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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 156 227 it is the complementary color RGB 2 99 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 156 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 156 227: RGB 255 156 222, RGB 255 174 241, RGB 255 192 255, RGB 255 210 255 and RGB 255 228 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 156 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 156 227: RGB 253 156 227, RGB 236 138 208, RGB 219 120 189, RGB 202 102 170 and RGB 185 84 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 10 / 1

HEX #FD9CE3

RGB 253 156 227

HSL 316.08, 0.96%, 0.8%

LAB 76.2, 45.95, -20.66

 

Complementary color

CMYK 98 / 0 / 72 / 61

HEX #02631C

RGB 2 99 28

HSL 136.08, 0.96%, 0.2%

LAB 36.02, -40.76, 32.16

 

CMYK 0 / 39 / 13 / 0

HEX #FF9CDE

RGB 255 156 222

HSL 320, 1%, 0.81%

LAB 76.26, 45.79, -17.81

 

CMYK 0 / 32 / 5 / 0

HEX #FFAEF1

RGB 255 174 241

HSL 310.37, 1%, 0.84%

LAB 80.67, 39.63, -21.42

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 38 / 10 / 1

HEX #FD9CE3

RGB 253 156 227

HSL 316.08, 0.96%, 0.8%

LAB 76.2, 45.95, -20.66

 

CMYK 0 / 42 / 12 / 7

HEX #EC8AD0

RGB 236 138 208

HSL 317.14, 0.72%, 0.73%

LAB 69.87, 46.7, -20.01

 

CMYK 0 / 45 / 14 / 14

HEX #DB78BD

RGB 219 120 189

HSL 318.18, 0.58%, 0.66%

LAB 63.48, 47.44, -19.27

 

CMYK 0 / 50 / 16 / 21

HEX #CA66AA

RGB 202 102 170

HSL 319.2, 0.49%, 0.6%

LAB 57.04, 48.16, -18.42

 

CMYK 0 / 55 / 18 / 27

HEX #B95497

RGB 185 84 151

HSL 320.2, 0.42%, 0.53%

LAB 50.56, 48.81, -17.39

 

CMYK 0 / 38 / 10 / 1

HEX #FD9CE3

RGB 253 156 227

HSL 316.08, 0.96%, 0.8%

LAB 76.2, 45.95, -20.66

 

CMYK 0 / 38 / 17 / 1

HEX #FC9BD2

RGB 252 155 210

HSL 325.98, 0.94%, 0.8%

LAB 75.32, 43.47, -12.7

 

CMYK 0 / 38 / 23 / 1

HEX #FC9BC2

RGB 252 155 194

HSL 335.88, 0.94%, 0.8%

LAB 74.85, 41.13, -4.62

 

CMYK 0 / 38 / 30 / 1

HEX #FC9BB1

RGB 252 155 177

HSL 346.39, 0.94%, 0.8%

LAB 74.39, 38.84, 4.08

 

CMYK 0 / 38 / 36 / 1

HEX #FC9BA1

RGB 252 155 161

HSL 356.29, 0.94%, 0.8%

LAB 74, 36.87, 12.35

 

CMYK 0 / 38 / 10 / 1

HEX #FD9CE3

RGB 253 156 227

HSL 316.08, 0.96%, 0.8%

LAB 76.2, 45.95, -20.66

 

CMYK 0 / 39 / 10 / 81

HEX #311E2C

RGB 49 30 44

HSL 315.79, 0.24%, 0.15%

LAB 14.19, 12.04, -5.6

 

CMYK 0 / 38 / 10 / 61

HEX #643E5A

RGB 100 62 90

HSL 315.79, 0.23%, 0.32%

LAB 31.56, 21.39, -9.82

 

CMYK 0 / 38 / 11 / 41

HEX #975D87

RGB 151 93 135

HSL 316.55, 0.24%, 0.48%

LAB 47.18, 30.18, -13.42

 

CMYK 0 / 38 / 10 / 21

HEX #CA7DB5

RGB 202 125 181

HSL 316.36, 0.42%, 0.64%

LAB 62.13, 38.01, -16.98

 

CMYK 0 / 38 / 10 / 1

HEX #FD9CE3

RGB 253 156 227

HSL 316.08, 0.96%, 0.8%

LAB 76.2, 45.95, -20.66

 

CMYK 0 / 21 / 38 / 1

HEX #FCC89B

RGB 252 200 155

HSL 27.84, 0.94%, 0.8%

LAB 84.16, 12.64, 29.54

Pantone® 712 C

CMYK 38 / 0 / 5 / 1

HEX #9BFCEF

RGB 155 252 239

HSL 171.96, 0.94%, 0.8%

LAB 92.94, -31.52, -2.8

 

CMYK 0 / 38 / 10 / 1

HEX #FD9CE3

RGB 253 156 227

HSL 316.08, 0.96%, 0.8%

LAB 76.2, 45.95, -20.66

 

CMYK 10 / 0 / 38 / 1

HEX #E2FC9B

RGB 226 252 155

HSL 76.08, 0.94%, 0.8%

LAB 95.23, -23.44, 43.65

 

CMYK 38 / 10 / 0 / 1

HEX #9BE2FC

RGB 155 226 252

HSL 196.08, 0.94%, 0.8%

LAB 86.2, -15.73, -19.63

 

CMYK 0 / 38 / 10 / 1

HEX #FD9CE3

RGB 253 156 227

HSL 316.08, 0.96%, 0.8%

LAB 76.2, 45.95, -20.66

 

CMYK 0 / 21 / 38 / 1

HEX #FCC89B

RGB 252 200 155

HSL 27.84, 0.94%, 0.8%

LAB 84.16, 12.64, 29.54

Pantone® 712 C

CMYK 38 / 0 / 28 / 1

HEX #9BFCB5

RGB 155 252 181

HSL 136.08, 0.94%, 0.8%

LAB 91.65, -43.19, 25.22

 

CMYK 38 / 18 / 0 / 1

HEX #9BCFFC

RGB 155 207 252

HSL 207.84, 0.94%, 0.8%

LAB 81.08, -5.88, -27.41

 

CMYK 0 / 38 / 10 / 1

HEX #FD9CE3

RGB 253 156 227

HSL 316.08, 0.96%, 0.8%

LAB 76.2, 45.95, -20.66

 

CMYK 0 / 9 / 38 / 1

HEX #FCE69B

RGB 252 230 155

HSL 46.39, 0.94%, 0.8%

LAB 91.53, -2.78, 39.27

 

CMYK 38 / 0 / 28 / 1

HEX #9BFCB5

RGB 155 252 181

HSL 136.08, 0.94%, 0.8%

LAB 91.65, -43.19, 25.22

 

CMYK 38 / 30 / 0 / 1

HEX #9BB1FC

RGB 155 177 252

HSL 226.39, 0.94%, 0.8%

LAB 73.18, 10.45, -39.6

 

Description

Color code: RGB 253 156 227 | qconv.com Color code: RGB 253 156 227 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 156 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 156 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 10 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 10% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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