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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95FD68 it is the complementary color #6A0297. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95FD68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95FD68 shade: #9AFD63, #ABFF76, #BCFF89, #CDFF9C and #DEFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95FD68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95FD68 shade: #95FD68, #84EB55, #73D942, #62C72F and #51B51C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95FD68 shade: #95FD68, #BDFD68, #E5FD68, #FDEC68 and #FDC468

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95FD68 shade: #95FD68, #6DFD68, #68FD8C, #68FDB4 and #68FDDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95FD68 shade matches the following richer shades: #95FD68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95FD68 shade: #95FD68, #9AF075, #9FE481, #A4D88D and #A9CB9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95FD68 shade: #E6FD68, #BFFD68, #97FD68, #70FD68 and #68FD88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95FD68 shade: #5CFB17, #79FC40, #95FD68, #B2FD91 and #CEFEBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95FD68 shade: #95FD68, #68FDEB and #FD68D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95FD68 shade: #95FD68, #6897FD and #FD6897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95FD68 shade: #95FD68, #68FDEB, #CE68FD and #FD687A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95FD68 shade: #95FD68, #68E1FD, #CE68FD and #FD8468

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

Complementary color

CMYK 30 / 99 / 0 / 41

HEX #6A0297

RGB 106 2 151

HSL 281.88, 0.97%, 0.3%

LAB 27.69, 59.36, -54.38

 

CMYK 39 / 0 / 61 / 1

HEX #9AFD63

RGB 154 253 99

HSL 98.57, 0.97%, 0.69%

LAB 90.79, -54.79, 62.99

 

CMYK 33 / 0 / 54 / 0

HEX #ABFF76

RGB 171 255 118

HSL 96.79, 1%, 0.73%

LAB 92.35, -48.29, 56.77

 

CMYK 26 / 0 / 46 / 0

HEX #BCFF89

RGB 188 255 137

HSL 94.07, 1%, 0.77%

LAB 93.46, -40.48, 49.57

 

CMYK 20 / 0 / 39 / 0

HEX #CDFF9C

RGB 205 255 156

HSL 90.3, 1%, 0.81%

LAB 94.7, -32.29, 42.21

 

CMYK 13 / 0 / 31 / 0

HEX #DEFFAF

RGB 222 255 175

HSL 84.75, 1%, 0.84%

LAB 96.06, -23.81, 34.82

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 44 / 0 / 64 / 8

HEX #84EB55

RGB 132 235 85

HSL 101.2, 0.79%, 0.63%

LAB 84.47, -55.7, 61.5

 

CMYK 47 / 0 / 70 / 15

HEX #73D942

RGB 115 217 66

HSL 100.53, 0.67%, 0.55%

LAB 78.27, -55.37, 62.11

 

CMYK 51 / 0 / 76 / 22

HEX #62C72F

RGB 98 199 47

HSL 99.87, 0.62%, 0.48%

LAB 71.99, -54.82, 62.25

 

CMYK 55 / 0 / 85 / 29

HEX #51B51C

RGB 81 181 28

HSL 99.22, 0.73%, 0.41%

LAB 65.66, -53.94, 61.55

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 25 / 0 / 59 / 1

HEX #BDFD68

RGB 189 253 104

HSL 85.77, 0.97%, 0.7%

LAB 92.61, -42.55, 63.41

 

CMYK 9 / 0 / 59 / 1

HEX #E5FD68

RGB 229 253 104

HSL 69.66, 0.97%, 0.7%

LAB 95.12, -27.58, 66.91

 

CMYK 0 / 7 / 59 / 1

HEX #FDEC68

RGB 253 236 104

HSL 53.15, 0.97%, 0.7%

LAB 92.52, -9.86, 64.55

 

CMYK 0 / 23 / 59 / 1

HEX #FDC468

RGB 253 196 104

HSL 37.05, 0.97%, 0.7%

LAB 82.57, 10.48, 53.25

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 57 / 0 / 59 / 1

HEX #6DFD68

RGB 109 253 104

HSL 117.99, 0.97%, 0.7%

LAB 89.16, -66.68, 58.58

 

CMYK 59 / 0 / 45 / 1

HEX #68FD8C

RGB 104 253 140

HSL 134.5, 0.97%, 0.7%

LAB 89.43, -63.13, 42.34

 

CMYK 59 / 0 / 29 / 1

HEX #68FDB4

RGB 104 253 180

HSL 150.6, 0.97%, 0.7%

LAB 90.09, -56.15, 23.28

 

CMYK 59 / 0 / 13 / 1

HEX #68FDDC

RGB 104 253 220

HSL 166.71, 0.97%, 0.7%

LAB 90.94, -47.48, 3.91

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 36 / 0 / 51 / 6

HEX #9AF075

RGB 154 240 117

HSL 101.95, 0.8%, 0.7%

LAB 87.23, -47.62, 50.92

 

CMYK 30 / 0 / 43 / 11

HEX #9FE481

RGB 159 228 129

HSL 101.82, 0.65%, 0.7%

LAB 84.2, -39.3, 41.49

 

CMYK 24 / 0 / 35 / 15

HEX #A4D88D

RGB 164 216 141

HSL 101.6, 0.49%, 0.7%

LAB 81.25, -30.44, 31.7

 

CMYK 17 / 0 / 24 / 20

HEX #A9CB9A

RGB 169 203 154

HSL 101.63, 0.32%, 0.7%

LAB 78.16, -20.38, 20.79

 

CMYK 9 / 0 / 59 / 1

HEX #E6FD68

RGB 230 253 104

HSL 69.26, 0.97%, 0.7%

LAB 95.19, -27.19, 67.01

 

CMYK 25 / 0 / 59 / 1

HEX #BFFD68

RGB 191 253 104

HSL 84.97, 0.97%, 0.7%

LAB 92.72, -41.83, 63.57

 

CMYK 40 / 0 / 59 / 1

HEX #97FD68

RGB 151 253 104

HSL 101.07, 0.97%, 0.7%

LAB 90.7, -55.26, 60.75

 

CMYK 56 / 0 / 59 / 1

HEX #70FD68

RGB 112 253 104

HSL 116.78, 0.97%, 0.7%

LAB 89.25, -65.98, 58.71

 

CMYK 59 / 0 / 46 / 1

HEX #68FD88

RGB 104 253 136

HSL 132.89, 0.97%, 0.7%

LAB 89.38, -63.72, 44.19

 

CMYK 63 / 0 / 91 / 2

HEX #5CFB17

RGB 92 251 23

HSL 101.84, 0.97%, 0.54%

LAB 87.65, -75, 81.44

 

CMYK 52 / 0 / 75 / 1

HEX #79FC40

RGB 121 252 64

HSL 101.81, 0.97%, 0.62%

LAB 88.95, -66.69, 73.58

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 30 / 0 / 43 / 1

HEX #B2FD91

RGB 178 253 145

HSL 101.67, 0.96%, 0.78%

LAB 92.47, -41.99, 44.4

 

CMYK 19 / 0 / 27 / 0

HEX #CEFEBA

RGB 206 254 186

HSL 102.35, 0.97%, 0.86%

LAB 94.97, -27.31, 27.66

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 59 / 0 / 7 / 1

HEX #68FDEB

RGB 104 253 235

HSL 172.75, 0.97%, 0.7%

LAB 91.32, -43.85, -3.31

 

CMYK 0 / 59 / 17 / 1

HEX #FD68D3

RGB 253 104 211

HSL 316.91, 0.97%, 0.7%

LAB 66.13, 68.19, -27.2

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 59 / 40 / 0 / 1

HEX #6897FD

RGB 104 151 253

HSL 221.07, 0.97%, 0.7%

LAB 63.48, 14.09, -55.62

 

CMYK 0 / 59 / 40 / 1

HEX #FD6897

RGB 253 104 151

HSL 341.07, 0.97%, 0.7%

LAB 64.18, 60.84, 3.94

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 59 / 0 / 7 / 1

HEX #68FDEB

RGB 104 253 235

HSL 172.75, 0.97%, 0.7%

LAB 91.32, -43.85, -3.31

 

CMYK 19 / 59 / 0 / 1

HEX #CE68FD

RGB 206 104 253

HSL 281.07, 0.97%, 0.7%

LAB 61.75, 63.4, -57.86

 

CMYK 0 / 59 / 52 / 1

HEX #FD687A

RGB 253 104 122

HSL 352.75, 0.97%, 0.7%

LAB 63.5, 58.17, 19.63

 

CMYK 41 / 0 / 59 / 1

HEX #95FD68

RGB 149 253 104

HSL 101.88, 0.97%, 0.7%

LAB 90.62, -55.87, 60.63

 

CMYK 59 / 11 / 0 / 1

HEX #68E1FD

RGB 104 225 253

HSL 191.28, 0.97%, 0.7%

LAB 83.91, -26.03, -23.83

 

CMYK 19 / 59 / 0 / 1

HEX #CE68FD

RGB 206 104 253

HSL 281.07, 0.97%, 0.7%

LAB 61.75, 63.4, -57.86

 

CMYK 0 / 48 / 59 / 1

HEX #FD8468

RGB 253 132 104

HSL 11.28, 0.97%, 0.7%

LAB 68.3, 43.61, 35.98

 

Description

Color code: HEX #95FD68 | qconv.com Color code: HEX #95FD68 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 253 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 253 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 59 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 59% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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