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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 24 199 it is the complementary color RGB 0 231 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 24 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 24 199: RGB 255 24 194, RGB 255 42 213, RGB 255 60 232, RGB 255 78 251 and RGB 255 96 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 24 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 24 199: RGB 255 24 199, RGB 238 6 180, RGB 221 0 161, RGB 204 0 142 and RGB 187 0 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 22 / 0

HEX #FF18C7

RGB 255 24 199

HSL 314.55, 1%, 0.55%

LAB 58.07, 89.34, -32.84

 

Complementary color

CMYK 100 / 0 / 76 / 9

HEX #00E738

RGB 0 231 56

HSL 134.55, 1%, 0.45%

LAB 80.42, -77.9, 67.06

 

CMYK 0 / 91 / 24 / 0

HEX #FF18C2

RGB 255 24 194

HSL 315.84, 1%, 0.55%

LAB 57.85, 88.77, -30.3

 

CMYK 0 / 84 / 16 / 0

HEX #FF2AD5

RGB 255 42 213

HSL 311.83, 1%, 0.58%

LAB 59.63, 88.3, -38.39

 

CMYK 0 / 76 / 9 / 0

HEX #FF3CE8

RGB 255 60 232

HSL 307.08, 1%, 0.62%

LAB 61.93, 86.79, -45.49

 

CMYK 0 / 69 / 2 / 0

HEX #FF4EFB

RGB 255 78 251

HSL 301.36, 1%, 0.65%

LAB 64.7, 84.32, -51.65

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 91 / 22 / 0

HEX #FF18C7

RGB 255 24 199

HSL 314.55, 1%, 0.55%

LAB 58.07, 89.34, -32.84

 

CMYK 0 / 97 / 24 / 7

HEX #EE06B4

RGB 238 6 180

HSL 315, 0.95%, 0.48%

LAB 53.6, 85.49, -29.03

 

CMYK 0 / 100 / 27 / 13

HEX #DD00A1

RGB 221 0 161

HSL 316.29, 1%, 0.43%

LAB 49.43, 80.58, -24.55

 

CMYK 0 / 100 / 30 / 20

HEX #CC008E

RGB 204 0 142

HSL 318.24, 1%, 0.4%

LAB 45.35, 75.19, -19.69

 

CMYK 0 / 100 / 34 / 27

HEX #BB007B

RGB 187 0 123

HSL 320.53, 1%, 0.37%

LAB 41.21, 69.74, -14.65

 

CMYK 0 / 91 / 22 / 0

HEX #FF18C7

RGB 255 24 199

HSL 314.55, 1%, 0.55%

LAB 58.07, 89.34, -32.84

 

CMYK 0 / 90 / 36 / 0

HEX #FF19A3

RGB 255 25 163

HSL 324, 1%, 0.55%

LAB 56.68, 85.43, -14.07

 

CMYK 0 / 90 / 51 / 0

HEX #FF197C

RGB 255 25 124

HSL 334.17, 1%, 0.55%

LAB 55.49, 82.19, 7.34

 

CMYK 0 / 90 / 66 / 0

HEX #FF1956

RGB 255 25 86

HSL 344.09, 1%, 0.55%

LAB 54.69, 79.95, 29.03

 

CMYK 0 / 90 / 81 / 0

HEX #FF1930

RGB 255 25 48

HSL 354, 1%, 0.55%

LAB 54.21, 78.59, 50.12

 

CMYK 0 / 91 / 22 / 0

HEX #FF18C7

RGB 255 24 199

HSL 314.55, 1%, 0.55%

LAB 58.07, 89.34, -32.84

 

CMYK 0 / 90 / 22 / 80

HEX #330528

RGB 51 5 40

HSL 314.35, 0.82%, 0.11%

LAB 8.7, 26.87, -11.04

 

CMYK 0 / 90 / 22 / 60

HEX #660A50

RGB 102 10 80

HSL 314.35, 0.82%, 0.22%

LAB 22.38, 44.52, -17.31

 

CMYK 0 / 91 / 22 / 40

HEX #990E77

RGB 153 14 119

HSL 314.68, 0.83%, 0.33%

LAB 34.84, 60.48, -22.52

 

CMYK 0 / 91 / 22 / 20

HEX #CC139F

RGB 204 19 159

HSL 314.59, 0.83%, 0.44%

LAB 46.72, 75.28, -27.81

 

CMYK 0 / 91 / 22 / 0

HEX #FF18C7

RGB 255 24 199

HSL 314.55, 1%, 0.55%

LAB 58.07, 89.34, -32.84

 

CMYK 0 / 51 / 90 / 0

HEX #FF7C19

RGB 255 124 25

HSL 25.83, 1%, 0.55%

LAB 66.33, 45.04, 69.12

 

CMYK 90 / 0 / 15 / 0

HEX #19FFD8

RGB 25 255 216

HSL 169.83, 1%, 0.55%

LAB 90.18, -57.95, 4.72

 

CMYK 0 / 91 / 22 / 0

HEX #FF18C7

RGB 255 24 199

HSL 314.55, 1%, 0.55%

LAB 58.07, 89.34, -32.84

 

CMYK 21 / 0 / 90 / 0

HEX #C9FF19

RGB 201 255 25

HSL 74.09, 1%, 0.55%

LAB 93.45, -42.81, 87.84

 

CMYK 90 / 21 / 0 / 0

HEX #19C9FF

RGB 25 201 255

HSL 194.09, 1%, 0.55%

LAB 75.58, -22.11, -37.82

 

CMYK 0 / 91 / 22 / 0

HEX #FF18C7

RGB 255 24 199

HSL 314.55, 1%, 0.55%

LAB 58.07, 89.34, -32.84

 

CMYK 0 / 51 / 90 / 0

HEX #FF7C19

RGB 255 124 25

HSL 25.83, 1%, 0.55%

LAB 66.33, 45.04, 69.12

 

CMYK 90 / 0 / 69 / 0

HEX #19FF4F

RGB 25 255 79

HSL 134.09, 1%, 0.55%

LAB 88.11, -81.79, 67.01

 

CMYK 90 / 39 / 0 / 0

HEX #199BFF

RGB 25 155 255

HSL 206.09, 1%, 0.55%

LAB 62.4, 3.16, -58.57

 

CMYK 0 / 91 / 22 / 0

HEX #FF18C7

RGB 255 24 199

HSL 314.55, 1%, 0.55%

LAB 58.07, 89.34, -32.84

 

CMYK 0 / 24 / 90 / 0

HEX #FFC119

RGB 255 193 25

HSL 43.83, 1%, 0.55%

LAB 81.55, 9.6, 80.39

 

CMYK 90 / 0 / 69 / 0

HEX #19FF4F

RGB 25 255 79

HSL 134.09, 1%, 0.55%

LAB 88.11, -81.79, 67.01

 

CMYK 90 / 66 / 0 / 0

HEX #1956FF

RGB 25 86 255

HSL 224.09, 1%, 0.55%

LAB 44.35, 45.83, -87.84

 

Description

Color code: RGB 255 24 199 | qconv.com Color code: RGB 255 24 199 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 24 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 24 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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