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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAE3FC it is the complementary color #451C03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAE3FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BAE3FC: #BFE3F7, #D0F5FF, #E1FFFF, #F2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAE3FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BAE3FC: #BAE3FC, #A9D1E9, #98BFD6, #87ADC3 and #769BB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

Complementary color

CMYK 0 / 59 / 96 / 73

HEX #451C03

RGB 69 28 3

HSL 22.73, 0.92%, 0.14%

LAB 16.02, 17.99, 22.75

 

CMYK 23 / 8 / 0 / 3

HEX #BFE3F7

RGB 191 227 247

HSL 201.43, 0.78%, 0.86%

LAB 88.32, -7.46, -13.61

 

CMYK 18 / 4 / 0 / 0

HEX #D0F5FF

RGB 208 245 255

HSL 192.77, 1%, 0.91%

LAB 94.28, -9.83, -8.79

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

CMYK 27 / 10 / 0 / 9

HEX #A9D1E9

RGB 169 209 233

HSL 202.5, 0.59%, 0.79%

LAB 81.79, -7.74, -16.13

 

CMYK 29 / 11 / 0 / 16

HEX #98BFD6

RGB 152 191 214

HSL 202.26, 0.43%, 0.72%

LAB 75.32, -7.67, -15.76

 

CMYK 31 / 11 / 0 / 24

HEX #87ADC3

RGB 135 173 195

HSL 202, 0.33%, 0.65%

LAB 68.74, -7.59, -15.39

 

CMYK 33 / 12 / 0 / 31

HEX #769BB0

RGB 118 155 176

HSL 201.72, 0.27%, 0.58%

LAB 62.02, -7.5, -15.03

 

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

CMYK 26 / 14 / 0 / 1

HEX #BAD9FC

RGB 186 217 252

HSL 211.82, 0.92%, 0.86%

LAB 85.55, -2.62, -20.44

 

CMYK 26 / 18 / 0 / 1

HEX #BACEFC

RGB 186 206 252

HSL 221.82, 0.92%, 0.86%

LAB 82.71, 3.2, -24.76

 

CMYK 26 / 23 / 0 / 1

HEX #BAC3FC

RGB 186 195 252

HSL 231.82, 0.92%, 0.86%

LAB 79.9, 9.13, -29.05

 

CMYK 25 / 26 / 0 / 1

HEX #BCBAFC

RGB 188 186 252

HSL 241.82, 0.92%, 0.86%

LAB 77.78, 14.62, -32.3

 

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

CMYK 27 / 10 / 0 / 81

HEX #232B30

RGB 35 43 48

HSL 203.08, 0.16%, 0.16%

LAB 16.98, -2.07, -4.4

 

CMYK 26 / 10 / 0 / 61

HEX #495963

RGB 73 89 99

HSL 203.08, 0.15%, 0.34%

LAB 36.86, -3.61, -7.8

 

CMYK 26 / 10 / 0 / 41

HEX #6F8796

RGB 111 135 150

HSL 203.08, 0.16%, 0.51%

LAB 54.98, -5, -10.85

 

CMYK 26 / 10 / 0 / 21

HEX #94B5C9

RGB 148 181 201

HSL 202.64, 0.33%, 0.68%

LAB 71.93, -6.6, -13.8

 

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

CMYK 12 / 26 / 0 / 1

HEX #DFBAFC

RGB 223 186 252

HSL 273.64, 0.92%, 0.86%

LAB 80.65, 25.2, -27.65

 

CMYK 0 / 1 / 26 / 1

HEX #FCF9BA

RGB 252 249 186

HSL 57.27, 0.92%, 0.86%

LAB 96.82, -8.59, 30.69

 

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

CMYK 0 / 26 / 10 / 1

HEX #FCBAE4

RGB 252 186 228

HSL 321.82, 0.92%, 0.86%

LAB 82.6, 30.17, -11.57

 

CMYK 10 / 0 / 26 / 1

HEX #E4FCBA

RGB 228 252 186

HSL 81.82, 0.92%, 0.86%

LAB 95.86, -18.73, 29.09

 

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

CMYK 12 / 26 / 0 / 1

HEX #DFBAFC

RGB 223 186 252

HSL 273.64, 0.92%, 0.86%

LAB 80.65, 25.2, -27.65

 

CMYK 0 / 17 / 26 / 1

HEX #FCD2BA

RGB 252 210 186

HSL 21.82, 0.92%, 0.86%

LAB 87.16, 11.25, 17.4

 

CMYK 15 / 0 / 26 / 1

HEX #D6FCBA

RGB 214 252 186

HSL 94.55, 0.92%, 0.86%

LAB 94.93, -23.63, 27.69

 

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

CMYK 4 / 26 / 0 / 1

HEX #F3BAFC

RGB 243 186 252

HSL 291.82, 0.92%, 0.86%

LAB 82.49, 31.48, -24.67

 

CMYK 0 / 17 / 26 / 1

HEX #FCD2BA

RGB 252 210 186

HSL 21.82, 0.92%, 0.86%

LAB 87.16, 11.25, 17.4

 

CMYK 23 / 0 / 26 / 1

HEX #C3FCBA

RGB 195 252 186

HSL 111.82, 0.92%, 0.86%

LAB 93.78, -30.04, 25.93

 

Description

Color code: HEX #BAE3FC | qconv.com Color code: HEX #BAE3FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 227 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 227 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 10 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 10% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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