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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 124 8 it is the complementary color RGB 2 131 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 124 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 124 8 shade: RGB 255 124 3, RGB 255 142 22, RGB 255 160 41, RGB 255 178 60 and RGB 255 196 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 124 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 124 8 shade: RGB 253 124 8, RGB 236 106 0, RGB 219 88 0, RGB 202 70 0 and RGB 185 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 124 8 shade: RGB 253 124 8, RGB 253 58 8 and RGB 253 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 124 8 shade: RGB 253 124 8, RGB 253 190 8, RGB 249 253 8, RGB 183 253 8 and RGB 117 253 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 124 8 shade matches the following richer shades: RGB 253 124 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 124 8 shade: RGB 253 124 8, RGB 232 125 28, RGB 212 126 48, RGB 192 127 68 and RGB 172 128 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 124 8 shade: RGB 253 8 24, RGB 253 57 8, RGB 253 122 8, RGB 253 187 8 and RGB 253 253 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 124 8 shade: RGB 176 84 2, RGB 217 104 2, RGB 253 124 8, RGB 253 145 48 and RGB 253 167 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 124 8 shade: RGB 253 124 8, RGB 89 253 8 and RGB 24 8 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 124 8 shade: RGB 253 124 8, RGB 8 253 122 and RGB 122 8 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 124 8 shade: RGB 253 124 8, RGB 89 253 8, RGB 8 138 253 and RGB 171 8 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 124 8 shade: RGB 253 124 8, RGB 16 253 8, RGB 8 138 253 and RGB 244 8 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

Complementary color

CMYK 99 / 47 / 0 / 3

HEX #0283F7

RGB 2 131 247

HSL 208.41, 0.98%, 0.49%

LAB 55.03, 13.89, -66

 

CMYK 0 / 51 / 99 / 0

HEX #FF7C03

RGB 255 124 3

HSL 28.81, 1%, 0.51%

LAB 66.28, 44.81, 73.12

 

CMYK 0 / 44 / 91 / 0

HEX #FF8E16

RGB 255 142 22

HSL 30.9, 1%, 0.54%

LAB 69.94, 36.02, 72.42

 

CMYK 0 / 37 / 84 / 0

HEX #FFA029

RGB 255 160 41

HSL 33.36, 1%, 0.58%

LAB 73.91, 27.12, 70.46

 

CMYK 0 / 30 / 76 / 0

HEX #FFB23C

RGB 255 178 60

HSL 36.31, 1%, 0.62%

LAB 78.13, 18.32, 67.66

 

CMYK 0 / 23 / 69 / 0

HEX #FFC44F

RGB 255 196 79

HSL 39.89, 1%, 0.65%

LAB 82.54, 9.79, 64.49

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 0 / 55 / 100 / 7

HEX #EC6A00

RGB 236 106 0

HSL 26.95, 1%, 0.46%

LAB 60.02, 46.25, 68.47

 

CMYK 0 / 60 / 100 / 14

HEX #DB5800

RGB 219 88 0

HSL 24.11, 1%, 0.43%

LAB 54.07, 48.34, 63.73

 

CMYK 0 / 65 / 100 / 21

HEX #CA4600

RGB 202 70 0

HSL 20.79, 1%, 0.4%

LAB 48.18, 50.2, 59.06

 

CMYK 0 / 72 / 100 / 27

HEX #B93400

RGB 185 52 0

HSL 16.86, 1%, 0.36%

LAB 42.42, 51.61, 54.48

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 0 / 77 / 97 / 1

HEX #FD3A08

RGB 253 58 8

HSL 12.24, 0.98%, 0.51%

LAB 56.01, 70.63, 66.34

 

CMYK 0 / 97 / 97 / 1

HEX #FD0808

RGB 253 8 8

HSL 0, 0.98%, 0.51%

LAB 53.03, 79.13, 64.91

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 0 / 25 / 97 / 1

HEX #FDBE08

RGB 253 190 8

HSL 44.57, 0.98%, 0.51%

LAB 80.59, 10.12, 81.85

 

CMYK 2 / 0 / 97 / 1

HEX #F9FD08

RGB 249 253 8

HSL 60.98, 0.98%, 0.51%

LAB 96.17, -23.01, 93.01

 

CMYK 28 / 0 / 97 / 1

HEX #B7FD08

RGB 183 253 8

HSL 77.14, 0.98%, 0.51%

LAB 91.84, -48.92, 87.81

 

CMYK 54 / 0 / 97 / 1

HEX #75FD08

RGB 117 253 8

HSL 93.31, 0.98%, 0.51%

LAB 88.95, -69.99, 84.31

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 0 / 46 / 88 / 9

HEX #E87D1C

RGB 232 125 28

HSL 28.53, 0.82%, 0.51%

LAB 63.27, 35.58, 64.54

 

CMYK 0 / 41 / 77 / 17

HEX #D47E30

RGB 212 126 48

HSL 28.54, 0.66%, 0.51%

LAB 60.9, 27.42, 54.15

 

CMYK 0 / 34 / 65 / 25

HEX #C07F44

RGB 192 127 68

HSL 28.55, 0.5%, 0.51%

LAB 58.79, 19.45, 41.7

 

CMYK 0 / 26 / 49 / 33

HEX #AC8058

RGB 172 128 88

HSL 28.57, 0.34%, 0.51%

LAB 56.99, 12, 28.27

 

CMYK 0 / 97 / 91 / 1

HEX #FD0818

RGB 253 8 24

HSL 356.08, 0.98%, 0.51%

LAB 53.08, 79.28, 60.13

 

CMYK 0 / 77 / 97 / 1

HEX #FD3908

RGB 253 57 8

HSL 12, 0.98%, 0.51%

LAB 55.91, 70.91, 66.29

 

CMYK 0 / 52 / 97 / 1

HEX #FD7A08

RGB 253 122 8

HSL 27.92, 0.98%, 0.51%

LAB 65.61, 45.06, 71.83

 

CMYK 0 / 26 / 97 / 1

HEX #FDBB08

RGB 253 187 8

HSL 43.84, 0.98%, 0.51%

LAB 79.86, 11.67, 81.34

 

CMYK 0 / 0 / 97 / 1

HEX #FDFD08

RGB 253 253 8

HSL 60, 0.98%, 0.51%

LAB 96.47, -21.37, 93.37

 

CMYK 0 / 52 / 99 / 31

HEX #B05402

RGB 176 84 2

HSL 28.28, 0.98%, 0.35%

LAB 46.41, 33.66, 55.26

 

CMYK 0 / 52 / 99 / 15

HEX #D96802

RGB 217 104 2

HSL 28.47, 0.98%, 0.43%

LAB 56.74, 39.92, 64.69

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 0 / 43 / 81 / 1

HEX #FD9130

RGB 253 145 48

HSL 28.39, 0.98%, 0.59%

LAB 70.42, 34.25, 64.95

 

CMYK 0 / 34 / 65 / 1

HEX #FDA759

RGB 253 167 89

HSL 28.54, 0.98%, 0.67%

LAB 75.6, 24.66, 52.4

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 65 / 0 / 97 / 1

HEX #59FD08

RGB 89 253 8

HSL 100.16, 0.98%, 0.51%

LAB 88.16, -76.49, 83.34

 

CMYK 91 / 97 / 0 / 1

HEX #1808FD

RGB 24 8 253

HSL 243.92, 0.98%, 0.51%

LAB 32.83, 77.68, -105.85

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 52 / 97 / 0 / 1

HEX #7A08FD

RGB 122 8 253

HSL 267.92, 0.98%, 0.51%

LAB 40.25, 81.46, -93.3

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 65 / 0 / 97 / 1

HEX #59FD08

RGB 89 253 8

HSL 100.16, 0.98%, 0.51%

LAB 88.16, -76.49, 83.34

 

CMYK 97 / 45 / 0 / 1

HEX #088AFD

RGB 8 138 253

HSL 208.16, 0.98%, 0.51%

LAB 57.39, 12.03, -65.51

 

CMYK 32 / 97 / 0 / 1

HEX #AB08FD

RGB 171 8 253

HSL 279.92, 0.98%, 0.51%

LAB 46.87, 86.04, -82.15

 

CMYK 0 / 51 / 97 / 1

HEX #FD7C08

RGB 253 124 8

HSL 28.41, 0.98%, 0.51%

LAB 65.99, 44.09, 72.07

 

CMYK 94 / 0 / 97 / 1

HEX #10FD08

RGB 16 253 8

HSL 118.04, 0.98%, 0.51%

LAB 87.18, -85.07, 82.15

 

CMYK 97 / 45 / 0 / 1

HEX #088AFD

RGB 8 138 253

HSL 208.16, 0.98%, 0.51%

LAB 57.39, 12.03, -65.51

 

CMYK 4 / 97 / 0 / 1

HEX #F408FD

RGB 244 8 253

HSL 297.8, 0.98%, 0.51%

LAB 58.51, 95.82, -62.74

 

Description

Color code: RGB 253 124 8 | qconv.com Color code: RGB 253 124 8 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 124 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 124 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 97 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 97% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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