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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 110 80 it is the complementary color RGB 0 145 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 110 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 110 80: RGB 255 110 75, RGB 255 128 94, RGB 255 146 113, RGB 255 164 132 and RGB 255 182 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 110 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 110 80: RGB 255 110 80, RGB 238 92 61, RGB 221 74 42, RGB 204 56 23 and RGB 187 38 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 69 / 0

HEX #FF6E50

RGB 255 110 80

HSL 10.29, 1%, 0.66%

LAB 64.15, 53.41, 43.89

 

Complementary color

CMYK 100 / 17 / 0 / 31

HEX #0091AF

RGB 0 145 175

HSL 190.29, 1%, 0.34%

LAB 55.43, -21.47, -24.85

 

CMYK 0 / 57 / 71 / 0

HEX #FF6E4B

RGB 255 110 75

HSL 11.67, 1%, 0.65%

LAB 64.1, 53.17, 46.45

 

CMYK 0 / 50 / 63 / 0

HEX #FF805E

RGB 255 128 94

HSL 12.67, 1%, 0.68%

LAB 67.66, 45.66, 40.61

 

CMYK 0 / 43 / 56 / 0

HEX #FF9271

RGB 255 146 113

HSL 13.94, 1%, 0.72%

LAB 71.56, 37.97, 35.32

 

CMYK 0 / 36 / 48 / 0

HEX #FFA484

RGB 255 164 132

HSL 15.61, 1%, 0.76%

LAB 75.75, 30.29, 30.57

 

CMYK 0 / 29 / 41 / 0

HEX #FFB697

RGB 255 182 151

HSL 17.88, 1%, 0.8%

LAB 80.15, 22.78, 26.31

 

CMYK 0 / 57 / 69 / 0

HEX #FF6E50

RGB 255 110 80

HSL 10.29, 1%, 0.66%

LAB 64.15, 53.41, 43.89

 

CMYK 0 / 61 / 74 / 7

HEX #EE5C3D

RGB 238 92 61

HSL 10.51, 0.84%, 0.59%

LAB 58.2, 54.66, 46.45

 

CMYK 0 / 67 / 81 / 13

HEX #DD4A2A

RGB 221 74 42

HSL 10.73, 0.72%, 0.52%

LAB 52.33, 55.79, 49.11

 

CMYK 0 / 73 / 89 / 20

HEX #CC3817

RGB 204 56 23

HSL 10.94, 0.8%, 0.45%

LAB 46.62, 56.63, 51.48

 

CMYK 0 / 80 / 98 / 27

HEX #BB2604

RGB 187 38 4

HSL 11.15, 0.96%, 0.37%

LAB 41.15, 56.92, 52.76

 

CMYK 0 / 57 / 69 / 0

HEX #FF6E50

RGB 255 110 80

HSL 10.29, 1%, 0.66%

LAB 64.15, 53.41, 43.89

 

CMYK 0 / 45 / 68 / 0

HEX #FF8B51

RGB 255 139 81

HSL 20, 1%, 0.66%

LAB 69.7, 39.45, 49.71

 

CMYK 0 / 34 / 68 / 0

HEX #FFA851

RGB 255 168 81

HSL 30, 1%, 0.66%

LAB 75.98, 24.5, 56.65

 

CMYK 0 / 23 / 68 / 0

HEX #FFC551

RGB 255 197 81

HSL 40, 1%, 0.66%

LAB 82.8, 9.38, 63.92

 

CMYK 0 / 11 / 68 / 0

HEX #FFE251

RGB 255 226 81

HSL 50, 1%, 0.66%

LAB 89.97, -5.42, 71.31

 

CMYK 0 / 57 / 69 / 0

HEX #FF6E50

RGB 255 110 80

HSL 10.29, 1%, 0.66%

LAB 64.15, 53.41, 43.89

 

CMYK 0 / 57 / 69 / 80

HEX #331610

RGB 51 22 16

HSL 10.29, 0.52%, 0.13%

LAB 11.38, 13.9, 10.29

 

CMYK 0 / 57 / 69 / 60

HEX #662C20

RGB 102 44 32

HSL 10.29, 0.52%, 0.26%

LAB 25.95, 25.11, 20.19

 

CMYK 0 / 57 / 69 / 40

HEX #994230

RGB 153 66 48

HSL 10.29, 0.52%, 0.39%

LAB 39.38, 35.15, 28.59

 

CMYK 0 / 57 / 69 / 20

HEX #CC5840

RGB 204 88 64

HSL 10.29, 0.58%, 0.53%

LAB 52.05, 44.52, 36.44

 

CMYK 0 / 57 / 69 / 0

HEX #FF6E50

RGB 255 110 80

HSL 10.29, 1%, 0.66%

LAB 64.15, 53.41, 43.89

 

CMYK 25 / 0 / 68 / 0

HEX #BFFF51

RGB 191 255 81

HSL 82.07, 1%, 0.66%

LAB 93.1, -44.38, 73.01

 

CMYK 68 / 52 / 0 / 0

HEX #517AFF

RGB 81 122 255

HSL 225.86, 1%, 0.66%

LAB 54.96, 28.43, -70.45

 

CMYK 0 / 57 / 69 / 0

HEX #FF6E50

RGB 255 110 80

HSL 10.29, 1%, 0.66%

LAB 64.15, 53.41, 43.89

 

CMYK 68 / 0 / 57 / 0

HEX #51FF6E

RGB 81 255 110

HSL 130, 1%, 0.66%

LAB 89.11, -72.31, 55.73

 

CMYK 57 / 68 / 0 / 0

HEX #6E51FF

RGB 110 81 255

HSL 250, 1%, 0.66%

LAB 47.52, 56.6, -82.48

 

CMYK 0 / 57 / 69 / 0

HEX #FF6E50

RGB 255 110 80

HSL 10.29, 1%, 0.66%

LAB 64.15, 53.41, 43.89

 

CMYK 25 / 0 / 68 / 0

HEX #BFFF51

RGB 191 255 81

HSL 82.07, 1%, 0.66%

LAB 93.1, -44.38, 73.01

 

CMYK 68 / 11 / 0 / 0

HEX #51E2FF

RGB 81 226 255

HSL 190, 1%, 0.66%

LAB 83.63, -29.52, -25.36

 

CMYK 43 / 68 / 0 / 0

HEX #9151FF

RGB 145 81 255

HSL 262.07, 1%, 0.66%

LAB 50.83, 62.17, -76.93

 

CMYK 0 / 57 / 69 / 0

HEX #FF6E50

RGB 255 110 80

HSL 10.29, 1%, 0.66%

LAB 64.15, 53.41, 43.89

 

CMYK 45 / 0 / 68 / 0

HEX #8BFF51

RGB 139 255 81

HSL 100, 1%, 0.66%

LAB 90.6, -61.6, 69.65

 

CMYK 68 / 11 / 0 / 0

HEX #51E2FF

RGB 81 226 255

HSL 190, 1%, 0.66%

LAB 83.63, -29.52, -25.36

 

CMYK 23 / 68 / 0 / 0

HEX #C551FF

RGB 197 81 255

HSL 280, 1%, 0.66%

LAB 57.05, 71.97, -66.56

 

Description

Color code: RGB 255 110 80 | qconv.com Color code: RGB 255 110 80 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 110 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 110 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 69 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 69% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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