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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 158 249 it is the complementary color RGB 228 97 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 158 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 27 158 249: RGB 32 158 244, RGB 49 176 255, RGB 66 194 255, RGB 83 212 255 and RGB 100 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 158 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 27 158 249: RGB 27 158 249, RGB 10 140 230, RGB 0 122 211, RGB 0 104 192 and RGB 0 86 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 37 / 0 / 2

HEX #1B9EF9

RGB 27 158 249

HSL 204.59, 0.95%, 0.54%

LAB 62.95, -0.71, -54.41

 

Complementary color

CMYK 0 / 57 / 97 / 11

HEX #E46106

RGB 228 97 6

HSL 24.59, 0.95%, 0.46%

LAB 57.13, 47.56, 65.05

 

CMYK 87 / 35 / 0 / 4

HEX #209EF4

RGB 32 158 244

HSL 204.34, 0.91%, 0.54%

LAB 62.75, -2.26, -51.98

 

CMYK 81 / 31 / 0 / 0

HEX #31B0FF

RGB 49 176 255

HSL 203.01, 1%, 0.6%

LAB 68.7, -7.23, -48.56

 

CMYK 74 / 24 / 0 / 0

HEX #42C2FF

RGB 66 194 255

HSL 199.37, 1%, 0.63%

LAB 74.17, -15.24, -39.97

 

CMYK 67 / 17 / 0 / 0

HEX #53D4FF

RGB 83 212 255

HSL 195, 1%, 0.66%

LAB 79.7, -22.32, -31.38

 

CMYK 61 / 10 / 0 / 0

HEX #64E6FF

RGB 100 230 255

HSL 189.68, 1%, 0.7%

LAB 85.26, -28.58, -22.83

 

CMYK 89 / 37 / 0 / 2

HEX #1B9EF9

RGB 27 158 249

HSL 204.59, 0.95%, 0.54%

LAB 62.95, -0.71, -54.41

 

CMYK 96 / 39 / 0 / 10

HEX #0A8CE6

RGB 10 140 230

HSL 204.55, 0.92%, 0.47%

LAB 56.62, 2.08, -54.01

 

CMYK 100 / 42 / 0 / 17

HEX #007AD3

RGB 0 122 211

HSL 205.31, 1%, 0.41%

LAB 50.24, 5.37, -53.53

 

CMYK 100 / 46 / 0 / 25

HEX #0068C0

RGB 0 104 192

HSL 207.5, 1%, 0.38%

LAB 43.81, 9.15, -52.96

 

CMYK 100 / 50 / 0 / 32

HEX #0056AD

RGB 0 86 173

HSL 210.17, 1%, 0.34%

LAB 37.25, 13.18, -52.41

 

CMYK 89 / 37 / 0 / 2

HEX #1B9EF9

RGB 27 158 249

HSL 204.59, 0.95%, 0.54%

LAB 62.95, -0.71, -54.41

 

CMYK 90 / 51 / 0 / 2

HEX #1A7AF9

RGB 26 122 249

HSL 214.17, 0.95%, 0.54%

LAB 52.93, 21.05, -70.5

 

CMYK 90 / 66 / 0 / 2

HEX #1A55F9

RGB 26 85 249

HSL 224.13, 0.95%, 0.54%

LAB 43.59, 44.33, -85.75

 

CMYK 90 / 81 / 0 / 2

HEX #1A30F9

RGB 26 48 249

HSL 234.08, 0.95%, 0.54%

LAB 36.32, 64.7, -97.79

 

CMYK 84 / 90 / 0 / 2

HEX #291AF9

RGB 41 26 249

HSL 244.04, 0.95%, 0.54%

LAB 34.09, 73.26, -101.49

 

CMYK 89 / 37 / 0 / 2

HEX #1B9EF9

RGB 27 158 249

HSL 204.59, 0.95%, 0.54%

LAB 62.95, -0.71, -54.41

 

CMYK 89 / 36 / 0 / 82

HEX #051D2D

RGB 5 29 45

HSL 204, 0.8%, 0.1%

LAB 9.8, -2.55, -13.43

 

CMYK 90 / 36 / 0 / 62

HEX #0A3D60

RGB 10 61 96

HSL 204.42, 0.81%, 0.21%

LAB 24.47, -1.91, -25.25

 

CMYK 89 / 37 / 0 / 42

HEX #105D93

RGB 16 93 147

HSL 204.73, 0.8%, 0.32%

LAB 37.92, -1.25, -35.78

 

CMYK 89 / 36 / 0 / 22

HEX #157EC6

RGB 21 126 198

HSL 204.41, 0.81%, 0.43%

LAB 50.87, -1.31, -45.11

 

CMYK 89 / 37 / 0 / 2

HEX #1B9EF9

RGB 27 158 249

HSL 204.59, 0.95%, 0.54%

LAB 62.95, -0.71, -54.41

 

CMYK 36 / 90 / 0 / 2

HEX #9F1AF9

RGB 159 26 249

HSL 275.78, 0.95%, 0.54%

LAB 45.56, 81.62, -82.13

 

CMYK 0 / 0 / 90 / 2

HEX #F9F91A

RGB 249 249 26

HSL 60, 0.95%, 0.54%

LAB 95.15, -20.92, 90.44

 

CMYK 89 / 37 / 0 / 2

HEX #1B9EF9

RGB 27 158 249

HSL 204.59, 0.95%, 0.54%

LAB 62.95, -0.71, -54.41

 

CMYK 0 / 90 / 36 / 2

HEX #F91A9F

RGB 249 26 159

HSL 324.22, 0.95%, 0.54%

LAB 55.46, 83.66, -13.67

 

CMYK 36 / 0 / 90 / 2

HEX #9FF91A

RGB 159 249 26

HSL 84.22, 0.95%, 0.54%

LAB 89.49, -55.51, 83.53

 

CMYK 89 / 37 / 0 / 2

HEX #1B9EF9

RGB 27 158 249

HSL 204.59, 0.95%, 0.54%

LAB 62.95, -0.71, -54.41

 

CMYK 36 / 90 / 0 / 2

HEX #9F1AF9

RGB 159 26 249

HSL 275.78, 0.95%, 0.54%

LAB 45.56, 81.62, -82.13

 

CMYK 0 / 54 / 90 / 2

HEX #F9731A

RGB 249 115 26

HSL 23.95, 0.95%, 0.54%

LAB 63.73, 47.12, 66.56

 

CMYK 54 / 0 / 90 / 2

HEX #73F91A

RGB 115 249 26

HSL 96.05, 0.95%, 0.54%

LAB 87.71, -68.84, 81.34

 

CMYK 89 / 37 / 0 / 2

HEX #1B9EF9

RGB 27 158 249

HSL 204.59, 0.95%, 0.54%

LAB 62.95, -0.71, -54.41

 

CMYK 9 / 90 / 0 / 2

HEX #E21AF9

RGB 226 26 249

HSL 293.81, 0.95%, 0.54%

LAB 55.83, 90.83, -64.97

 

CMYK 0 / 54 / 90 / 2

HEX #F9731A

RGB 249 115 26

HSL 23.95, 0.95%, 0.54%

LAB 63.73, 47.12, 66.56

 

CMYK 81 / 0 / 90 / 2

HEX #30F91A

RGB 48 249 26

HSL 114.08, 0.95%, 0.54%

LAB 86.23, -81.32, 79.5

 

Description

Color code: RGB 27 158 249 | qconv.com Color code: RGB 27 158 249 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 158 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 158 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 37 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 37% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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