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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 87 219 it is the complementary color RGB 2 168 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 87 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 87 219: RGB 255 87 214, RGB 255 105 233, RGB 255 123 252, RGB 255 141 255 and RGB 255 159 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 87 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 87 219: RGB 253 87 219, RGB 236 69 200, RGB 219 51 181, RGB 202 33 162 and RGB 185 15 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 13 / 1

HEX #FD57DB

RGB 253 87 219

HSL 312.29, 0.98%, 0.67%

LAB 64.01, 76.04, -34.96

 

Complementary color

CMYK 99 / 0 / 79 / 34

HEX #02A824

RGB 2 168 36

HSL 132.29, 0.98%, 0.33%

LAB 60.02, -61.46, 53.53

 

CMYK 0 / 66 / 16 / 0

HEX #FF57D6

RGB 255 87 214

HSL 314.64, 1%, 0.67%

LAB 64.11, 75.84, -31.98

 

CMYK 0 / 59 / 9 / 0

HEX #FF69E9

RGB 255 105 233

HSL 308.8, 1%, 0.71%

LAB 67.46, 71.54, -37.37

 

CMYK 0 / 52 / 1 / 0

HEX #FF7BFC

RGB 255 123 252

HSL 301.36, 1%, 0.74%

LAB 71.18, 66.74, -42.01

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 66 / 13 / 1

HEX #FD57DB

RGB 253 87 219

HSL 312.29, 0.98%, 0.67%

LAB 64.01, 76.04, -34.96

 

CMYK 0 / 71 / 15 / 7

HEX #EC45C8

RGB 236 69 200

HSL 312.93, 0.81%, 0.6%

LAB 58.28, 75.61, -33.33

 

CMYK 0 / 77 / 17 / 14

HEX #DB33B5

RGB 219 51 181

HSL 313.57, 0.7%, 0.53%

LAB 52.69, 74.63, -31.29

 

CMYK 0 / 84 / 20 / 21

HEX #CA21A2

RGB 202 33 162

HSL 314.2, 0.72%, 0.46%

LAB 47.3, 72.87, -28.72

 

CMYK 0 / 92 / 23 / 27

HEX #B90F8F

RGB 185 15 143

HSL 314.82, 0.85%, 0.39%

LAB 42.21, 70.02, -25.44

 

CMYK 0 / 66 / 13 / 1

HEX #FD57DB

RGB 253 87 219

HSL 312.29, 0.98%, 0.67%

LAB 64.01, 76.04, -34.96

 

CMYK 0 / 65 / 24 / 1

HEX #FD58C0

RGB 253 88 192

HSL 322.18, 0.98%, 0.67%

LAB 63.07, 72.06, -21.16

 

CMYK 0 / 65 / 35 / 1

HEX #FD58A5

RGB 253 88 165

HSL 332, 0.98%, 0.67%

LAB 62.15, 68.88, -7.08

 

CMYK 0 / 65 / 46 / 1

HEX #FD5889

RGB 253 88 137

HSL 342.18, 0.98%, 0.67%

LAB 61.37, 66.11, 7.99

 

CMYK 0 / 65 / 57 / 1

HEX #FD586E

RGB 253 88 110

HSL 352, 0.98%, 0.67%

LAB 60.77, 63.95, 22.84

 

CMYK 0 / 66 / 13 / 1

HEX #FD57DB

RGB 253 87 219

HSL 312.29, 0.98%, 0.67%

LAB 64.01, 76.04, -34.96

 

CMYK 0 / 65 / 14 / 81

HEX #31112A

RGB 49 17 42

HSL 313.13, 0.48%, 0.13%

LAB 10.71, 20.2, -9.45

 

CMYK 0 / 66 / 13 / 61

HEX #642257

RGB 100 34 87

HSL 311.82, 0.49%, 0.26%

LAB 25.39, 36.52, -17.34

 

CMYK 0 / 66 / 13 / 41

HEX #973483

RGB 151 52 131

HSL 312.12, 0.49%, 0.4%

LAB 39.03, 50.41, -23.51

 

CMYK 0 / 66 / 13 / 21

HEX #CA45AF

RGB 202 69 175

HSL 312.18, 0.56%, 0.53%

LAB 51.73, 63.76, -29.49

 

CMYK 0 / 66 / 13 / 1

HEX #FD57DB

RGB 253 87 219

HSL 312.29, 0.98%, 0.67%

LAB 64.01, 76.04, -34.96

 

CMYK 0 / 39 / 65 / 1

HEX #FD9A58

RGB 253 154 88

HSL 24, 0.98%, 0.67%

LAB 72.69, 31.37, 49.57

 

CMYK 65 / 0 / 13 / 1

HEX #58FDDC

RGB 88 253 220

HSL 168, 0.98%, 0.67%

LAB 90.55, -50.14, 3.29

 

CMYK 0 / 66 / 13 / 1

HEX #FD57DB

RGB 253 87 219

HSL 312.29, 0.98%, 0.67%

LAB 64.01, 76.04, -34.96

 

CMYK 13 / 0 / 65 / 1

HEX #DCFD58

RGB 220 253 88

HSL 72, 0.98%, 0.67%

LAB 94.39, -32.14, 72.31

 

CMYK 65 / 13 / 0 / 1

HEX #58DCFD

RGB 88 220 253

HSL 192, 0.98%, 0.67%

LAB 82.03, -26.18, -26.73

 

CMYK 0 / 66 / 13 / 1

HEX #FD57DB

RGB 253 87 219

HSL 312.29, 0.98%, 0.67%

LAB 64.01, 76.04, -34.96

 

CMYK 0 / 39 / 65 / 1

HEX #FD9A58

RGB 253 154 88

HSL 24, 0.98%, 0.67%

LAB 72.69, 31.37, 49.57

 

CMYK 65 / 0 / 52 / 1

HEX #58FD79

RGB 88 253 121

HSL 132, 0.98%, 0.67%

LAB 88.78, -69.01, 50.42

 

CMYK 65 / 26 / 0 / 1

HEX #58BBFD

RGB 88 187 253

HSL 204, 0.98%, 0.67%

LAB 72.7, -9.12, -41.14

 

CMYK 0 / 66 / 13 / 1

HEX #FD57DB

RGB 253 87 219

HSL 312.29, 0.98%, 0.67%

LAB 64.01, 76.04, -34.96

 

CMYK 0 / 20 / 65 / 1

HEX #FDCB58

RGB 253 203 88

HSL 41.82, 0.98%, 0.67%

LAB 84.12, 5.83, 62.27

 

CMYK 65 / 0 / 52 / 1

HEX #58FD79

RGB 88 253 121

HSL 132, 0.98%, 0.67%

LAB 88.78, -69.01, 50.42

 

CMYK 65 / 46 / 0 / 1

HEX #5889FD

RGB 88 137 253

HSL 222.18, 0.98%, 0.67%

LAB 59.03, 19.66, -62.77

 

Description

Color code: RGB 253 87 219 | qconv.com Color code: RGB 253 87 219 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 87 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 87 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 13 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 13% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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