.8, 0.74%, 0.4%

LAB 65.23, -46.03, 61.98

 

Description

Color code: RGB 27 177 177 | qconv.com Color code: RGB 27 177 177 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 177 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 177 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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