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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 241 57 it is the complementary color RGB 2 14 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 241 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 241 57: RGB 255 241 52, RGB 255 255 71, RGB 255 255 90, RGB 255 255 109 and RGB 255 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 241 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 241 57: RGB 253 241 57, RGB 236 223 38, RGB 219 205 19, RGB 202 187 0 and RGB 185 169 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 77 / 1

HEX #FDF139

RGB 253 241 57

HSL 56.33, 0.98%, 0.61%

LAB 93.49, -14.67, 82.64

 

Complementary color

CMYK 99 / 93 / 0 / 22

HEX #020EC6

RGB 2 14 198

HSL 236.33, 0.98%, 0.39%

LAB 24.97, 62.38, -87.42

 

CMYK 0 / 5 / 80 / 0

HEX #FFF134

RGB 255 241 52

HSL 55.86, 1%, 0.6%

LAB 93.63, -14, 84.19

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 5 / 77 / 1

HEX #FDF139

RGB 253 241 57

HSL 56.33, 0.98%, 0.61%

LAB 93.49, -14.67, 82.64

 

CMYK 0 / 6 / 84 / 7

HEX #ECDF26

RGB 236 223 38

HSL 56.06, 0.84%, 0.54%

LAB 87.36, -13.46, 81.64

 

CMYK 0 / 6 / 91 / 14

HEX #DBCD13

RGB 219 205 19

HSL 55.8, 0.84%, 0.47%

LAB 81.16, -12.08, 79.56

 

CMYK 0 / 7 / 100 / 21

HEX #CABB00

RGB 202 187 0

HSL 55.54, 1%, 0.4%

LAB 74.89, -10.53, 76.34

 

CMYK 0 / 9 / 100 / 27

HEX #B9A900

RGB 185 169 0

HSL 54.81, 1%, 0.36%

LAB 68.53, -8.72, 71.07

 

CMYK 0 / 5 / 77 / 1

HEX #FDF139

RGB 253 241 57

HSL 56.33, 0.98%, 0.61%

LAB 93.49, -14.67, 82.64

 

CMYK 8 / 0 / 77 / 1

HEX #E9FD3A

RGB 233 253 58

HSL 66.15, 0.98%, 0.61%

LAB 95.11, -28.48, 83.24

 

CMYK 21 / 0 / 77 / 1

HEX #C9FD3A

RGB 201 253 58

HSL 76, 0.98%, 0.61%

LAB 93, -40.98, 80.54

 

CMYK 34 / 0 / 77 / 1

HEX #A8FD3A

RGB 168 253 58

HSL 86.15, 0.98%, 0.61%

LAB 91.18, -52.95, 78.2

 

CMYK 46 / 0 / 77 / 1

HEX #88FD3A

RGB 136 253 58

HSL 96, 0.98%, 0.61%

LAB 89.76, -63.19, 76.36

 

CMYK 0 / 5 / 77 / 1

HEX #FDF139

RGB 253 241 57

HSL 56.33, 0.98%, 0.61%

LAB 93.49, -14.67, 82.64

 

CMYK 0 / 4 / 78 / 81

HEX #312F0B

RGB 49 47 11

HSL 56.84, 0.63%, 0.12%

LAB 18.84, -4.66, 22.24

 

CMYK 0 / 5 / 77 / 61

HEX #645F17

RGB 100 95 23

HSL 56.1, 0.63%, 0.24%

LAB 39.51, -7.19, 39.43

 

CMYK 0 / 5 / 77 / 41

HEX #979022

RGB 151 144 34

HSL 56.41, 0.63%, 0.36%

LAB 58.64, -10.04, 55.02

 

CMYK 0 / 5 / 77 / 21

HEX #CAC02E

RGB 202 192 46

HSL 56.15, 0.63%, 0.49%

LAB 76.35, -12.14, 68.92

 

CMYK 0 / 5 / 77 / 1

HEX #FDF139

RGB 253 241 57

HSL 56.33, 0.98%, 0.61%

LAB 93.49, -14.67, 82.64

 

CMYK 77 / 0 / 67 / 1

HEX #3AFD54

RGB 58 253 84

HSL 128, 0.98%, 0.61%

LAB 87.87, -77.85, 64.98

 

CMYK 36 / 77 / 0 / 1

HEX #A23AFD

RGB 162 58 253

HSL 272, 0.98%, 0.61%

LAB 49.25, 74.18, -78.31

 

CMYK 0 / 5 / 77 / 1

HEX #FDF139

RGB 253 241 57

HSL 56.33, 0.98%, 0.61%

LAB 93.49, -14.67, 82.64

 

CMYK 77 / 0 / 5 / 1

HEX #3AFDF0

RGB 58 253 240

HSL 176, 0.98%, 0.61%

LAB 90.52, -48.66, -7.19

 

CMYK 5 / 77 / 0 / 1

HEX #F03AFD

RGB 240 58 253

HSL 296, 0.98%, 0.61%

LAB 60.47, 87.51, -59.64

 

CMYK 0 / 5 / 77 / 1

HEX #FDF139

RGB 253 241 57

HSL 56.33, 0.98%, 0.61%

LAB 93.49, -14.67, 82.64

 

CMYK 77 / 0 / 67 / 1

HEX #3AFD54

RGB 58 253 84

HSL 128, 0.98%, 0.61%

LAB 87.87, -77.85, 64.98

 

CMYK 77 / 72 / 0 / 1

HEX #3A47FD

RGB 58 71 253

HSL 236, 0.98%, 0.61%

LAB 42, 55.74, -90.58

 

CMYK 0 / 77 / 10 / 1

HEX #FD3AE3

RGB 253 58 227

HSL 308, 0.98%, 0.61%

LAB 61.18, 86.21, -43.88

 

CMYK 0 / 5 / 77 / 1

HEX #FDF139

RGB 253 241 57

HSL 56.33, 0.98%, 0.61%

LAB 93.49, -14.67, 82.64

 

CMYK 77 / 0 / 44 / 1

HEX #3AFD8E

RGB 58 253 142

HSL 145.85, 0.98%, 0.61%

LAB 88.5, -70.33, 39.97

 

CMYK 77 / 72 / 0 / 1

HEX #3A47FD

RGB 58 71 253

HSL 236, 0.98%, 0.61%

LAB 42, 55.74, -90.58

 

CMYK 0 / 77 / 34 / 1

HEX #FD3AA8

RGB 253 58 168

HSL 326.15, 0.98%, 0.61%

LAB 58.73, 79.05, -13.94

 

Description

Color code: RGB 253 241 57 | qconv.com Color code: RGB 253 241 57 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 241 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 241 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 77 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 77% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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