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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 208 109 it is the complementary color RGB 2 47 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 208 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 208 109: RGB 255 208 104, RGB 255 226 123, RGB 255 244 142, RGB 255 255 161 and RGB 255 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 208 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 208 109: RGB 253 208 109, RGB 236 190 90, RGB 219 172 71, RGB 202 154 52 and RGB 185 136 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 57 / 1

HEX #FDD06D

RGB 253 208 109

HSL 41.25, 0.97%, 0.71%

LAB 85.55, 4.64, 54.36

 

Complementary color

CMYK 99 / 68 / 0 / 43

HEX #022F92

RGB 2 47 146

HSL 221.25, 0.97%, 0.29%

LAB 24.07, 28.89, -57.58

 

CMYK 0 / 18 / 59 / 0

HEX #FFD068

RGB 255 208 104

HSL 41.32, 1%, 0.7%

LAB 85.69, 5.1, 56.9

 

CMYK 0 / 11 / 52 / 0

HEX #FFE27B

RGB 255 226 123

HSL 46.82, 1%, 0.74%

LAB 90.36, -2.63, 53.49

 

CMYK 0 / 4 / 44 / 0

HEX #FFF48E

RGB 255 244 142

HSL 54.16, 1%, 0.78%

LAB 95.12, -9.92, 50.26

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 18 / 57 / 1

HEX #FDD06D

RGB 253 208 109

HSL 41.25, 0.97%, 0.71%

LAB 85.55, 4.64, 54.36

 

CMYK 0 / 19 / 62 / 7

HEX #ECBE5A

RGB 236 190 90

HSL 41.1, 0.79%, 0.64%

LAB 79.27, 5.63, 55.57

 

CMYK 0 / 21 / 68 / 14

HEX #DBAC47

RGB 219 172 71

HSL 40.95, 0.67%, 0.57%

LAB 72.91, 6.78, 56.67

 

CMYK 0 / 24 / 74 / 21

HEX #CA9A34

RGB 202 154 52

HSL 40.8, 0.59%, 0.5%

LAB 66.46, 8.13, 57.51

 

CMYK 0 / 26 / 82 / 27

HEX #B98821

RGB 185 136 33

HSL 40.66, 0.7%, 0.43%

LAB 59.92, 9.71, 57.79

 

CMYK 0 / 18 / 57 / 1

HEX #FDD06D

RGB 253 208 109

HSL 41.25, 0.97%, 0.71%

LAB 85.55, 4.64, 54.36

 

CMYK 0 / 8 / 57 / 1

HEX #FCE76D

RGB 252 231 109

HSL 51.19, 0.96%, 0.71%

LAB 91.21, -7.43, 60.87

 

CMYK 1 / 0 / 57 / 1

HEX #FAFC6D

RGB 250 252 109

HSL 60.84, 0.96%, 0.71%

LAB 96.43, -18.51, 66.69

 

CMYK 10 / 0 / 57 / 1

HEX #E2FC6D

RGB 226 252 109

HSL 70.91, 0.96%, 0.71%

LAB 94.69, -27.89, 64.27

 

CMYK 20 / 0 / 57 / 1

HEX #CAFC6D

RGB 202 252 109

HSL 80.98, 0.96%, 0.71%

LAB 93.14, -36.96, 62.09

 

CMYK 0 / 18 / 57 / 1

HEX #FDD06D

RGB 253 208 109

HSL 41.25, 0.97%, 0.71%

LAB 85.55, 4.64, 54.36

 

CMYK 0 / 18 / 57 / 81

HEX #312815

RGB 49 40 21

HSL 40.71, 0.4%, 0.14%

LAB 16.62, 1.02, 14.02

 

CMYK 0 / 18 / 57 / 61

HEX #64522B

RGB 100 82 43

HSL 41.05, 0.4%, 0.28%

LAB 35.83, 2.02, 25.48

 

CMYK 0 / 18 / 57 / 41

HEX #977C41

RGB 151 124 65

HSL 41.16, 0.4%, 0.42%

LAB 53.36, 2.95, 35.73

 

CMYK 0 / 18 / 57 / 21

HEX #CAA657

RGB 202 166 87

HSL 41.22, 0.52%, 0.57%

LAB 69.84, 3.81, 45.29

 

CMYK 0 / 18 / 57 / 1

HEX #FDD06D

RGB 253 208 109

HSL 41.25, 0.97%, 0.71%

LAB 85.55, 4.64, 54.36

 

CMYK 50 / 0 / 57 / 1

HEX #7EFC6D

RGB 126 252 109

HSL 112.87, 0.96%, 0.71%

LAB 89.47, -61.54, 56.91

 

CMYK 41 / 57 / 0 / 1

HEX #956DFC

RGB 149 109 252

HSL 256.78, 0.96%, 0.71%

LAB 56.44, 47.61, -66.16

 

CMYK 0 / 18 / 57 / 1

HEX #FDD06D

RGB 253 208 109

HSL 41.25, 0.97%, 0.71%

LAB 85.55, 4.64, 54.36

 

CMYK 57 / 0 / 18 / 1

HEX #6DFCCF

RGB 109 252 207

HSL 161.12, 0.96%, 0.71%

LAB 90.49, -49.1, 10.01

 

CMYK 18 / 57 / 0 / 1

HEX #CF6DFC

RGB 207 109 252

HSL 281.12, 0.96%, 0.71%

LAB 62.7, 61.06, -55.79

 

CMYK 0 / 18 / 57 / 1

HEX #FDD06D

RGB 253 208 109

HSL 41.25, 0.97%, 0.71%

LAB 85.55, 4.64, 54.36

 

CMYK 50 / 0 / 57 / 1

HEX #7EFC6D

RGB 126 252 109

HSL 112.87, 0.96%, 0.71%

LAB 89.47, -61.54, 56.91

 

CMYK 57 / 39 / 0 / 1

HEX #6D9AFC

RGB 109 154 252

HSL 221.12, 0.96%, 0.71%

LAB 64.48, 12.97, -53.47

 

CMYK 6 / 57 / 0 / 1

HEX #EC6DFC

RGB 236 109 252

HSL 293.29, 0.96%, 0.71%

LAB 66.37, 68.17, -49.75

 

CMYK 0 / 18 / 57 / 1

HEX #FDD06D

RGB 253 208 109

HSL 41.25, 0.97%, 0.71%

LAB 85.55, 4.64, 54.36

 

CMYK 57 / 0 / 46 / 1

HEX #6DFC87

RGB 109 252 135

HSL 130.91, 0.96%, 0.71%

LAB 89.22, -62.41, 44.5

 

CMYK 57 / 39 / 0 / 1

HEX #6D9AFC

RGB 109 154 252

HSL 221.12, 0.96%, 0.71%

LAB 64.48, 12.97, -53.47

 

CMYK 0 / 57 / 10 / 1

HEX #FC6DE2

RGB 252 109 226

HSL 310.91, 0.96%, 0.71%

LAB 67.37, 67.99, -33.66

 

Description

Color code: RGB 253 208 109 | qconv.com Color code: RGB 253 208 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 208 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 208 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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