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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 138 65 it is the complementary color RGB 228 117 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 138 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 27 138 65: RGB 32 138 60, RGB 49 156 79, RGB 66 174 98, RGB 83 192 117 and RGB 100 210 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 138 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 27 138 65: RGB 27 138 65, RGB 10 120 46, RGB 0 102 27, RGB 0 84 8 and RGB 0 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 53 / 46

HEX #1B8A41

RGB 27 138 65

HSL 140.54, 0.67%, 0.32%

LAB 50.44, -46.52, 30.53

 

Complementary color

CMYK 0 / 49 / 17 / 11

HEX #E475BE

RGB 228 117 190

HSL 320.54, 0.67%, 0.68%

LAB 64.11, 51.91, -18.77

 

CMYK 77 / 0 / 57 / 46

HEX #208A3C

RGB 32 138 60

HSL 135.85, 0.62%, 0.33%

LAB 50.46, -46.57, 33.15

 

CMYK 69 / 0 / 49 / 39

HEX #319C4F

RGB 49 156 79

HSL 136.82, 0.52%, 0.4%

LAB 57.07, -47.38, 31.57

 

CMYK 62 / 0 / 44 / 32

HEX #42AE62

RGB 66 174 98

HSL 137.78, 0.45%, 0.47%

LAB 63.6, -47.77, 30.06

 

CMYK 57 / 0 / 39 / 25

HEX #53C075

RGB 83 192 117

HSL 138.72, 0.46%, 0.54%

LAB 70.05, -47.89, 28.64

 

CMYK 52 / 0 / 35 / 18

HEX #64D288

RGB 100 210 136

HSL 139.64, 0.55%, 0.61%

LAB 76.42, -47.86, 27.31

 

CMYK 80 / 0 / 53 / 46

HEX #1B8A41

RGB 27 138 65

HSL 140.54, 0.67%, 0.32%

LAB 50.44, -46.52, 30.53

 

CMYK 92 / 0 / 62 / 53

HEX #0A782E

RGB 10 120 46

HSL 139.64, 0.85%, 0.25%

LAB 43.79, -44.85, 32.23

 

CMYK 100 / 0 / 74 / 60

HEX #00661B

RGB 0 102 27

HSL 135.88, 1%, 0.2%

LAB 37.08, -42.09, 33.74

 

CMYK 100 / 0 / 90 / 67

HEX #005408

RGB 0 84 8

HSL 125.71, 1%, 0.16%

LAB 30.3, -37.87, 34.26

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 80 / 0 / 53 / 46

HEX #1B8A41

RGB 27 138 65

HSL 140.54, 0.67%, 0.32%

LAB 50.44, -46.52, 30.53

 

CMYK 81 / 0 / 40 / 47

HEX #1A8851

RGB 26 136 81

HSL 150, 0.68%, 0.32%

LAB 50, -42.96, 21.29

 

CMYK 81 / 0 / 27 / 47

HEX #1A8863

RGB 26 136 99

HSL 159.82, 0.68%, 0.32%

LAB 50.37, -38.9, 11.56

 

CMYK 81 / 0 / 13 / 47

HEX #1A8876

RGB 26 136 118

HSL 170.18, 0.68%, 0.32%

LAB 50.85, -33.86, 1.23

 

CMYK 81 / 0 / 0 / 47

HEX #1A8888

RGB 26 136 136

HSL 180, 0.68%, 0.32%

LAB 51.39, -28.47, -8.46

 

CMYK 80 / 0 / 53 / 46

HEX #1B8A41

RGB 27 138 65

HSL 140.54, 0.67%, 0.32%

LAB 50.44, -46.52, 30.53

 

CMYK 80 / 0 / 53 / 26

HEX #25BD59

RGB 37 189 89

HSL 140.53, 0.67%, 0.44%

LAB 67.66, -59.46, 39.59

 

CMYK 80 / 0 / 53 / 6

HEX #2FF071

RGB 47 240 113

HSL 140.52, 0.87%, 0.56%

LAB 84.03, -71.7, 48.16

 

CMYK 81 / 0 / 53 / 86

HEX #072411

RGB 7 36 17

HSL 140.69, 0.67%, 0.08%

LAB 11.6, -16.44, 9.32

 

CMYK 80 / 0 / 53 / 66

HEX #115729

RGB 17 87 41

HSL 140.57, 0.67%, 0.2%

LAB 32.02, -32.51, 20.73

 

CMYK 80 / 0 / 53 / 46

HEX #1B8A41

RGB 27 138 65

HSL 140.54, 0.67%, 0.32%

LAB 50.44, -46.52, 30.53

 

CMYK 81 / 43 / 0 / 47

HEX #1A4D88

RGB 26 77 136

HSL 212.18, 0.68%, 0.32%

LAB 32.49, 5.67, -37.72

 

CMYK 0 / 81 / 75 / 47

HEX #881A22

RGB 136 26 34

HSL 355.64, 0.68%, 0.32%

LAB 29.63, 45.56, 24.89

 

CMYK 80 / 0 / 53 / 46

HEX #1B8A41

RGB 27 138 65

HSL 140.54, 0.67%, 0.32%

LAB 50.44, -46.52, 30.53

 

CMYK 54 / 81 / 0 / 47

HEX #3F1A88

RGB 63 26 136

HSL 260.18, 0.68%, 0.32%

LAB 22.21, 43.52, -54.3

 

CMYK 0 / 54 / 81 / 47

HEX #883F1A

RGB 136 63 26

HSL 20.18, 0.68%, 0.32%

LAB 35.72, 28.71, 35.97

 

CMYK 80 / 0 / 53 / 46

HEX #1B8A41

RGB 27 138 65

HSL 140.54, 0.67%, 0.32%

LAB 50.44, -46.52, 30.53

 

CMYK 81 / 43 / 0 / 47

HEX #1A4D88

RGB 26 77 136

HSL 212.18, 0.68%, 0.32%

LAB 32.49, 5.67, -37.72

 

CMYK 0 / 81 / 27 / 47

HEX #881A63

RGB 136 26 99

HSL 320.18, 0.68%, 0.32%

LAB 31.52, 51.3, -15.17

 

CMYK 0 / 38 / 81 / 47

HEX #88551A

RGB 136 85 26

HSL 32.18, 0.68%, 0.32%

LAB 40.91, 16.16, 40.97

 

CMYK 80 / 0 / 53 / 46

HEX #1B8A41

RGB 27 138 65

HSL 140.54, 0.67%, 0.32%

LAB 50.44, -46.52, 30.53

 

CMYK 81 / 67 / 0 / 47

HEX #1A2D88

RGB 26 45 136

HSL 229.64, 0.68%, 0.32%

LAB 23.25, 27.76, -52.69

 

CMYK 0 / 81 / 27 / 47

HEX #881A63

RGB 136 26 99

HSL 320.18, 0.68%, 0.32%

LAB 31.52, 51.3, -15.17

 

CMYK 0 / 13 / 81 / 47

HEX #88761A

RGB 136 118 26

HSL 50.18, 0.68%, 0.32%

LAB 49.82, -2.99, 49.19

 

Description

Color code: RGB 27 138 65 | qconv.com Color code: RGB 27 138 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 138 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 138 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 53 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 53% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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