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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 239 67 it is the complementary color RGB 0 16 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 239 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 239 67: RGB 255 239 62, RGB 255 255 81, RGB 255 255 100, RGB 255 255 119 and RGB 255 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 239 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 239 67: RGB 255 239 67, RGB 238 221 48, RGB 221 203 29, RGB 204 185 10 and RGB 187 167 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 74 / 0

HEX #FFEF43

RGB 255 239 67

HSL 54.89, 1%, 0.63%

LAB 93.19, -12.5, 79.4

 

Complementary color

CMYK 100 / 91 / 0 / 26

HEX #0010BC

RGB 0 16 188

HSL 234.89, 1%, 0.37%

LAB 23.68, 59.07, -83.66

 

CMYK 0 / 6 / 76 / 0

HEX #FFEF3E

RGB 255 239 62

HSL 55.03, 1%, 0.62%

LAB 93.16, -12.69, 80.95

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 6 / 74 / 0

HEX #FFEF43

RGB 255 239 67

HSL 54.89, 1%, 0.63%

LAB 93.19, -12.5, 79.4

 

CMYK 0 / 7 / 80 / 7

HEX #EEDD30

RGB 238 221 48

HSL 54.63, 0.85%, 0.56%

LAB 87.05, -11.36, 78.99

 

CMYK 0 / 8 / 87 / 13

HEX #DDCB1D

RGB 221 203 29

HSL 54.38, 0.77%, 0.49%

LAB 80.83, -10.04, 77.69

 

CMYK 0 / 9 / 95 / 20

HEX #CCB90A

RGB 204 185 10

HSL 54.12, 0.91%, 0.42%

LAB 74.54, -8.52, 75.1

 

CMYK 0 / 11 / 100 / 27

HEX #BBA700

RGB 187 167 0

HSL 53.58, 1%, 0.37%

LAB 68.17, -6.78, 70.9

 

CMYK 0 / 6 / 74 / 0

HEX #FFEF43

RGB 255 239 67

HSL 54.89, 1%, 0.63%

LAB 93.19, -12.5, 79.4

 

CMYK 5 / 0 / 74 / 0

HEX #F2FF42

RGB 242 255 66

HSL 64.13, 1%, 0.63%

LAB 96.32, -25.51, 82.27

 

CMYK 18 / 0 / 74 / 0

HEX #D2FF42

RGB 210 255 66

HSL 74.29, 1%, 0.63%

LAB 94.15, -38.08, 79.45

 

CMYK 30 / 0 / 74 / 0

HEX #B3FF42

RGB 179 255 66

HSL 84.13, 1%, 0.63%

LAB 92.35, -49.54, 77.11

 

CMYK 42 / 0 / 74 / 0

HEX #94FF42

RGB 148 255 66

HSL 93.97, 1%, 0.63%

LAB 90.88, -59.87, 75.18

 

CMYK 0 / 6 / 74 / 0

HEX #FFEF43

RGB 255 239 67

HSL 54.89, 1%, 0.63%

LAB 93.19, -12.5, 79.4

 

CMYK 0 / 6 / 75 / 80

HEX #33300D

RGB 51 48 13

HSL 55.26, 0.59%, 0.13%

LAB 19.42, -4.07, 22.06

 

CMYK 0 / 6 / 74 / 60

HEX #66601B

RGB 102 96 27

HSL 55.2, 0.58%, 0.25%

LAB 40.03, -6.58, 38.34

 

CMYK 0 / 7 / 74 / 40

HEX #998F28

RGB 153 143 40

HSL 54.69, 0.59%, 0.38%

LAB 58.57, -8.33, 52.87

 

CMYK 0 / 6 / 74 / 20

HEX #CCBF36

RGB 204 191 54

HSL 54.8, 0.6%, 0.51%

LAB 76.29, -10.44, 66.31

 

CMYK 0 / 6 / 74 / 0

HEX #FFEF43

RGB 255 239 67

HSL 54.89, 1%, 0.63%

LAB 93.19, -12.5, 79.4

 

CMYK 74 / 0 / 67 / 0

HEX #42FF55

RGB 66 255 85

HSL 126.03, 1%, 0.63%

LAB 88.61, -77.3, 65.43

 

CMYK 37 / 74 / 0 / 0

HEX #A042FF

RGB 160 66 255

HSL 269.84, 1%, 0.63%

LAB 50.2, 71.29, -77.89

 

CMYK 0 / 6 / 74 / 0

HEX #FFEF43

RGB 255 239 67

HSL 54.89, 1%, 0.63%

LAB 93.19, -12.5, 79.4

 

CMYK 74 / 0 / 7 / 0

HEX #42FFEC

RGB 66 255 236

HSL 173.97, 1%, 0.63%

LAB 91.11, -49.77, -4.23

 

CMYK 7 / 74 / 0 / 0

HEX #EC42FF

RGB 236 66 255

HSL 293.97, 1%, 0.63%

LAB 60.74, 84.86, -60.35

 

CMYK 0 / 6 / 74 / 0

HEX #FFEF43

RGB 255 239 67

HSL 54.89, 1%, 0.63%

LAB 93.19, -12.5, 79.4

 

CMYK 74 / 0 / 67 / 0

HEX #42FF55

RGB 66 255 85

HSL 126.03, 1%, 0.63%

LAB 88.61, -77.3, 65.43

 

CMYK 74 / 67 / 0 / 0

HEX #4255FF

RGB 66 85 255

HSL 233.97, 1%, 0.63%

LAB 45.46, 49.09, -85.97

 

CMYK 0 / 74 / 7 / 0

HEX #FF42EC

RGB 255 66 236

HSL 306.03, 1%, 0.63%

LAB 62.69, 85.73, -46.52

 

CMYK 0 / 6 / 74 / 0

HEX #FFEF43

RGB 255 239 67

HSL 54.89, 1%, 0.63%

LAB 93.19, -12.5, 79.4

 

CMYK 74 / 0 / 45 / 0

HEX #42FF8D

RGB 66 255 141

HSL 143.81, 1%, 0.63%

LAB 89.21, -70.19, 41.4

 

CMYK 74 / 67 / 0 / 0

HEX #4255FF

RGB 66 85 255

HSL 233.97, 1%, 0.63%

LAB 45.46, 49.09, -85.97

 

CMYK 0 / 74 / 30 / 0

HEX #FF42B3

RGB 255 66 179

HSL 324.13, 1%, 0.63%

LAB 60.26, 78.46, -17.96

 

Description

Color code: RGB 255 239 67 | qconv.com Color code: RGB 255 239 67 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 239 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 239 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 74 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 74% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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