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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 186 239 it is the complementary color RGB 3 69 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 186 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 186 239 shade: RGB 255 186 234, RGB 255 204 253, RGB 255 222 255, RGB 255 240 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 186 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 186 239 shade: RGB 252 186 239, RGB 235 168 220, RGB 218 150 201, RGB 201 132 182 and RGB 184 114 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 186 239 shade: RGB 252 186 239, RGB 252 186 221, RGB 252 186 204 and RGB 252 186 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 186 239 shade: RGB 252 186 239, RGB 247 186 252, RGB 230 186 252, RGB 212 186 252 and RGB 194 186 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 186 239 shade matches the following richer shades: RGB 252 186 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 186 239 shade: RGB 252 186 239, RGB 246 192 236, RGB 241 198 232, RGB 235 204 229 and RGB 229 210 225

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 186 239 shade: RGB 229 186 252, RGB 247 186 252, RGB 252 186 240, RGB 252 186 223 and RGB 252 186 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 186 239 shade: RGB 249 107 221, RGB 250 147 230, RGB 252 186 239, RGB 254 226 248 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 186 239 shade: RGB 252 186 239, RGB 252 212 186 and RGB 186 252 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 186 239 shade: RGB 252 186 239, RGB 240 252 186 and RGB 186 240 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 186 239 shade: RGB 252 186 239, RGB 252 212 186, RGB 186 252 198 and RGB 186 227 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 186 239 shade: RGB 252 186 239, RGB 252 231 186, RGB 186 252 198 and RGB 186 207 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

Complementary color

CMYK 96 / 0 / 77 / 73

HEX #034510

RGB 3 69 16

HSL 131.82, 0.92%, 0.14%

LAB 24.68, -31.59, 25.59

 

CMYK 0 / 27 / 8 / 0

HEX #FFBAEA

RGB 255 186 234

HSL 318.26, 1%, 0.86%

LAB 83.08, 32.17, -14.03

 

CMYK 0 / 20 / 1 / 0

HEX #FFCCFD

RGB 255 204 253

HSL 302.35, 1%, 0.9%

LAB 87.75, 26.01, -17.14

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 0 / 29 / 6 / 8

HEX #EBA8DC

RGB 235 168 220

HSL 313.43, 0.63%, 0.79%

LAB 76.58, 32.67, -16.46

 

CMYK 0 / 31 / 8 / 15

HEX #DA96C9

RGB 218 150 201

HSL 315, 0.48%, 0.72%

LAB 70.13, 33.35, -15.93

 

CMYK 0 / 34 / 9 / 21

HEX #C984B6

RGB 201 132 182

HSL 316.52, 0.39%, 0.65%

LAB 63.59, 34.07, -15.35

 

CMYK 0 / 38 / 11 / 28

HEX #B872A3

RGB 184 114 163

HSL 318, 0.33%, 0.58%

LAB 56.95, 34.83, -14.72

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 0 / 26 / 12 / 1

HEX #FCBADD

RGB 252 186 221

HSL 328.18, 0.92%, 0.86%

LAB 82.4, 29.03, -8.12

 

CMYK 0 / 26 / 19 / 1

HEX #FCBACC

RGB 252 186 204

HSL 343.64, 0.92%, 0.86%

LAB 81.93, 26.39, 0.34

 

CMYK 0 / 26 / 26 / 1

HEX #FCBABA

RGB 252 186 186

HSL 0, 0.92%, 0.86%

LAB 81.49, 23.82, 9.38

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 2 / 26 / 0 / 1

HEX #F7BAFC

RGB 247 186 252

HSL 295.45, 0.92%, 0.86%

LAB 82.87, 32.74, -24.05

 

CMYK 9 / 26 / 0 / 1

HEX #E6BAFC

RGB 230 186 252

HSL 280, 0.92%, 0.86%

LAB 81.27, 27.38, -26.63

 

CMYK 16 / 26 / 0 / 1

HEX #D4BAFC

RGB 212 186 252

HSL 263.64, 0.92%, 0.86%

LAB 79.7, 21.81, -29.19

 

CMYK 23 / 26 / 0 / 1

HEX #C2BAFC

RGB 194 186 252

HSL 247.27, 0.92%, 0.86%

LAB 78.24, 16.38, -31.55

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 0 / 22 / 4 / 4

HEX #F6C0EC

RGB 246 192 236

HSL 311.11, 0.75%, 0.86%

LAB 83.63, 26.37, -14.38

 

CMYK 0 / 18 / 4 / 5

HEX #F1C6E8

RGB 241 198 232

HSL 312.56, 0.61%, 0.86%

LAB 84.44, 20.82, -11.08

 

CMYK 0 / 13 / 3 / 8

HEX #EBCCE5

RGB 235 204 229

HSL 311.61, 0.44%, 0.86%

LAB 85.25, 15.09, -8.33

 

CMYK 0 / 8 / 2 / 10

HEX #E5D2E1

RGB 229 210 225

HSL 312.63, 0.27%, 0.86%

LAB 86.1, 9.18, -5.01

 

CMYK 9 / 26 / 0 / 1

HEX #E5BAFC

RGB 229 186 252

HSL 279.09, 0.92%, 0.86%

LAB 81.18, 27.07, -26.78

 

CMYK 2 / 26 / 0 / 1

HEX #F7BAFC

RGB 247 186 252

HSL 295.45, 0.92%, 0.86%

LAB 82.87, 32.74, -24.05

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAF0

RGB 252 186 240

HSL 310.91, 0.92%, 0.86%

LAB 82.97, 32.2, -17.45

 

CMYK 0 / 26 / 12 / 1

HEX #FCBADF

RGB 252 186 223

HSL 326.36, 0.92%, 0.86%

LAB 82.45, 29.35, -9.11

 

CMYK 0 / 26 / 19 / 1

HEX #FCBACD

RGB 252 186 205

HSL 342.73, 0.92%, 0.86%

LAB 81.96, 26.54, -0.16

 

CMYK 0 / 57 / 11 / 2

HEX #F96BDD

RGB 249 107 221

HSL 311.83, 0.92%, 0.7%

LAB 66.42, 67.29, -32.38

 

CMYK 0 / 41 / 8 / 2

HEX #FA93E6

RGB 250 147 230

HSL 311.65, 0.91%, 0.78%

LAB 74.13, 50.08, -25.48

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 0 / 11 / 2 / 0

HEX #FEE2F8

RGB 254 226 248

HSL 312.86, 0.93%, 0.94%

LAB 92.68, 13.29, -7.15

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 0 / 16 / 26 / 1

HEX #FCD4BA

RGB 252 212 186

HSL 23.64, 0.92%, 0.86%

LAB 87.64, 10.21, 18.08

 

CMYK 26 / 0 / 6 / 1

HEX #BAFCEE

RGB 186 252 238

HSL 167.27, 0.92%, 0.86%

LAB 94.41, -23.32, 0.05

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 5 / 0 / 26 / 1

HEX #F0FCBA

RGB 240 252 186

HSL 70.91, 0.92%, 0.86%

LAB 96.69, -14.44, 30.37

 

CMYK 26 / 5 / 0 / 1

HEX #BAF0FC

RGB 186 240 252

HSL 190.91, 0.92%, 0.86%

LAB 91.59, -14.42, -11.38

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 0 / 16 / 26 / 1

HEX #FCD4BA

RGB 252 212 186

HSL 23.64, 0.92%, 0.86%

LAB 87.64, 10.21, 18.08

 

CMYK 26 / 0 / 21 / 1

HEX #BAFCC6

RGB 186 252 198

HSL 130.91, 0.92%, 0.86%

LAB 93.51, -30.94, 19.36

 

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 0 / 8 / 26 / 1

HEX #FCE7BA

RGB 252 231 186

HSL 40.91, 0.92%, 0.86%

LAB 92.31, 0.45, 24.54

 

CMYK 26 / 0 / 21 / 1

HEX #BAFCC6

RGB 186 252 198

HSL 130.91, 0.92%, 0.86%

LAB 93.51, -30.94, 19.36

 

CMYK 26 / 18 / 0 / 1

HEX #BACFFC

RGB 186 207 252

HSL 220.91, 0.92%, 0.86%

LAB 82.96, 2.67, -24.37

 

Description

Color code: RGB 252 186 239 | qconv.com Color code: RGB 252 186 239 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 186 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 186 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 5 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 5% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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