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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 136 105 it is the complementary color RGB 2 119 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 136 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 136 105 shade: RGB 255 136 100, RGB 255 154 119, RGB 255 172 138, RGB 255 190 157 and RGB 255 208 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 136 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 136 105 shade: RGB 253 136 105, RGB 236 118 86, RGB 219 100 67, RGB 202 82 48 and RGB 185 64 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 136 105 shade: RGB 253 135 104 and RGB 253 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 136 105 shade: RGB 253 135 104, RGB 253 175 104, RGB 253 215 104, RGB 250 253 104 and RGB 210 253 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 136 105 shade matches the following richer shades: RGB 253 135 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 136 105 shade: RGB 253 135 104, RGB 240 143 117, RGB 228 150 129, RGB 216 157 141 and RGB 203 164 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 136 105 shade: RGB 253 104 154, RGB 253 104 114, RGB 253 134 104, RGB 253 174 104 and RGB 253 213 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 136 105 shade: RGB 251 71 23, RGB 252 103 64, RGB 253 135 104, RGB 253 168 145 and RGB 254 200 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 136 105 shade: RGB 253 136 105, RGB 193 253 104 and RGB 104 134 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 136 105 shade: RGB 253 136 105, RGB 104 253 134 and RGB 134 104 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 136 105 shade: RGB 253 136 105, RGB 193 253 104, RGB 104 223 253 and RGB 164 104 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 136 105 shade: RGB 253 136 105, RGB 149 253 104, RGB 104 223 253 and RGB 208 104 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 58 / 1

HEX #FD8869

RGB 253 136 105

HSL 12.57, 0.97%, 0.7%

LAB 69.12, 41.68, 36.47

 

Complementary color

CMYK 99 / 21 / 0 / 41

HEX #027796

RGB 2 119 150

HSL 192.57, 0.97%, 0.3%

LAB 46.19, -16.34, -24.62

 

CMYK 0 / 47 / 61 / 0

HEX #FF8864

RGB 255 136 100

HSL 13.94, 1%, 0.7%

LAB 69.32, 42.09, 39.45

 

CMYK 0 / 40 / 53 / 0

HEX #FF9A77

RGB 255 154 119

HSL 15.44, 1%, 0.73%

LAB 73.35, 34.34, 34.4

 

CMYK 0 / 33 / 46 / 0

HEX #FFAC8A

RGB 255 172 138

HSL 17.44, 1%, 0.77%

LAB 77.64, 26.68, 29.87

 

CMYK 0 / 25 / 38 / 0

HEX #FFBE9D

RGB 255 190 157

HSL 20.2, 1%, 0.81%

LAB 82.12, 19.25, 25.8

 

CMYK 0 / 18 / 31 / 0

HEX #FFD0B0

RGB 255 208 176

HSL 24.3, 1%, 0.85%

LAB 86.75, 12.11, 22.13

 

CMYK 0 / 46 / 58 / 1

HEX #FD8869

RGB 253 136 105

HSL 12.57, 0.97%, 0.7%

LAB 69.12, 41.68, 36.47

 

CMYK 0 / 50 / 64 / 7

HEX #EC7656

RGB 236 118 86

HSL 12.8, 0.8%, 0.63%

LAB 62.9, 43.03, 38.5

 

CMYK 0 / 54 / 69 / 14

HEX #DB6443

RGB 219 100 67

HSL 13.03, 0.68%, 0.56%

LAB 56.66, 44.44, 40.75

 

CMYK 0 / 59 / 76 / 21

HEX #CA5230

RGB 202 82 48

HSL 13.25, 0.62%, 0.49%

LAB 50.46, 45.87, 43.18

 

CMYK 0 / 65 / 84 / 27

HEX #B9401D

RGB 185 64 29

HSL 13.46, 0.73%, 0.42%

LAB 44.33, 47.23, 45.59

 

CMYK 0 / 47 / 59 / 1

HEX #FD8768

RGB 253 135 104

HSL 12.48, 0.97%, 0.7%

LAB 68.9, 42.11, 36.74

 

CMYK 0 / 59 / 59 / 1

HEX #FD6868

RGB 253 104 104

HSL 0, 0.97%, 0.7%

LAB 63.16, 56.83, 29.42

 

CMYK 0 / 47 / 59 / 1

HEX #FD8768

RGB 253 135 104

HSL 12.48, 0.97%, 0.7%

LAB 68.9, 42.11, 36.74

 

CMYK 0 / 31 / 59 / 1

HEX #FDAF68

RGB 253 175 104

HSL 28.59, 0.97%, 0.7%

LAB 77.6, 21.45, 47.39

 

CMYK 0 / 15 / 59 / 1

HEX #FDD768

RGB 253 215 104

HSL 44.7, 0.97%, 0.7%

LAB 87.23, 0.7, 58.61

 

CMYK 1 / 0 / 59 / 1

HEX #FAFD68

RGB 250 253 104

HSL 61.21, 0.97%, 0.7%

LAB 96.65, -19.34, 69.02

 

CMYK 17 / 0 / 59 / 1

HEX #D2FD68

RGB 210 253 104

HSL 77.32, 0.97%, 0.7%

LAB 93.86, -34.84, 65.16

 

CMYK 0 / 47 / 59 / 1

HEX #FD8768

RGB 253 135 104

HSL 12.48, 0.97%, 0.7%

LAB 68.9, 42.11, 36.74

 

CMYK 0 / 47 / 59 / 1

HEX #FD8768

RGB 253 135 104

HSL 12.48, 0.97%, 0.7%

LAB 68.9, 42.11, 36.74

 

CMYK 0 / 40 / 51 / 6

HEX #F08F75

RGB 240 143 117

HSL 12.68, 0.8%, 0.7%

LAB 69.08, 34.11, 29.57

 

CMYK 0 / 34 / 43 / 11

HEX #E49681

RGB 228 150 129

HSL 12.73, 0.65%, 0.7%

LAB 69.39, 26.93, 23.15

 

CMYK 0 / 27 / 35 / 15

HEX #D89D8D

RGB 216 157 141

HSL 12.8, 0.49%, 0.7%

LAB 69.92, 19.88, 17.05

 

CMYK 0 / 19 / 24 / 20

HEX #CBA49A

RGB 203 164 154

HSL 12.24, 0.32%, 0.7%

LAB 70.58, 12.82, 10.61

 

CMYK 0 / 59 / 39 / 1

HEX #FD689A

RGB 253 104 154

HSL 339.87, 0.97%, 0.7%

LAB 64.26, 61.15, 2.34

 

CMYK 0 / 59 / 55 / 1

HEX #FD6872

RGB 253 104 114

HSL 355.97, 0.97%, 0.7%

LAB 63.34, 57.55, 23.98

 

CMYK 0 / 47 / 59 / 1

HEX #FD8668

RGB 253 134 104

HSL 12.08, 0.97%, 0.7%

LAB 68.7, 42.61, 36.49

 

CMYK 0 / 31 / 59 / 1

HEX #FDAE68

RGB 253 174 104

HSL 28.19, 0.97%, 0.7%

LAB 77.37, 21.98, 47.11

 

CMYK 0 / 16 / 59 / 1

HEX #FDD568

RGB 253 213 104

HSL 43.89, 0.97%, 0.7%

LAB 86.74, 1.72, 58.05

 

CMYK 0 / 72 / 91 / 2

HEX #FB4717

RGB 251 71 23

HSL 12.63, 0.97%, 0.54%

LAB 57.15, 66.11, 62.97

 

CMYK 0 / 59 / 75 / 1

HEX #FC6740

RGB 252 103 64

HSL 12.45, 0.97%, 0.62%

LAB 62.31, 54.8, 49.98

 

CMYK 0 / 47 / 59 / 1

HEX #FD8768

RGB 253 135 104

HSL 12.48, 0.97%, 0.7%

LAB 68.9, 42.11, 36.74

 

CMYK 0 / 34 / 43 / 1

HEX #FDA891

RGB 253 168 145

HSL 12.78, 0.96%, 0.78%

LAB 76.64, 28.71, 24.73

 

CMYK 0 / 21 / 27 / 0

HEX #FEC8BA

RGB 254 200 186

HSL 12.35, 0.97%, 0.86%

LAB 84.96, 17.21, 14.33

 

CMYK 0 / 46 / 58 / 1

HEX #FD8869

RGB 253 136 105

HSL 12.57, 0.97%, 0.7%

LAB 69.12, 41.68, 36.47

 

CMYK 24 / 0 / 59 / 1

HEX #C1FD68

RGB 193 253 104

HSL 84.16, 0.97%, 0.7%

LAB 92.83, -41.11, 63.73

 

CMYK 59 / 47 / 0 / 1

HEX #6886FD

RGB 104 134 253

HSL 227.92, 0.97%, 0.7%

LAB 59.05, 24.2, -62.69

 

CMYK 0 / 46 / 58 / 1

HEX #FD8869

RGB 253 136 105

HSL 12.57, 0.97%, 0.7%

LAB 69.12, 41.68, 36.47

 

CMYK 59 / 0 / 47 / 1

HEX #68FD86

RGB 104 253 134

HSL 132.08, 0.97%, 0.7%

LAB 89.35, -64.01, 45.12

 

CMYK 47 / 59 / 0 / 1

HEX #8668FD

RGB 134 104 253

HSL 252.08, 0.97%, 0.7%

LAB 54.09, 47.56, -70.58

 

CMYK 0 / 46 / 58 / 1

HEX #FD8869

RGB 253 136 105

HSL 12.57, 0.97%, 0.7%

LAB 69.12, 41.68, 36.47

 

CMYK 24 / 0 / 59 / 1

HEX #C1FD68

RGB 193 253 104

HSL 84.16, 0.97%, 0.7%

LAB 92.83, -41.11, 63.73

 

CMYK 59 / 12 / 0 / 1

HEX #68DFFD

RGB 104 223 253

HSL 192.08, 0.97%, 0.7%

LAB 83.34, -25.04, -24.69

 

CMYK 35 / 59 / 0 / 1

HEX #A468FD

RGB 164 104 253

HSL 264.16, 0.97%, 0.7%

LAB 56.96, 53.81, -65.8

 

CMYK 0 / 46 / 58 / 1

HEX #FD8869

RGB 253 136 105

HSL 12.57, 0.97%, 0.7%

LAB 69.12, 41.68, 36.47

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 59 / 12 / 0 / 1

HEX #68DFFD

RGB 104 223 253

HSL 192.08, 0.97%, 0.7%

LAB 83.34, -25.04, -24.69

 

CMYK 18 / 59 / 0 / 1

HEX #D068FD

RGB 208 104 253

HSL 281.88, 0.97%, 0.7%

LAB 62, 63.87, -57.45

 

Description

Color code: RGB 253 136 105 | qconv.com Color code: RGB 253 136 105 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 136 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 136 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 58 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 58% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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