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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 164 60 it is the complementary color RGB 2 91 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 164 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 164 60: RGB 255 164 55, RGB 255 182 74, RGB 255 200 93, RGB 255 218 112 and RGB 255 236 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 164 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 164 60: RGB 253 164 60, RGB 236 146 41, RGB 219 128 22, RGB 202 110 3 and RGB 185 92 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 76 / 1

HEX #FDA43C

RGB 253 164 60

HSL 32.33, 0.98%, 0.61%

LAB 74.67, 24.81, 64.28

 

Complementary color

CMYK 99 / 53 / 0 / 24

HEX #025BC3

RGB 2 91 195

HSL 212.33, 0.98%, 0.39%

LAB 40.3, 18.93, -60.37

 

CMYK 0 / 36 / 78 / 0

HEX #FFA437

RGB 255 164 55

HSL 32.7, 1%, 0.61%

LAB 74.88, 25.45, 66.49

NCS® S0570-Y30R

CMYK 0 / 29 / 71 / 0

HEX #FFB64A

RGB 255 182 74

HSL 35.8, 1%, 0.65%

LAB 79.16, 16.83, 63.09

 

CMYK 0 / 22 / 64 / 0

HEX #FFC85D

RGB 255 200 93

HSL 39.63, 1%, 0.68%

LAB 83.63, 8.51, 59.59

 

CMYK 0 / 15 / 56 / 0

HEX #FFDA70

RGB 255 218 112

HSL 44.48, 1%, 0.72%

LAB 88.24, 0.56, 56.15

 

CMYK 0 / 7 / 49 / 0

HEX #FFEC83

RGB 255 236 131

HSL 50.81, 1%, 0.76%

LAB 92.97, -6.96, 52.85

 

CMYK 0 / 35 / 76 / 1

HEX #FDA43C

RGB 253 164 60

HSL 32.33, 0.98%, 0.61%

LAB 74.67, 24.81, 64.28

 

CMYK 0 / 38 / 83 / 7

HEX #EC9229

RGB 236 146 41

HSL 32.31, 0.84%, 0.54%

LAB 68.42, 26.58, 64.86

 

CMYK 0 / 42 / 90 / 14

HEX #DB8016

RGB 219 128 22

HSL 32.28, 0.82%, 0.47%

LAB 62.13, 28.56, 64.54

 

CMYK 0 / 46 / 99 / 21

HEX #CA6E03

RGB 202 110 3

HSL 32.26, 0.97%, 0.4%

LAB 55.8, 30.75, 62.82

 

CMYK 0 / 50 / 100 / 27

HEX #B95C00

RGB 185 92 0

HSL 29.84, 1%, 0.36%

LAB 49.46, 33.16, 58.29

 

CMYK 0 / 35 / 76 / 1

HEX #FDA43C

RGB 253 164 60

HSL 32.33, 0.98%, 0.61%

LAB 74.67, 24.81, 64.28

 

CMYK 0 / 23 / 77 / 1

HEX #FDC23A

RGB 253 194 58

HSL 41.85, 0.98%, 0.61%

LAB 81.71, 9.08, 71.66

 

CMYK 0 / 10 / 77 / 1

HEX #FDE33A

RGB 253 227 58

HSL 52, 0.98%, 0.61%

LAB 89.92, -7.73, 79.15

 

CMYK 3 / 0 / 77 / 1

HEX #F6FD3A

RGB 246 253 58

HSL 62.15, 0.98%, 0.61%

LAB 96.06, -23.25, 84.45

 

CMYK 15 / 0 / 77 / 1

HEX #D6FD3A

RGB 214 253 58

HSL 72, 0.98%, 0.61%

LAB 93.82, -35.98, 81.59

 

CMYK 0 / 35 / 76 / 1

HEX #FDA43C

RGB 253 164 60

HSL 32.33, 0.98%, 0.61%

LAB 74.67, 24.81, 64.28

 

CMYK 0 / 35 / 76 / 81

HEX #31200C

RGB 49 32 12

HSL 32.43, 0.61%, 0.12%

LAB 13.9, 5.61, 15.66

 

CMYK 0 / 35 / 76 / 61

HEX #644118

RGB 100 65 24

HSL 32.37, 0.61%, 0.24%

LAB 30.77, 11.03, 30.23

 

CMYK 0 / 35 / 76 / 41

HEX #976224

RGB 151 98 36

HSL 32.35, 0.61%, 0.37%

LAB 46.23, 15.92, 42.34

 

CMYK 0 / 35 / 76 / 21

HEX #CA8330

RGB 202 131 48

HSL 32.34, 0.62%, 0.49%

LAB 60.78, 20.48, 53.61

 

CMYK 0 / 35 / 76 / 1

HEX #FDA43C

RGB 253 164 60

HSL 32.33, 0.98%, 0.61%

LAB 74.67, 24.81, 64.28

 

CMYK 57 / 0 / 77 / 1

HEX #6EFD3A

RGB 110 253 58

HSL 104, 0.98%, 0.61%

LAB 88.86, -70.19, 75.19

 

CMYK 67 / 77 / 0 / 1

HEX #543AFD

RGB 84 58 253

HSL 248, 0.98%, 0.61%

LAB 41.22, 64.48, -91.81

 

CMYK 0 / 35 / 76 / 1

HEX #FDA43C

RGB 253 164 60

HSL 32.33, 0.98%, 0.61%

LAB 74.67, 24.81, 64.28

 

CMYK 77 / 0 / 36 / 1

HEX #3AFDA2

RGB 58 253 162

HSL 152, 0.98%, 0.61%

LAB 88.81, -66.76, 30.49

 

CMYK 36 / 77 / 0 / 1

HEX #A23AFD

RGB 162 58 253

HSL 272, 0.98%, 0.61%

LAB 49.25, 74.18, -78.31

 

CMYK 0 / 35 / 76 / 1

HEX #FDA43C

RGB 253 164 60

HSL 32.33, 0.98%, 0.61%

LAB 74.67, 24.81, 64.28

 

CMYK 57 / 0 / 77 / 1

HEX #6EFD3A

RGB 110 253 58

HSL 104, 0.98%, 0.61%

LAB 88.86, -70.19, 75.19

 

CMYK 77 / 41 / 0 / 1

HEX #3A95FD

RGB 58 149 253

HSL 212, 0.98%, 0.61%

LAB 61.21, 8.48, -59.34

 

CMYK 21 / 77 / 0 / 1

HEX #C93AFD

RGB 201 58 253

HSL 284, 0.98%, 0.61%

LAB 54.59, 80.55, -69.4

 

CMYK 0 / 35 / 76 / 1

HEX #FDA43C

RGB 253 164 60

HSL 32.33, 0.98%, 0.61%

LAB 74.67, 24.81, 64.28

 

CMYK 77 / 0 / 75 / 1

HEX #3AFD40

RGB 58 253 64

HSL 121.85, 0.98%, 0.61%

LAB 87.74, -79.46, 71.88

 

CMYK 77 / 41 / 0 / 1

HEX #3A95FD

RGB 58 149 253

HSL 212, 0.98%, 0.61%

LAB 61.21, 8.48, -59.34

 

CMYK 0 / 77 / 3 / 1

HEX #FD3AF6

RGB 253 58 246

HSL 302.15, 0.98%, 0.61%

LAB 62.14, 88.89, -52.98

 

Description

Color code: RGB 253 164 60 | qconv.com Color code: RGB 253 164 60 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 164 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 164 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 76 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 76% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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