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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 108 238 it is the complementary color RGB 0 147 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 108 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 108 238: RGB 255 108 233, RGB 255 126 252, RGB 255 144 255, RGB 255 162 255 and RGB 255 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 108 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 108 238: RGB 255 108 238, RGB 238 90 219, RGB 221 72 200, RGB 204 54 181 and RGB 187 36 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 7 / 0

HEX #FF6CEE

RGB 255 108 238

HSL 306.94, 1%, 0.71%

LAB 68.14, 71.05, -39.08

 

Complementary color

CMYK 100 / 0 / 88 / 42

HEX #009311

RGB 0 147 17

HSL 126.94, 1%, 0.29%

LAB 52.85, -56.58, 52.16

 

CMYK 0 / 58 / 9 / 0

HEX #FF6CE9

RGB 255 108 233

HSL 308.98, 1%, 0.71%

LAB 67.92, 70.28, -36.65

 

CMYK 0 / 51 / 1 / 0

HEX #FF7EFC

RGB 255 126 252

HSL 301.4, 1%, 0.75%

LAB 71.7, 65.36, -41.2

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 58 / 7 / 0

HEX #FF6CEE

RGB 255 108 238

HSL 306.94, 1%, 0.71%

LAB 68.14, 71.05, -39.08

 

CMYK 0 / 62 / 8 / 7

HEX #EE5ADB

RGB 238 90 219

HSL 307.7, 0.81%, 0.64%

LAB 62.17, 71.21, -38

 

CMYK 0 / 67 / 10 / 13

HEX #DD48C8

RGB 221 72 200

HSL 308.46, 0.69%, 0.57%

LAB 56.26, 71.04, -36.66

 

CMYK 0 / 74 / 11 / 20

HEX #CC36B5

RGB 204 54 181

HSL 309.2, 0.6%, 0.51%

LAB 50.47, 70.39, -34.96

 

CMYK 0 / 81 / 13 / 27

HEX #BB24A2

RGB 187 36 162

HSL 309.93, 0.68%, 0.44%

LAB 44.85, 69, -32.75

 

CMYK 0 / 58 / 7 / 0

HEX #FF6CEE

RGB 255 108 238

HSL 306.94, 1%, 0.71%

LAB 68.14, 71.05, -39.08

 

CMYK 0 / 58 / 16 / 0

HEX #FF6BD7

RGB 255 107 215

HSL 316.22, 1%, 0.71%

LAB 67.04, 68.03, -28.01

 

CMYK 0 / 58 / 25 / 0

HEX #FF6BBE

RGB 255 107 190

HSL 326.35, 1%, 0.71%

LAB 66.13, 64.63, -15.35

 

CMYK 0 / 58 / 35 / 0

HEX #FF6BA6

RGB 255 107 166

HSL 336.08, 1%, 0.71%

LAB 65.38, 61.75, -2.84

 

CMYK 0 / 58 / 45 / 0

HEX #FF6B8D

RGB 255 107 141

HSL 346.22, 1%, 0.71%

LAB 64.72, 59.17, 10.5

 

CMYK 0 / 58 / 7 / 0

HEX #FF6CEE

RGB 255 108 238

HSL 306.94, 1%, 0.71%

LAB 68.14, 71.05, -39.08

 

CMYK 0 / 57 / 6 / 80

HEX #331630

RGB 51 22 48

HSL 306.21, 0.4%, 0.14%

LAB 12.55, 19.12, -10.97

 

CMYK 0 / 58 / 7 / 60

HEX #662B5F

RGB 102 43 95

HSL 307.12, 0.41%, 0.28%

LAB 27.79, 34.05, -18.83

 

CMYK 0 / 58 / 7 / 40

HEX #99418F

RGB 153 65 143

HSL 306.82, 0.4%, 0.43%

LAB 42.06, 47.08, -26.1

 

CMYK 0 / 58 / 7 / 20

HEX #CC56BE

RGB 204 86 190

HSL 307.12, 0.54%, 0.57%

LAB 55.29, 59.52, -32.63

 

CMYK 0 / 58 / 7 / 0

HEX #FF6CEE

RGB 255 108 238

HSL 306.94, 1%, 0.71%

LAB 68.14, 71.05, -39.08

 

CMYK 0 / 41 / 58 / 0

HEX #FF976B

RGB 255 151 107

HSL 17.84, 1%, 0.71%

LAB 72.53, 34.96, 39.73

 

CMYK 58 / 0 / 18 / 0

HEX #6BFFD2

RGB 107 255 210

HSL 161.76, 1%, 0.71%

LAB 91.37, -50.08, 9.71

 

CMYK 0 / 58 / 7 / 0

HEX #FF6CEE

RGB 255 108 238

HSL 306.94, 1%, 0.71%

LAB 68.14, 71.05, -39.08

 

CMYK 6 / 0 / 58 / 0

HEX #F0FF6B

RGB 240 255 107

HSL 66.08, 1%, 0.71%

LAB 96.45, -24.02, 67.35

 

CMYK 58 / 6 / 0 / 0

HEX #6BF0FF

RGB 107 240 255

HSL 186.08, 1%, 0.71%

LAB 88.29, -32.17, -18.24

 

CMYK 0 / 58 / 7 / 0

HEX #FF6CEE

RGB 255 108 238

HSL 306.94, 1%, 0.71%

LAB 68.14, 71.05, -39.08

 

CMYK 0 / 41 / 58 / 0

HEX #FF976B

RGB 255 151 107

HSL 17.84, 1%, 0.71%

LAB 72.53, 34.96, 39.73

 

CMYK 58 / 0 / 53 / 0

HEX #6BFF79

RGB 107 255 121

HSL 125.68, 1%, 0.71%

LAB 89.87, -65.85, 51.85

 

CMYK 58 / 18 / 0 / 0

HEX #6BD2FF

RGB 107 210 255

HSL 198.24, 1%, 0.71%

LAB 79.86, -17.37, -31.06

 

CMYK 0 / 58 / 7 / 0

HEX #FF6CEE

RGB 255 108 238

HSL 306.94, 1%, 0.71%

LAB 68.14, 71.05, -39.08

 

CMYK 0 / 24 / 58 / 0

HEX #FFC36B

RGB 255 195 107

HSL 35.68, 1%, 0.71%

LAB 82.57, 12.03, 51.86

 

CMYK 58 / 0 / 53 / 0

HEX #6BFF79

RGB 107 255 121

HSL 125.68, 1%, 0.71%

LAB 89.87, -65.85, 51.85

 

CMYK 58 / 35 / 0 / 0

HEX #6BA6FF

RGB 107 166 255

HSL 216.08, 1%, 0.71%

LAB 67.74, 6.59, -49.95

 

Description

Color code: RGB 255 108 238 | qconv.com Color code: RGB 255 108 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 108 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 108 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 7 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 7% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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