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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 91 111 it is the complementary color RGB 0 164 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 91 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 91 111: RGB 255 91 106, RGB 255 109 125, RGB 255 127 144, RGB 255 145 163 and RGB 255 163 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 91 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 91 111: RGB 255 91 111, RGB 238 73 92, RGB 221 55 73, RGB 204 37 54 and RGB 187 19 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 56 / 0

HEX #FF5B6F

RGB 255 91 111

HSL 352.68, 1%, 0.68%

LAB 61.56, 63.45, 23.38

 

Complementary color

CMYK 100 / 0 / 12 / 36

HEX #00A490

RGB 0 164 144

HSL 172.68, 1%, 0.32%

LAB 60.4, -40.52, 0.24

 

CMYK 0 / 64 / 58 / 0

HEX #FF5B6A

RGB 255 91 106

HSL 354.51, 1%, 0.68%

LAB 61.47, 63.11, 26.13

 

CMYK 0 / 57 / 51 / 0

HEX #FF6D7D

RGB 255 109 125

HSL 353.42, 1%, 0.71%

LAB 64.71, 56.86, 19.61

 

CMYK 0 / 50 / 44 / 0

HEX #FF7F90

RGB 255 127 144

HSL 352.03, 1%, 0.75%

LAB 68.35, 50.18, 13.91

 

CMYK 0 / 43 / 36 / 0

HEX #FF91A3

RGB 255 145 163

HSL 350.18, 1%, 0.78%

LAB 72.33, 43.3, 8.92

 

CMYK 0 / 36 / 29 / 0

HEX #FFA3B6

RGB 255 163 182

HSL 347.61, 1%, 0.82%

LAB 76.58, 36.41, 4.54

 

CMYK 0 / 64 / 56 / 0

HEX #FF5B6F

RGB 255 91 111

HSL 352.68, 1%, 0.68%

LAB 61.56, 63.45, 23.38

 

CMYK 0 / 69 / 61 / 7

HEX #EE495C

RGB 238 73 92

HSL 353.09, 0.83%, 0.61%

LAB 55.8, 63.87, 26.29

 

CMYK 0 / 75 / 67 / 13

HEX #DD3749

RGB 221 55 73

HSL 353.49, 0.71%, 0.54%

LAB 50.2, 63.89, 29.73

 

CMYK 0 / 82 / 74 / 20

HEX #CC2536

RGB 204 37 54

HSL 353.89, 0.69%, 0.47%

LAB 44.84, 63.29, 33.79

 

CMYK 0 / 90 / 81 / 27

HEX #BB1323

RGB 187 19 35

HSL 354.29, 0.82%, 0.4%

LAB 39.84, 61.75, 38.42

 

CMYK 0 / 64 / 56 / 0

HEX #FF5B6F

RGB 255 91 111

HSL 352.68, 1%, 0.68%

LAB 61.56, 63.45, 23.38

 

CMYK 0 / 62 / 64 / 0

HEX #FF615B

RGB 255 97 91

HSL 2.2, 1%, 0.68%

LAB 62.14, 59.71, 35.49

 

CMYK 0 / 51 / 64 / 0

HEX #FF7C5B

RGB 255 124 91

HSL 12.07, 1%, 0.68%

LAB 66.85, 47.43, 41.24

 

CMYK 0 / 41 / 64 / 0

HEX #FF975B

RGB 255 151 91

HSL 21.95, 1%, 0.68%

LAB 72.33, 33.89, 47.72

 

CMYK 0 / 30 / 64 / 0

HEX #FFB25B

RGB 255 178 91

HSL 31.83, 1%, 0.68%

LAB 78.38, 19.84, 54.65

Pantone® 150 C

CMYK 0 / 64 / 56 / 0

HEX #FF5B6F

RGB 255 91 111

HSL 352.68, 1%, 0.68%

LAB 61.56, 63.45, 23.38

 

CMYK 0 / 65 / 57 / 80

HEX #331216

RGB 51 18 22

HSL 352.73, 0.48%, 0.14%

LAB 10.52, 17.14, 5.28

 

CMYK 0 / 65 / 57 / 60

HEX #66242C

RGB 102 36 44

HSL 352.73, 0.48%, 0.27%

LAB 24.54, 30.41, 10.44

 

CMYK 0 / 64 / 56 / 40

HEX #993743

RGB 153 55 67

HSL 352.65, 0.47%, 0.41%

LAB 37.68, 41.89, 14.77

 

CMYK 0 / 64 / 56 / 20

HEX #CC4959

RGB 204 73 89

HSL 352.67, 0.56%, 0.54%

LAB 49.89, 52.95, 19.18

 

CMYK 0 / 64 / 56 / 0

HEX #FF5B6F

RGB 255 91 111

HSL 352.68, 1%, 0.68%

LAB 61.56, 63.45, 23.38

 

CMYK 4 / 0 / 64 / 0

HEX #F4FF5B

RGB 244 255 91

HSL 64.02, 1%, 0.68%

LAB 96.62, -23.48, 74.02

 

CMYK 64 / 30 / 0 / 0

HEX #5BB2FF

RGB 91 178 255

HSL 208.17, 1%, 0.68%

LAB 70.38, -3.05, -45.84

 

CMYK 0 / 64 / 56 / 0

HEX #FF5B6F

RGB 255 91 111

HSL 352.68, 1%, 0.68%

LAB 61.56, 63.45, 23.38

 

CMYK 56 / 0 / 64 / 0

HEX #71FF5B

RGB 113 255 91

HSL 111.95, 1%, 0.68%

LAB 89.76, -67.73, 64.66

 

CMYK 64 / 56 / 0 / 0

HEX #5B71FF

RGB 91 113 255

HSL 231.95, 1%, 0.68%

LAB 53.23, 35.37, -73.23

 

CMYK 0 / 64 / 56 / 0

HEX #FF5B6F

RGB 255 91 111

HSL 352.68, 1%, 0.68%

LAB 61.56, 63.45, 23.38

 

CMYK 4 / 0 / 64 / 0

HEX #F4FF5B

RGB 244 255 91

HSL 64.02, 1%, 0.68%

LAB 96.62, -23.48, 74.02

 

CMYK 64 / 0 / 9 / 0

HEX #5BFFE9

RGB 91 255 233

HSL 171.95, 1%, 0.68%

LAB 91.52, -47.33, -2.02

 

CMYK 60 / 64 / 0 / 0

HEX #665BFF

RGB 102 91 255

HSL 244.02, 1%, 0.68%

LAB 48.92, 49.96, -80.22

 

CMYK 0 / 64 / 56 / 0

HEX #FF5B6F

RGB 255 91 111

HSL 352.68, 1%, 0.68%

LAB 61.56, 63.45, 23.38

 

CMYK 24 / 0 / 64 / 0

HEX #C3FF5B

RGB 195 255 91

HSL 81.95, 1%, 0.68%

LAB 93.4, -42.26, 69.65

 

CMYK 64 / 0 / 9 / 0

HEX #5BFFE9

RGB 91 255 233

HSL 171.95, 1%, 0.68%

LAB 91.52, -47.33, -2.02

 

CMYK 41 / 64 / 0 / 0

HEX #975BFF

RGB 151 91 255

HSL 261.95, 1%, 0.68%

LAB 53.26, 58.33, -72.97

 

Description

Color code: RGB 255 91 111 | qconv.com Color code: RGB 255 91 111 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 91 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 91 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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