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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 87 229 it is the complementary color RGB 1 168 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 87 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 254 87 229: RGB 255 87 224, RGB 255 105 243, RGB 255 123 255, RGB 255 141 255 and RGB 255 159 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 87 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 254 87 229: RGB 254 87 229, RGB 237 69 210, RGB 220 51 191, RGB 203 33 172 and RGB 186 15 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 10 / 0

HEX #FE57E5

RGB 254 87 229

HSL 308.98, 0.99%, 0.67%

LAB 64.6, 77.72, -39.63

 

Complementary color

CMYK 99 / 0 / 85 / 34

HEX #01A81A

RGB 1 168 26

HSL 128.98, 0.99%, 0.33%

LAB 59.97, -62.12, 56.38

 

CMYK 0 / 66 / 12 / 0

HEX #FF57E0

RGB 255 87 224

HSL 311.07, 1%, 0.67%

LAB 64.53, 77.24, -36.93

 

CMYK 0 / 59 / 5 / 0

HEX #FF69F3

RGB 255 105 243

HSL 304.8, 1%, 0.71%

LAB 67.9, 73.09, -42.21

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 66 / 10 / 0

HEX #FE57E5

RGB 254 87 229

HSL 308.98, 0.99%, 0.67%

LAB 64.6, 77.72, -39.63

 

CMYK 0 / 71 / 11 / 7

HEX #ED45D2

RGB 237 69 210

HSL 309.64, 0.82%, 0.6%

LAB 58.89, 77.24, -38.06

 

CMYK 0 / 77 / 13 / 14

HEX #DC33BF

RGB 220 51 191

HSL 310.3, 0.71%, 0.53%

LAB 53.32, 76.2, -36.1

 

CMYK 0 / 84 / 15 / 20

HEX #CB21AC

RGB 203 33 172

HSL 310.94, 0.72%, 0.46%

LAB 47.96, 74.37, -33.61

 

CMYK 0 / 92 / 18 / 27

HEX #BA0F99

RGB 186 15 153

HSL 311.58, 0.85%, 0.39%

LAB 42.88, 71.47, -30.45

 

CMYK 0 / 66 / 10 / 0

HEX #FE57E5

RGB 254 87 229

HSL 308.98, 0.99%, 0.67%

LAB 64.6, 77.72, -39.63

 

CMYK 0 / 66 / 20 / 0

HEX #FE57CC

RGB 254 87 204

HSL 317.96, 0.99%, 0.67%

LAB 63.55, 74.24, -27.22

 

CMYK 0 / 66 / 31 / 0

HEX #FE57B0

RGB 254 87 176

HSL 328.02, 0.99%, 0.67%

LAB 62.53, 70.77, -12.83

 

CMYK 0 / 66 / 42 / 0

HEX #FE5794

RGB 254 87 148

HSL 338.08, 0.99%, 0.67%

LAB 61.68, 67.81, 2.07

 

CMYK 0 / 66 / 53 / 0

HEX #FE5778

RGB 254 87 120

HSL 348.14, 0.99%, 0.67%

LAB 61, 65.38, 17.38

 

CMYK 0 / 66 / 10 / 0

HEX #FE57E5

RGB 254 87 229

HSL 308.98, 0.99%, 0.67%

LAB 64.6, 77.72, -39.63

 

CMYK 0 / 66 / 10 / 80

HEX #32112D

RGB 50 17 45

HSL 309.09, 0.49%, 0.13%

LAB 11.05, 21.19, -11.12

 

CMYK 0 / 65 / 10 / 60

HEX #65235B

RGB 101 35 91

HSL 309.09, 0.49%, 0.27%

LAB 25.93, 37.05, -19.11

 

CMYK 0 / 66 / 10 / 40

HEX #983489

RGB 152 52 137

HSL 309, 0.49%, 0.4%

LAB 39.48, 51.65, -26.48

 

CMYK 0 / 66 / 10 / 20

HEX #CB46B7

RGB 203 70 183

HSL 309.02, 0.56%, 0.54%

LAB 52.39, 64.83, -33.12

 

CMYK 0 / 66 / 10 / 0

HEX #FE57E5

RGB 254 87 229

HSL 308.98, 0.99%, 0.67%

LAB 64.6, 77.72, -39.63

 

CMYK 0 / 44 / 66 / 0

HEX #FE8F57

RGB 254 143 87

HSL 20.12, 0.99%, 0.67%

LAB 70.46, 37.36, 47.53

 

CMYK 66 / 0 / 18 / 0

HEX #57FED1

RGB 87 254 209

HSL 163.83, 0.99%, 0.67%

LAB 90.56, -53.32, 8.99

 

CMYK 0 / 66 / 10 / 0

HEX #FE57E5

RGB 254 87 229

HSL 308.98, 0.99%, 0.67%

LAB 64.6, 77.72, -39.63

 

CMYK 9 / 0 / 66 / 0

HEX #E7FE57

RGB 231 254 87

HSL 68.26, 0.99%, 0.67%

LAB 95.4, -28.37, 73.97

 

CMYK 66 / 9 / 0 / 0

HEX #57E7FE

RGB 87 231 254

HSL 188.26, 0.99%, 0.67%

LAB 85.17, -31.37, -22.48

 

CMYK 0 / 66 / 10 / 0

HEX #FE57E5

RGB 254 87 229

HSL 308.98, 0.99%, 0.67%

LAB 64.6, 77.72, -39.63

 

CMYK 0 / 44 / 66 / 0

HEX #FE8F57

RGB 254 143 87

HSL 20.12, 0.99%, 0.67%

LAB 70.46, 37.36, 47.53

 

CMYK 66 / 0 / 57 / 0

HEX #57FE6D

RGB 87 254 109

HSL 127.9, 0.99%, 0.67%

LAB 88.93, -71.04, 55.99

 

CMYK 66 / 22 / 0 / 0

HEX #57C6FE

RGB 87 198 254

HSL 200.12, 0.99%, 0.67%

LAB 75.8, -14.83, -36.85

 

CMYK 0 / 66 / 10 / 0

HEX #FE57E5

RGB 254 87 229

HSL 308.98, 0.99%, 0.67%

LAB 64.6, 77.72, -39.63

 

CMYK 0 / 24 / 66 / 0

HEX #FEC157

RGB 254 193 87

HSL 38.08, 0.99%, 0.67%

LAB 81.78, 11.37, 60.21

 

CMYK 66 / 0 / 57 / 0

HEX #57FE6D

RGB 87 254 109

HSL 127.9, 0.99%, 0.67%

LAB 88.93, -71.04, 55.99

 

CMYK 66 / 42 / 0 / 0

HEX #5794FE

RGB 87 148 254

HSL 218.08, 0.99%, 0.67%

LAB 61.97, 13.26, -58.62

 

Description

Color code: RGB 254 87 229 | qconv.com Color code: RGB 254 87 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 87 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 87 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 10 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 10% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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