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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08FD7A it is the complementary color #F70285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08FD7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08FD7A shade: #0DFD75, #1EFF88, #2FFF9B, #40FFAE and #51FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08FD7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08FD7A shade: #08FD7A, #00EB67, #00D954, #00C741 and #00B52E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08FD7A shade: #08FD7A, #08FD38, #1AFD08, #5CFD08 and #9EFD08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08FD7A shade: #08FD7A, #08FDBC, #08FBFD, #08B9FD and #0877FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08FD7A shade matches the following richer shades: #08FD7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08FD7A shade: #08FD7A, #1CE87B, #30D47C, #44C07E and #58AC7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08FD7A shade: #1CFD08, #08FD34, #08FD76, #08FDB7 and #08FDF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08FD7A shade: #02B053, #02D966, #08FD7A, #30FD90 and #59FDA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08FD7A shade: #08FD7A, #085DFD and #FD1408

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08FD7A shade: #08FD7A, #7608FD and #FD7608

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08FD7A shade: #08FD7A, #085DFD, #FD088E and #FDA708

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08FD7A shade: #08FD7A, #0814FD, #FD088E and #FDF008

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

Complementary color

CMYK 0 / 99 / 46 / 3

HEX #F70285

RGB 247 2 133

HSL 327.92, 0.98%, 0.49%

LAB 53.5, 83.09, -1.14

 

CMYK 95 / 0 / 54 / 1

HEX #0DFD75

RGB 13 253 117

HSL 146, 0.98%, 0.52%

LAB 87.79, -77.39, 50.82

 

CMYK 88 / 0 / 47 / 0

HEX #1EFF88

RGB 30 255 136

HSL 148.27, 1%, 0.56%

LAB 88.72, -74.39, 43.1

 

CMYK 82 / 0 / 39 / 0

HEX #2FFF9B

RGB 47 255 155

HSL 151.15, 1%, 0.59%

LAB 89.15, -69.86, 34.42

 

CMYK 75 / 0 / 32 / 0

HEX #40FFAE

RGB 64 255 174

HSL 154.55, 1%, 0.63%

LAB 89.7, -64.44, 25.67

 

CMYK 68 / 0 / 24 / 0

HEX #51FFC1

RGB 81 255 193

HSL 158.62, 1%, 0.66%

LAB 90.38, -58.21, 16.96

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 100 / 0 / 56 / 8

HEX #00EB67

RGB 0 235 103

HSL 146.3, 1%, 0.46%

LAB 82.05, -74.24, 50.3

 

CMYK 100 / 0 / 61 / 15

HEX #00D954

RGB 0 217 84

HSL 143.23, 1%, 0.43%

LAB 76.23, -71.27, 51.97

 

CMYK 100 / 0 / 67 / 22

HEX #00C741

RGB 0 199 65

HSL 139.6, 1%, 0.39%

LAB 70.34, -68.06, 53.41

 

CMYK 100 / 0 / 75 / 29

HEX #00B52E

RGB 0 181 46

HSL 135.25, 1%, 0.35%

LAB 64.36, -64.57, 54.42

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 97 / 0 / 78 / 1

HEX #08FD38

RGB 8 253 56

HSL 131.76, 0.98%, 0.51%

LAB 87.28, -83.63, 73.71

 

CMYK 90 / 0 / 97 / 1

HEX #1AFD08

RGB 26 253 8

HSL 115.59, 0.98%, 0.51%

LAB 87.24, -84.58, 82.21

 

CMYK 64 / 0 / 97 / 1

HEX #5CFD08

RGB 92 253 8

HSL 99.43, 0.98%, 0.51%

LAB 88.23, -75.88, 83.43

 

CMYK 38 / 0 / 97 / 1

HEX #9EFD08

RGB 158 253 8

HSL 83.27, 0.98%, 0.51%

LAB 90.57, -57.69, 86.28

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 97 / 0 / 26 / 1

HEX #08FDBC

RGB 8 253 188

HSL 164.08, 0.98%, 0.51%

LAB 88.89, -64.44, 17.32

 

CMYK 97 / 1 / 0 / 1

HEX #08FBFD

RGB 8 251 253

HSL 180.49, 0.98%, 0.51%

LAB 89.92, -46.77, -14.88

 

CMYK 97 / 27 / 0 / 1

HEX #08B9FD

RGB 8 185 253

HSL 196.65, 0.98%, 0.51%

LAB 70.76, -14.98, -44.27

 

CMYK 97 / 53 / 0 / 1

HEX #0877FD

RGB 8 119 253

HSL 212.82, 0.98%, 0.51%

LAB 52.22, 23.86, -73.88

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 88 / 0 / 47 / 9

HEX #1CE87B

RGB 28 232 123

HSL 147.94, 0.82%, 0.51%

LAB 81.51, -69.18, 40.23

 

CMYK 77 / 0 / 42 / 17

HEX #30D47C

RGB 48 212 124

HSL 147.8, 0.66%, 0.51%

LAB 75.56, -60.37, 32.11

 

CMYK 65 / 0 / 34 / 25

HEX #44C07E

RGB 68 192 126

HSL 148.06, 0.5%, 0.51%

LAB 69.78, -49.38, 23.46

 

CMYK 49 / 0 / 26 / 33

HEX #58AC7F

RGB 88 172 127

HSL 147.86, 0.34%, 0.51%

LAB 64.25, -36.12, 15.44

 

CMYK 89 / 0 / 97 / 1

HEX #1CFD08

RGB 28 253 8

HSL 115.1, 0.98%, 0.51%

LAB 87.25, -84.46, 82.23

 

CMYK 97 / 0 / 79 / 1

HEX #08FD34

RGB 8 253 52

HSL 130.78, 0.98%, 0.51%

LAB 87.27, -83.87, 74.8

 

CMYK 97 / 0 / 53 / 1

HEX #08FD76

RGB 8 253 118

HSL 146.94, 0.98%, 0.51%

LAB 87.78, -77.39, 50.35

 

CMYK 97 / 0 / 28 / 1

HEX #08FDB7

RGB 8 253 183

HSL 162.86, 0.98%, 0.51%

LAB 88.79, -65.56, 19.75

 

CMYK 97 / 0 / 2 / 1

HEX #08FDF8

RGB 8 253 248

HSL 178.78, 0.98%, 0.51%

LAB 90.36, -49.06, -11.63

 

CMYK 99 / 0 / 53 / 31

HEX #02B053

RGB 2 176 83

HSL 147.93, 0.98%, 0.35%

LAB 63.08, -58.55, 36.87

 

CMYK 99 / 0 / 53 / 15

HEX #02D966

RGB 2 217 102

HSL 147.91, 0.98%, 0.43%

LAB 76.43, -68.79, 44

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 81 / 0 / 43 / 1

HEX #30FD90

RGB 48 253 144

HSL 148.1, 0.98%, 0.59%

LAB 88.4, -71.04, 38.84

 

CMYK 65 / 0 / 34 / 1

HEX #59FDA6

RGB 89 253 166

HSL 148.17, 0.98%, 0.67%

LAB 89.45, -61.61, 29.45

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 97 / 63 / 0 / 1

HEX #085DFD

RGB 8 93 253

HSL 219.18, 0.98%, 0.51%

LAB 45.6, 40.3, -84.69

 

CMYK 0 / 92 / 97 / 1

HEX #FD1408

RGB 253 20 8

HSL 2.94, 0.98%, 0.51%

LAB 53.39, 78.11, 65.07

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 53 / 97 / 0 / 1

HEX #7608FD

RGB 118 8 253

HSL 266.94, 0.98%, 0.51%

LAB 39.78, 81.17, -94.1

 

CMYK 0 / 53 / 97 / 1

HEX #FD7608

RGB 253 118 8

HSL 26.94, 0.98%, 0.51%

LAB 64.85, 46.99, 71.36

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 97 / 63 / 0 / 1

HEX #085DFD

RGB 8 93 253

HSL 219.18, 0.98%, 0.51%

LAB 45.6, 40.3, -84.69

 

CMYK 0 / 97 / 44 / 1

HEX #FD088E

RGB 253 8 142

HSL 327.18, 0.98%, 0.51%

LAB 55.08, 84.68, -4.07

 

CMYK 0 / 34 / 97 / 1

HEX #FDA708

RGB 253 167 8

HSL 38.94, 0.98%, 0.51%

LAB 75.16, 22.12, 78.09

 

CMYK 97 / 0 / 52 / 1

HEX #08FD7A

RGB 8 253 122

HSL 147.92, 0.98%, 0.51%

LAB 87.83, -76.82, 48.57

 

CMYK 97 / 92 / 0 / 1

HEX #0814FD

RGB 8 20 253

HSL 237.06, 0.98%, 0.51%

LAB 33.23, 75.36, -105.19

 

CMYK 0 / 97 / 44 / 1

HEX #FD088E

RGB 253 8 142

HSL 327.18, 0.98%, 0.51%

LAB 55.08, 84.68, -4.07

 

CMYK 0 / 5 / 97 / 1

HEX #FDF008

RGB 253 240 8

HSL 56.82, 0.98%, 0.51%

LAB 93.11, -15.12, 90.88

 

Description

Color code: HEX #08FD7A | qconv.com Color code: HEX #08FD7A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 253 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 253 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 52 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 52% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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