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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 169 207 it is the complementary color RGB 2 86 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 169 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 169 207: RGB 255 169 202, RGB 255 187 221, RGB 255 205 240, RGB 255 223 255 and RGB 255 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 169 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 169 207: RGB 253 169 207, RGB 236 151 188, RGB 219 133 169, RGB 202 115 150 and RGB 185 97 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 18 / 1

HEX #FDA9CF

RGB 253 169 207

HSL 332.86, 0.95%, 0.83%

LAB 78.32, 36.1, -6.58

 

Complementary color

CMYK 98 / 0 / 44 / 66

HEX #025630

RGB 2 86 48

HSL 152.86, 0.95%, 0.17%

LAB 31.54, -32.64, 15.92

 

CMYK 0 / 34 / 21 / 0

HEX #FFA9CA

RGB 255 169 202

HSL 336.98, 1%, 0.83%

LAB 78.4, 36.05, -3.71

 

CMYK 0 / 27 / 13 / 0

HEX #FFBBDD

RGB 255 187 221

HSL 330, 1%, 0.87%

LAB 82.92, 29.52, -7.3

 

CMYK 0 / 20 / 6 / 0

HEX #FFCDF0

RGB 255 205 240

HSL 318, 1%, 0.9%

LAB 87.59, 23.21, -10.5

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 33 / 18 / 1

HEX #FDA9CF

RGB 253 169 207

HSL 332.86, 0.95%, 0.83%

LAB 78.32, 36.1, -6.58

 

CMYK 0 / 36 / 20 / 7

HEX #EC97BC

RGB 236 151 188

HSL 333.88, 0.69%, 0.76%

LAB 71.96, 36.86, -5.78

 

CMYK 0 / 39 / 23 / 14

HEX #DB85A9

RGB 219 133 169

HSL 334.88, 0.54%, 0.69%

LAB 65.51, 37.66, -4.9

 

CMYK 0 / 43 / 26 / 21

HEX #CA7396

RGB 202 115 150

HSL 335.86, 0.45%, 0.62%

LAB 58.99, 38.49, -3.91

 

CMYK 0 / 48 / 29 / 27

HEX #B96183

RGB 185 97 131

HSL 336.82, 0.39%, 0.55%

LAB 52.4, 39.36, -2.77

 

CMYK 0 / 33 / 18 / 1

HEX #FDA9CF

RGB 253 169 207

HSL 332.86, 0.95%, 0.83%

LAB 78.32, 36.1, -6.58

 

CMYK 0 / 33 / 23 / 1

HEX #FCAAC3

RGB 252 170 195

HSL 341.71, 0.93%, 0.83%

LAB 78.1, 33.48, -0.38

 

CMYK 0 / 33 / 28 / 1

HEX #FCAAB5

RGB 252 170 181

HSL 351.95, 0.93%, 0.83%

LAB 77.75, 31.55, 6.72

 

CMYK 0 / 31 / 33 / 1

HEX #FCADAA

RGB 252 173 170

HSL 2.2, 0.93%, 0.83%

LAB 78.16, 28.57, 13.3

 

CMYK 0 / 26 / 33 / 1

HEX #FCBAAA

RGB 252 186 170

HSL 11.71, 0.93%, 0.83%

LAB 81.13, 21.74, 17.47

 

CMYK 0 / 33 / 18 / 1

HEX #FDA9CF

RGB 253 169 207

HSL 332.86, 0.95%, 0.83%

LAB 78.32, 36.1, -6.58

 

CMYK 0 / 33 / 18 / 81

HEX #312128

RGB 49 33 40

HSL 333.75, 0.2%, 0.16%

LAB 14.92, 9.08, -1.63

 

CMYK 0 / 33 / 18 / 61

HEX #644352

RGB 100 67 82

HSL 332.73, 0.2%, 0.33%

LAB 32.55, 16.79, -3.2

 

CMYK 0 / 33 / 18 / 41

HEX #97657C

RGB 151 101 124

HSL 332.4, 0.2%, 0.49%

LAB 48.69, 23.7, -4.58

 

CMYK 0 / 33 / 18 / 21

HEX #CA87A5

RGB 202 135 165

HSL 333.13, 0.39%, 0.66%

LAB 63.84, 29.99, -5.34

 

CMYK 0 / 33 / 18 / 1

HEX #FDA9CF

RGB 253 169 207

HSL 332.86, 0.95%, 0.83%

LAB 78.32, 36.1, -6.58

 

CMYK 0 / 9 / 33 / 1

HEX #FCE6AA

RGB 252 230 170

HSL 43.9, 0.93%, 0.83%

LAB 91.77, -1.06, 32.01

 

CMYK 33 / 4 / 0 / 1

HEX #AAF1FC

RGB 170 241 252

HSL 188.05, 0.93%, 0.83%

LAB 91, -19.33, -12.35

 

CMYK 0 / 33 / 18 / 1

HEX #FDA9CF

RGB 253 169 207

HSL 332.86, 0.95%, 0.83%

LAB 78.32, 36.1, -6.58

 

CMYK 17 / 0 / 33 / 1

HEX #D0FCAA

RGB 208 252 170

HSL 92.2, 0.93%, 0.83%

LAB 94.28, -28, 34.79

 

CMYK 33 / 17 / 0 / 1

HEX #AAD0FC

RGB 170 208 252

HSL 212.2, 0.93%, 0.83%

LAB 82.21, -2.4, -25.61

 

CMYK 0 / 33 / 18 / 1

HEX #FDA9CF

RGB 253 169 207

HSL 332.86, 0.95%, 0.83%

LAB 78.32, 36.1, -6.58

 

CMYK 0 / 9 / 33 / 1

HEX #FCE6AA

RGB 252 230 170

HSL 43.9, 0.93%, 0.83%

LAB 91.77, -1.06, 32.01

 

CMYK 33 / 0 / 15 / 1

HEX #AAFCD6

RGB 170 252 214

HSL 152.2, 0.93%, 0.83%

LAB 93.02, -32.77, 10.33

 

CMYK 33 / 24 / 0 / 1

HEX #AAC0FC

RGB 170 192 252

HSL 223.9, 0.93%, 0.83%

LAB 78.04, 6.21, -32.01

 

CMYK 0 / 33 / 18 / 1

HEX #FDA9CF

RGB 253 169 207

HSL 332.86, 0.95%, 0.83%

LAB 78.32, 36.1, -6.58

 

CMYK 1 / 0 / 33 / 1

HEX #FAFCAA

RGB 250 252 170

HSL 61.46, 0.93%, 0.83%

LAB 97.17, -12.78, 39.13

 

CMYK 33 / 0 / 15 / 1

HEX #AAFCD6

RGB 170 252 214

HSL 152.2, 0.93%, 0.83%

LAB 93.02, -32.77, 10.33

 

CMYK 31 / 33 / 0 / 1

HEX #ADAAFC

RGB 173 170 252

HSL 242.2, 0.93%, 0.83%

LAB 72.67, 19.21, -40.31

 

Description

Color code: RGB 253 169 207 | qconv.com Color code: RGB 253 169 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 169 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 169 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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