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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 158 244 it is the complementary color RGB 230 97 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 158 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 25 158 244: RGB 30 158 239, RGB 47 176 255, RGB 64 194 255, RGB 81 212 255 and RGB 98 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 158 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 25 158 244: RGB 25 158 244, RGB 8 140 225, RGB 0 122 206, RGB 0 104 187 and RGB 0 86 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 35 / 0 / 4

HEX #199EF4

RGB 25 158 244

HSL 203.56, 0.91%, 0.53%

LAB 62.67, -2.65, -52.12

 

Complementary color

CMYK 0 / 58 / 95 / 10

HEX #E6610B

RGB 230 97 11

HSL 23.56, 0.91%, 0.47%

LAB 57.46, 48.34, 64.49

 

CMYK 87 / 34 / 0 / 6

HEX #1E9EEF

RGB 30 158 239

HSL 203.25, 0.87%, 0.53%

LAB 62.48, -4.21, -49.67

 

CMYK 82 / 31 / 0 / 0

HEX #2FB0FF

RGB 47 176 255

HSL 202.79, 1%, 0.59%

LAB 68.66, -7.4, -48.62

 

CMYK 75 / 24 / 0 / 0

HEX #40C2FF

RGB 64 194 255

HSL 199.16, 1%, 0.63%

LAB 74.12, -15.47, -40.04

 

CMYK 68 / 17 / 0 / 0

HEX #51D4FF

RGB 81 212 255

HSL 194.83, 1%, 0.66%

LAB 79.65, -22.61, -31.46

 

CMYK 62 / 10 / 0 / 0

HEX #62E6FF

RGB 98 230 255

HSL 189.55, 1%, 0.69%

LAB 85.21, -28.91, -22.92

 

CMYK 90 / 35 / 0 / 4

HEX #199EF4

RGB 25 158 244

HSL 203.56, 0.91%, 0.53%

LAB 62.67, -2.65, -52.12

 

CMYK 96 / 38 / 0 / 12

HEX #088CE1

RGB 8 140 225

HSL 203.5, 0.93%, 0.46%

LAB 56.33, 0.12, -51.68

 

CMYK 100 / 41 / 0 / 19

HEX #007ACE

RGB 0 122 206

HSL 204.47, 1%, 0.4%

LAB 49.95, 3.4, -51.16

 

CMYK 100 / 44 / 0 / 27

HEX #0068BB

RGB 0 104 187

HSL 206.63, 1%, 0.37%

LAB 43.49, 7.13, -50.57

 

CMYK 100 / 49 / 0 / 34

HEX #0056A8

RGB 0 86 168

HSL 209.29, 1%, 0.33%

LAB 36.9, 11.11, -50.01

 

CMYK 90 / 35 / 0 / 4

HEX #199EF4

RGB 25 158 244

HSL 203.56, 0.91%, 0.53%

LAB 62.67, -2.65, -52.12

 

CMYK 89 / 49 / 0 / 4

HEX #1A7CF4

RGB 26 124 244

HSL 213.03, 0.91%, 0.53%

LAB 53.13, 17.89, -67.39

 

CMYK 89 / 64 / 0 / 4

HEX #1A57F4

RGB 26 87 244

HSL 223.21, 0.91%, 0.53%

LAB 43.61, 41.28, -82.92

 

CMYK 89 / 79 / 0 / 4

HEX #1A33F4

RGB 26 51 244

HSL 233.12, 0.91%, 0.53%

LAB 36.21, 61.75, -95.14

 

CMYK 85 / 89 / 0 / 4

HEX #241AF4

RGB 36 26 244

HSL 242.75, 0.91%, 0.53%

LAB 33.23, 71.83, -100.09

 

CMYK 90 / 35 / 0 / 4

HEX #199EF4

RGB 25 158 244

HSL 203.56, 0.91%, 0.53%

LAB 62.67, -2.65, -52.12

 

CMYK 90 / 35 / 0 / 84

HEX #041A28

RGB 4 26 40

HSL 203.33, 0.82%, 0.09%

LAB 8.29, -2.85, -12.12

 

CMYK 90 / 35 / 0 / 64

HEX #093B5B

RGB 9 59 91

HSL 203.41, 0.82%, 0.2%

LAB 23.48, -2.79, -23.57

 

CMYK 89 / 35 / 0 / 44

HEX #0F5C8E

RGB 15 92 142

HSL 203.62, 0.81%, 0.31%

LAB 37.31, -2.7, -33.72

 

CMYK 90 / 35 / 0 / 24

HEX #147DC1

RGB 20 125 193

HSL 203.58, 0.81%, 0.42%

LAB 50.29, -2.68, -43.17

 

CMYK 90 / 35 / 0 / 4

HEX #199EF4

RGB 25 158 244

HSL 203.56, 0.91%, 0.53%

LAB 62.67, -2.65, -52.12

 

CMYK 37 / 89 / 0 / 4

HEX #991AF4

RGB 153 26 244

HSL 274.95, 0.91%, 0.53%

LAB 44.29, 79.92, -81.44

 

CMYK 0 / 2 / 89 / 4

HEX #F4F01A

RGB 244 240 26

HSL 58.9, 0.91%, 0.53%

LAB 92.41, -18.66, 88.14

 

CMYK 90 / 35 / 0 / 4

HEX #199EF4

RGB 25 158 244

HSL 203.56, 0.91%, 0.53%

LAB 62.67, -2.65, -52.12

 

CMYK 0 / 89 / 34 / 4

HEX #F41AA0

RGB 244 26 160

HSL 323.12, 0.91%, 0.53%

LAB 54.56, 82.7, -15.71

 

CMYK 34 / 0 / 89 / 4

HEX #A0F41A

RGB 160 244 26

HSL 83.12, 0.91%, 0.53%

LAB 88.09, -53.17, 82.41

 

CMYK 90 / 35 / 0 / 4

HEX #199EF4

RGB 25 158 244

HSL 203.56, 0.91%, 0.53%

LAB 62.67, -2.65, -52.12

 

CMYK 37 / 89 / 0 / 4

HEX #991AF4

RGB 153 26 244

HSL 274.95, 0.91%, 0.53%

LAB 44.29, 79.92, -81.44

 

CMYK 0 / 55 / 89 / 4

HEX #F46D1A

RGB 244 109 26

HSL 22.84, 0.91%, 0.53%

LAB 61.87, 48.1, 64.84

 

CMYK 52 / 0 / 89 / 4

HEX #74F41A

RGB 116 244 26

HSL 95.23, 0.91%, 0.53%

LAB 86.25, -66.85, 80.13

 

CMYK 90 / 35 / 0 / 4

HEX #199EF4

RGB 25 158 244

HSL 203.56, 0.91%, 0.53%

LAB 62.67, -2.65, -52.12

 

CMYK 11 / 89 / 0 / 4

HEX #DA1AF4

RGB 218 26 244

HSL 292.84, 0.91%, 0.53%

LAB 54.21, 88.81, -64.86

 

CMYK 0 / 55 / 89 / 4

HEX #F46D1A

RGB 244 109 26

HSL 22.84, 0.91%, 0.53%

LAB 61.87, 48.1, 64.84

 

CMYK 79 / 0 / 89 / 4

HEX #33F41A

RGB 51 244 26

HSL 113.12, 0.91%, 0.53%

LAB 84.73, -79.59, 78.24

 

Description

Color code: RGB 25 158 244 | qconv.com Color code: RGB 25 158 244 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 158 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 158 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 35 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 35% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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