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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 213 20 it is the complementary color RGB 1 42 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 213 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 254 213 20: RGB 255 213 15, RGB 255 231 34, RGB 255 249 53, RGB 255 255 72 and RGB 255 255 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 213 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 254 213 20: RGB 254 213 20, RGB 237 195 1, RGB 220 177 0, RGB 203 159 0 and RGB 186 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 92 / 0

HEX #FED514

RGB 254 213 20

HSL 49.49, 0.99%, 0.54%

LAB 86.36, -1.16, 84.74

 

Complementary color

CMYK 100 / 82 / 0 / 8

HEX #012AEB

RGB 1 42 235

HSL 229.49, 0.99%, 0.46%

LAB 33.27, 62.78, -94.96

 

CMYK 0 / 16 / 94 / 0

HEX #FFD50F

RGB 255 213 15

HSL 49.5, 1%, 0.53%

LAB 86.45, -0.79, 85.46

 

CMYK 0 / 9 / 87 / 0

HEX #FFE722

RGB 255 231 34

HSL 53.48, 1%, 0.57%

LAB 91.02, -9.53, 86.1

 

CMYK 0 / 2 / 79 / 0

HEX #FFF935

RGB 255 249 53

HSL 58.22, 1%, 0.6%

LAB 95.69, -17.84, 85.72

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 16 / 92 / 0

HEX #FED514

RGB 254 213 20

HSL 49.49, 0.99%, 0.54%

LAB 86.36, -1.16, 84.74

 

CMYK 0 / 18 / 100 / 7

HEX #EDC301

RGB 237 195 1

HSL 49.32, 0.99%, 0.47%

LAB 80.2, 0.6, 81.51

 

CMYK 0 / 20 / 100 / 14

HEX #DCB100

RGB 220 177 0

HSL 48.27, 1%, 0.43%

LAB 73.97, 2.57, 76.47

 

CMYK 0 / 22 / 100 / 20

HEX #CB9F00

RGB 203 159 0

HSL 47, 1%, 0.4%

LAB 67.65, 4.63, 71.26

 

CMYK 0 / 24 / 100 / 27

HEX #BA8D00

RGB 186 141 0

HSL 45.48, 1%, 0.36%

LAB 61.21, 6.77, 65.96

 

CMYK 0 / 16 / 92 / 0

HEX #FED514

RGB 254 213 20

HSL 49.49, 0.99%, 0.54%

LAB 86.36, -1.16, 84.74

 

CMYK 0 / 2 / 92 / 1

HEX #FDF915

RGB 253 249 21

HSL 58.97, 0.98%, 0.54%

LAB 95.45, -19.34, 91.45

 

CMYK 14 / 0 / 92 / 1

HEX #DAFD15

RGB 218 253 21

HSL 69.05, 0.98%, 0.54%

LAB 93.97, -35.38, 89.21

 

CMYK 29 / 0 / 92 / 1

HEX #B4FD15

RGB 180 253 21

HSL 78.88, 0.98%, 0.54%

LAB 91.69, -49.85, 86.43

 

CMYK 44 / 0 / 92 / 1

HEX #8DFD15

RGB 141 253 21

HSL 88.97, 0.98%, 0.54%

LAB 89.84, -62.97, 84.17

 

CMYK 0 / 16 / 92 / 0

HEX #FED514

RGB 254 213 20

HSL 49.49, 0.99%, 0.54%

LAB 86.36, -1.16, 84.74

 

CMYK 0 / 16 / 92 / 80

HEX #322A04

RGB 50 42 4

HSL 49.57, 0.85%, 0.11%

LAB 17.19, -1.33, 23.16

 

CMYK 0 / 16 / 92 / 60

HEX #655508

RGB 101 85 8

HSL 49.68, 0.85%, 0.21%

LAB 36.52, -1.4, 41.93

 

CMYK 0 / 16 / 92 / 40

HEX #987F0C

RGB 152 127 12

HSL 49.29, 0.85%, 0.32%

LAB 53.9, -0.93, 57.02

 

CMYK 0 / 16 / 92 / 20

HEX #CBAA10

RGB 203 170 16

HSL 49.41, 0.85%, 0.43%

LAB 70.51, -1.05, 71.25

 

CMYK 0 / 16 / 92 / 0

HEX #FED514

RGB 254 213 20

HSL 49.49, 0.99%, 0.54%

LAB 86.36, -1.16, 84.74

 

CMYK 92 / 0 / 90 / 1

HEX #15FD19

RGB 21 253 25

HSL 121.03, 0.98%, 0.54%

LAB 87.23, -84.51, 80.4

 

CMYK 53 / 92 / 0 / 1

HEX #7615FD

RGB 118 21 253

HSL 265.09, 0.98%, 0.54%

LAB 40.38, 79.35, -93.1

 

CMYK 0 / 16 / 92 / 0

HEX #FED514

RGB 254 213 20

HSL 49.49, 0.99%, 0.54%

LAB 86.36, -1.16, 84.74

 

CMYK 92 / 0 / 17 / 1

HEX #15FDD3

RGB 21 253 211

HSL 169.14, 0.98%, 0.54%

LAB 89.45, -58.58, 6.25

 

CMYK 17 / 92 / 0 / 1

HEX #D315FD

RGB 211 21 253

HSL 289.14, 0.98%, 0.54%

LAB 53.47, 89.87, -71.14

 

CMYK 0 / 16 / 92 / 0

HEX #FED514

RGB 254 213 20

HSL 49.49, 0.99%, 0.54%

LAB 86.36, -1.16, 84.74

 

CMYK 92 / 0 / 90 / 1

HEX #15FD19

RGB 21 253 25

HSL 121.03, 0.98%, 0.54%

LAB 87.23, -84.51, 80.4

 

CMYK 92 / 75 / 0 / 1

HEX #1540FD

RGB 21 64 253

HSL 228.88, 0.98%, 0.54%

LAB 39.44, 57.79, -94.84

 

CMYK 0 / 92 / 2 / 1

HEX #FD15F9

RGB 253 21 249

HSL 301.03, 0.98%, 0.54%

LAB 60.12, 95.68, -57.85

 

CMYK 0 / 16 / 92 / 0

HEX #FED514

RGB 254 213 20

HSL 49.49, 0.99%, 0.54%

LAB 86.36, -1.16, 84.74

 

CMYK 92 / 0 / 62 / 1

HEX #15FD5F

RGB 21 253 95

HSL 139.14, 0.98%, 0.54%

LAB 87.6, -79.83, 60.2

 

CMYK 92 / 75 / 0 / 1

HEX #1540FD

RGB 21 64 253

HSL 228.88, 0.98%, 0.54%

LAB 39.44, 57.79, -94.84

 

CMYK 0 / 92 / 29 / 1

HEX #FD15B4

RGB 253 21 180

HSL 318.88, 0.98%, 0.54%

LAB 56.8, 87.18, -23.87

 

Description

Color code: RGB 254 213 20 | qconv.com Color code: RGB 254 213 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 213 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 213 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 92 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 92% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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