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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 194 85 it is the complementary color RGB 2 61 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 194 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 194 85: RGB 255 194 80, RGB 255 212 99, RGB 255 230 118, RGB 255 248 137 and RGB 255 255 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 194 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 194 85: RGB 253 194 85, RGB 236 176 66, RGB 219 158 47, RGB 202 140 28 and RGB 185 122 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 66 / 1

HEX #FDC255

RGB 253 194 85

HSL 38.93, 0.98%, 0.66%

LAB 81.9, 10.32, 61.19

 

Complementary color

CMYK 99 / 64 / 0 / 33

HEX #023DAA

RGB 2 61 170

HSL 218.93, 0.98%, 0.34%

LAB 30.04, 29.02, -62.37

 

CMYK 0 / 24 / 69 / 0

HEX #FFC250

RGB 255 194 80

HSL 39.09, 1%, 0.66%

LAB 82.07, 10.88, 63.57

 

CMYK 0 / 17 / 61 / 0

HEX #FFD463

RGB 255 212 99

HSL 43.46, 1%, 0.69%

LAB 86.63, 2.71, 60.23

 

CMYK 0 / 10 / 54 / 0

HEX #FFE676

RGB 255 230 118

HSL 49.05, 1%, 0.73%

LAB 91.31, -5.04, 56.95

 

CMYK 0 / 3 / 46 / 0

HEX #FFF889

RGB 255 248 137

HSL 56.44, 1%, 0.77%

LAB 96.08, -12.35, 53.81

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 23 / 66 / 1

HEX #FDC255

RGB 253 194 85

HSL 38.93, 0.98%, 0.66%

LAB 81.9, 10.32, 61.19

 

CMYK 0 / 25 / 72 / 7

HEX #ECB042

RGB 236 176 66

HSL 38.82, 0.82%, 0.59%

LAB 75.62, 11.64, 62.16

 

CMYK 0 / 28 / 79 / 14

HEX #DB9E2F

RGB 219 158 47

HSL 38.72, 0.7%, 0.52%

LAB 69.27, 13.16, 62.75

 

CMYK 0 / 31 / 86 / 21

HEX #CA8C1C

RGB 202 140 28

HSL 38.62, 0.76%, 0.45%

LAB 62.84, 14.91, 62.59

 

CMYK 0 / 34 / 95 / 27

HEX #B97A09

RGB 185 122 9

HSL 38.52, 0.91%, 0.38%

LAB 56.34, 16.94, 61.04

 

CMYK 0 / 23 / 66 / 1

HEX #FDC255

RGB 253 194 85

HSL 38.93, 0.98%, 0.66%

LAB 81.9, 10.32, 61.19

 

CMYK 0 / 13 / 67 / 1

HEX #FDDB53

RGB 253 219 83

HSL 48, 0.98%, 0.66%

LAB 88.05, -2.62, 68.5

 

CMYK 0 / 2 / 67 / 1

HEX #FDF753

RGB 253 247 83

HSL 57.88, 0.98%, 0.66%

LAB 95.17, -16.48, 75.75

 

CMYK 9 / 0 / 67 / 1

HEX #E6FD53

RGB 230 253 83

HSL 68.12, 0.98%, 0.66%

LAB 95.03, -28.53, 75.05

 

CMYK 20 / 0 / 67 / 1

HEX #CAFD53

RGB 202 253 83

HSL 78, 0.98%, 0.66%

LAB 93.2, -39.31, 72.6

 

CMYK 0 / 23 / 66 / 1

HEX #FDC255

RGB 253 194 85

HSL 38.93, 0.98%, 0.66%

LAB 81.9, 10.32, 61.19

 

CMYK 0 / 22 / 67 / 81

HEX #312610

RGB 49 38 16

HSL 40, 0.51%, 0.13%

LAB 15.88, 1.82, 16.19

 

CMYK 0 / 23 / 66 / 61

HEX #644D22

RGB 100 77 34

HSL 39.09, 0.49%, 0.26%

LAB 34.26, 4.29, 28.68

 

CMYK 0 / 23 / 66 / 41

HEX #977433

RGB 151 116 51

HSL 39, 0.5%, 0.4%

LAB 51.05, 6.43, 40.23

 

CMYK 0 / 23 / 66 / 21

HEX #CA9B44

RGB 202 155 68

HSL 38.96, 0.56%, 0.53%

LAB 66.84, 8.43, 50.99

 

CMYK 0 / 23 / 66 / 1

HEX #FDC255

RGB 253 194 85

HSL 38.93, 0.98%, 0.66%

LAB 81.9, 10.32, 61.19

 

CMYK 56 / 0 / 67 / 1

HEX #6FFD53

RGB 111 253 83

HSL 110.12, 0.98%, 0.66%

LAB 89.04, -68.21, 66.97

 

CMYK 52 / 67 / 0 / 1

HEX #7A53FD

RGB 122 83 253

HSL 253.76, 0.98%, 0.66%

LAB 48.78, 56.8, -79.27

 

CMYK 0 / 23 / 66 / 1

HEX #FDC255

RGB 253 194 85

HSL 38.93, 0.98%, 0.66%

LAB 81.9, 10.32, 61.19

 

CMYK 67 / 0 / 25 / 1

HEX #53FDBE

RGB 83 253 190

HSL 157.76, 0.98%, 0.66%

LAB 89.77, -57.77, 17.65

 

CMYK 25 / 67 / 0 / 1

HEX #BE53FD

RGB 190 83 253

HSL 277.76, 0.98%, 0.66%

LAB 56.31, 69.32, -66.69

 

CMYK 0 / 23 / 66 / 1

HEX #FDC255

RGB 253 194 85

HSL 38.93, 0.98%, 0.66%

LAB 81.9, 10.32, 61.19

 

CMYK 56 / 0 / 67 / 1

HEX #6FFD53

RGB 111 253 83

HSL 110.12, 0.98%, 0.66%

LAB 89.04, -68.21, 66.97

 

CMYK 67 / 43 / 0 / 1

HEX #5391FD

RGB 83 145 253

HSL 218.12, 0.98%, 0.66%

LAB 60.94, 14.08, -59.72

 

CMYK 11 / 67 / 0 / 1

HEX #E053FD

RGB 224 83 253

HSL 289.76, 0.98%, 0.66%

LAB 60.89, 76.36, -59.09

 

CMYK 0 / 23 / 66 / 1

HEX #FDC255

RGB 253 194 85

HSL 38.93, 0.98%, 0.66%

LAB 81.9, 10.32, 61.19

 

CMYK 67 / 0 / 58 / 1

HEX #53FD69

RGB 83 253 105

HSL 127.76, 0.98%, 0.66%

LAB 88.5, -71.9, 57.21

 

CMYK 67 / 43 / 0 / 1

HEX #5391FD

RGB 83 145 253

HSL 218.12, 0.98%, 0.66%

LAB 60.94, 14.08, -59.72

 

CMYK 0 / 67 / 9 / 1

HEX #FD53E6

RGB 253 83 230

HSL 308.12, 0.98%, 0.66%

LAB 63.98, 79.06, -41.16

 

Description

Color code: RGB 253 194 85 | qconv.com Color code: RGB 253 194 85 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 194 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 194 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 66 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 66% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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