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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 187 178 it is the complementary color RGB 3 68 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 187 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 252 187 178: RGB 255 187 173, RGB 255 205 192, RGB 255 223 211, RGB 255 241 230 and RGB 255 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 187 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 252 187 178: RGB 252 187 178, RGB 235 169 159, RGB 218 151 140, RGB 201 133 121 and RGB 184 115 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 29 / 1

HEX #FCBBB2

RGB 252 187 178

HSL 7.3, 0.93%, 0.84%

LAB 81.54, 22.23, 13.75

 

Complementary color

CMYK 96 / 12 / 0 / 70

HEX #03444D

RGB 3 68 77

HSL 187.3, 0.93%, 0.16%

LAB 25.83, -14.85, -10.74

 

CMYK 0 / 27 / 32 / 0

HEX #FFBBAD

RGB 255 187 173

HSL 10.24, 1%, 0.84%

LAB 81.74, 22.71, 16.75

 

CMYK 0 / 20 / 25 / 0

HEX #FFCDC0

RGB 255 205 192

HSL 12.38, 1%, 0.88%

LAB 86.37, 15.78, 13.16

 

CMYK 0 / 13 / 17 / 0

HEX #FFDFD3

RGB 255 223 211

HSL 16.36, 1%, 0.91%

LAB 91.12, 9.17, 9.92

 

CMYK 0 / 5 / 10 / 0

HEX #FFF1E6

RGB 255 241 230

HSL 26.4, 1%, 0.95%

LAB 95.95, 2.89, 6.98

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 26 / 29 / 1

HEX #FCBBB2

RGB 252 187 178

HSL 7.3, 0.93%, 0.84%

LAB 81.54, 22.23, 13.75

 

CMYK 0 / 28 / 32 / 8

HEX #EBA99F

RGB 235 169 159

HSL 7.89, 0.66%, 0.77%

LAB 75.17, 22.96, 14.8

 

CMYK 0 / 31 / 36 / 15

HEX #DA978C

RGB 218 151 140

HSL 8.46, 0.51%, 0.7%

LAB 68.7, 23.77, 15.94

 

CMYK 0 / 34 / 40 / 21

HEX #C98579

RGB 201 133 121

HSL 9, 0.43%, 0.63%

LAB 62.15, 24.68, 17.2

 

CMYK 0 / 38 / 45 / 28

HEX #B87366

RGB 184 115 102

HSL 9.51, 0.37%, 0.56%

LAB 55.49, 25.7, 18.62

 

CMYK 0 / 26 / 29 / 1

HEX #FCBBB2

RGB 252 187 178

HSL 7.3, 0.93%, 0.84%

LAB 81.54, 22.23, 13.75

 

CMYK 0 / 22 / 30 / 1

HEX #FCC5B0

RGB 252 197 176

HSL 16.58, 0.93%, 0.84%

LAB 83.84, 16.72, 18.05

 

CMYK 0 / 17 / 30 / 1

HEX #FCD2B0

RGB 252 210 176

HSL 26.84, 0.93%, 0.84%

LAB 86.96, 9.94, 22.37

 

CMYK 0 / 12 / 30 / 1

HEX #FCDFB0

RGB 252 223 176

HSL 37.11, 0.93%, 0.84%

LAB 90.14, 3.24, 26.73

 

CMYK 0 / 7 / 30 / 1

HEX #FCEBB0

RGB 252 235 176

HSL 46.58, 0.93%, 0.84%

LAB 93.12, -2.86, 30.77

 

CMYK 0 / 26 / 29 / 1

HEX #FCBBB2

RGB 252 187 178

HSL 7.3, 0.93%, 0.84%

LAB 81.54, 22.23, 13.75

 

CMYK 0 / 25 / 29 / 81

HEX #302422

RGB 48 36 34

HSL 8.57, 0.17%, 0.16%

LAB 15.52, 5.31, 3.51

 

CMYK 0 / 26 / 29 / 61

HEX #634946

RGB 99 73 70

HSL 6.21, 0.17%, 0.33%

LAB 33.69, 10.58, 6.1

 

CMYK 0 / 26 / 29 / 41

HEX #966F6A

RGB 150 111 106

HSL 6.82, 0.17%, 0.5%

LAB 50.56, 14.71, 8.82

 

CMYK 0 / 26 / 29 / 21

HEX #C9958E

RGB 201 149 142

HSL 7.12, 0.35%, 0.67%

LAB 66.42, 18.56, 11.35

 

CMYK 0 / 26 / 29 / 1

HEX #FCBBB2

RGB 252 187 178

HSL 7.3, 0.93%, 0.84%

LAB 81.54, 22.23, 13.75

 

CMYK 10 / 0 / 30 / 1

HEX #E4FCB0

RGB 228 252 176

HSL 78.95, 0.93%, 0.84%

LAB 95.68, -20.1, 33.89

 

CMYK 30 / 22 / 0 / 1

HEX #B0C5FC

RGB 176 197 252

HSL 223.42, 0.93%, 0.84%

LAB 79.72, 5.17, -29.38

 

CMYK 0 / 26 / 29 / 1

HEX #FCBBB2

RGB 252 187 178

HSL 7.3, 0.93%, 0.84%

LAB 81.54, 22.23, 13.75

 

CMYK 30 / 0 / 27 / 1

HEX #B0FCB9

RGB 176 252 185

HSL 127.11, 0.93%, 0.84%

LAB 92.73, -36.27, 24.83

 

CMYK 27 / 30 / 0 / 1

HEX #B9B0FC

RGB 185 176 252

HSL 247.11, 0.93%, 0.84%

LAB 75.07, 19.26, -36.5

 

CMYK 0 / 26 / 29 / 1

HEX #FCBBB2

RGB 252 187 178

HSL 7.3, 0.93%, 0.84%

LAB 81.54, 22.23, 13.75

 

CMYK 10 / 0 / 30 / 1

HEX #E4FCB0

RGB 228 252 176

HSL 78.95, 0.93%, 0.84%

LAB 95.68, -20.1, 33.89

 

CMYK 30 / 4 / 0 / 1

HEX #B0F3FC

RGB 176 243 252

HSL 187.11, 0.93%, 0.84%

LAB 91.85, -18.7, -11.05

 

CMYK 21 / 30 / 0 / 1

HEX #C8B0FC

RGB 200 176 252

HSL 258.95, 0.93%, 0.84%

LAB 76.29, 23.64, -34.52

 

CMYK 0 / 26 / 29 / 1

HEX #FCBBB2

RGB 252 187 178

HSL 7.3, 0.93%, 0.84%

LAB 81.54, 22.23, 13.75

 

CMYK 19 / 0 / 30 / 1

HEX #CDFCB0

RGB 205 252 176

HSL 97.11, 0.93%, 0.84%

LAB 94.2, -28.19, 31.64

 

CMYK 30 / 4 / 0 / 1

HEX #B0F3FC

RGB 176 243 252

HSL 187.11, 0.93%, 0.84%

LAB 91.85, -18.7, -11.05

 

CMYK 12 / 30 / 0 / 1

HEX #DFB0FC

RGB 223 176 252

HSL 277.11, 0.93%, 0.84%

LAB 78.33, 30.59, -31.21

 

Description

Color code: RGB 252 187 178 | qconv.com Color code: RGB 252 187 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 187 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 187 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 29 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 29% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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