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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 220 157 it is the complementary color RGB 1 35 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 220 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 254 220 157: RGB 255 220 152, RGB 255 238 171, RGB 255 255 190, RGB 255 255 209 and RGB 255 255 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 220 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 254 220 157: RGB 254 220 157, RGB 237 202 138, RGB 220 184 119, RGB 203 166 100 and RGB 186 148 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 38 / 0

HEX #FEDC9D

RGB 254 220 157

HSL 38.97, 0.98%, 0.81%

LAB 89.25, 3.3, 35.31

 

Complementary color

CMYK 99 / 64 / 0 / 62

HEX #012362

RGB 1 35 98

HSL 218.97, 0.98%, 0.19%

LAB 15.95, 17.02, -40.29

 

CMYK 0 / 14 / 40 / 0

HEX #FFDC98

RGB 255 220 152

HSL 39.61, 1%, 0.8%

LAB 89.26, 3.15, 37.88

 

CMYK 0 / 7 / 33 / 0

HEX #FFEEAB

RGB 255 238 171

HSL 47.86, 1%, 0.84%

LAB 94.03, -3.84, 34.56

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 13 / 38 / 0

HEX #FEDC9D

RGB 254 220 157

HSL 38.97, 0.98%, 0.81%

LAB 89.25, 3.3, 35.31

 

CMYK 0 / 15 / 42 / 7

HEX #EDCA8A

RGB 237 202 138

HSL 38.79, 0.73%, 0.74%

LAB 82.96, 3.89, 36.5

 

CMYK 0 / 16 / 46 / 14

HEX #DCB877

RGB 220 184 119

HSL 38.61, 0.59%, 0.66%

LAB 76.58, 4.56, 37.75

 

CMYK 0 / 18 / 51 / 20

HEX #CBA664

RGB 203 166 100

HSL 38.45, 0.5%, 0.59%

LAB 70.1, 5.34, 39.06

 

CMYK 0 / 20 / 56 / 27

HEX #BA9451

RGB 186 148 81

HSL 38.29, 0.43%, 0.52%

LAB 63.52, 6.26, 40.42

 

CMYK 0 / 13 / 38 / 0

HEX #FEDC9D

RGB 254 220 157

HSL 38.97, 0.98%, 0.81%

LAB 89.25, 3.3, 35.31

 

CMYK 0 / 7 / 37 / 0

HEX #FEEB9F

RGB 254 235 159

HSL 48, 0.98%, 0.81%

LAB 93.01, -4.09, 39.23

 

CMYK 0 / 2 / 37 / 0

HEX #FEFA9F

RGB 254 250 159

HSL 57.47, 0.98%, 0.81%

LAB 96.8, -11.54, 44.12

 

CMYK 5 / 0 / 37 / 0

HEX #F1FE9F

RGB 241 254 159

HSL 68.21, 0.98%, 0.81%

LAB 96.86, -18.38, 44

 

CMYK 11 / 0 / 37 / 0

HEX #E1FE9F

RGB 225 254 159

HSL 78.32, 0.98%, 0.81%

LAB 95.74, -24.29, 42.35

 

CMYK 0 / 13 / 38 / 0

HEX #FEDC9D

RGB 254 220 157

HSL 38.97, 0.98%, 0.81%

LAB 89.25, 3.3, 35.31

 

CMYK 0 / 14 / 38 / 80

HEX #322B1F

RGB 50 43 31

HSL 37.89, 0.23%, 0.16%

LAB 17.94, 0.93, 9.01

 

CMYK 0 / 14 / 39 / 60

HEX #65573E

RGB 101 87 62

HSL 38.46, 0.24%, 0.32%

LAB 37.72, 1.67, 16.65

 

CMYK 0 / 13 / 38 / 40

HEX #98845E

RGB 152 132 94

HSL 39.31, 0.24%, 0.48%

LAB 56.07, 1.91, 23.33

 

CMYK 0 / 13 / 38 / 20

HEX #CBB07D

RGB 203 176 125

HSL 39.23, 0.43%, 0.64%

LAB 73.04, 2.57, 29.73

 

CMYK 0 / 13 / 38 / 0

HEX #FEDC9D

RGB 254 220 157

HSL 38.97, 0.98%, 0.81%

LAB 89.25, 3.3, 35.31

 

CMYK 31 / 0 / 37 / 0

HEX #AEFE9F

RGB 174 254 159

HSL 110.53, 0.98%, 0.81%

LAB 92.74, -41.83, 37.87

 

CMYK 29 / 37 / 0 / 0

HEX #B59FFE

RGB 181 159 254

HSL 253.89, 0.98%, 0.81%

LAB 70.72, 28.08, -44.39

 

CMYK 0 / 13 / 38 / 0

HEX #FEDC9D

RGB 254 220 157

HSL 38.97, 0.98%, 0.81%

LAB 89.25, 3.3, 35.31

 

CMYK 37 / 0 / 14 / 0

HEX #9FFEDB

RGB 159 254 219

HSL 157.89, 0.98%, 0.81%

LAB 93.18, -35.73, 7.9

 

CMYK 14 / 37 / 0 / 0

HEX #DB9FFE

RGB 219 159 254

HSL 277.89, 0.98%, 0.81%

LAB 74.2, 38.94, -38.7

 

CMYK 0 / 13 / 38 / 0

HEX #FEDC9D

RGB 254 220 157

HSL 38.97, 0.98%, 0.81%

LAB 89.25, 3.3, 35.31

 

CMYK 31 / 0 / 37 / 0

HEX #AEFE9F

RGB 174 254 159

HSL 110.53, 0.98%, 0.81%

LAB 92.74, -41.83, 37.87

 

CMYK 37 / 24 / 0 / 0

HEX #9FC1FE

RGB 159 193 254

HSL 218.53, 0.98%, 0.81%

LAB 77.68, 3.2, -33.69

 

CMYK 6 / 37 / 0 / 0

HEX #EE9FFE

RGB 238 159 254

HSL 289.89, 0.98%, 0.81%

LAB 76.15, 44.56, -35.52

 

CMYK 0 / 13 / 38 / 0

HEX #FEDC9D

RGB 254 220 157

HSL 38.97, 0.98%, 0.81%

LAB 89.25, 3.3, 35.31

 

CMYK 37 / 0 / 33 / 0

HEX #9FFEAB

RGB 159 254 171

HSL 127.58, 0.98%, 0.81%

LAB 92.22, -44.59, 31.07

 

CMYK 37 / 24 / 0 / 0

HEX #9FC1FE

RGB 159 193 254

HSL 218.53, 0.98%, 0.81%

LAB 77.68, 3.2, -33.69

 

CMYK 0 / 37 / 5 / 0

HEX #FE9FF1

RGB 254 159 241

HSL 308.21, 0.98%, 0.81%

LAB 77.41, 47.06, -26.4

 

Description

Color code: RGB 254 220 157 | qconv.com Color code: RGB 254 220 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 220 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 220 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 38 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 38% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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