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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 183 210 it is the complementary color RGB 3 72 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 183 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 252 183 210: RGB 255 183 205, RGB 255 201 224, RGB 255 219 243, RGB 255 237 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 183 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 252 183 210: RGB 252 183 210, RGB 235 165 191, RGB 218 147 172, RGB 201 129 153 and RGB 184 111 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 17 / 1

HEX #FCB7D2

RGB 252 183 210

HSL 336.52, 0.92%, 0.85%

LAB 81.41, 28.87, -3.66

 

Complementary color

CMYK 96 / 0 / 38 / 72

HEX #03482D

RGB 3 72 45

HSL 156.52, 0.92%, 0.15%

LAB 26.28, -27.31, 10.75

 

CMYK 0 / 28 / 20 / 0

HEX #FFB7CD

RGB 255 183 205

HSL 341.67, 1%, 0.86%

LAB 81.58, 29.17, -0.67

 

CMYK 0 / 21 / 12 / 0

HEX #FFC9E0

RGB 255 201 224

HSL 334.44, 1%, 0.89%

LAB 86.21, 22.65, -4.05

 

CMYK 0 / 14 / 5 / 0

HEX #FFDBF3

RGB 255 219 243

HSL 320, 1%, 0.93%

LAB 90.96, 16.4, -7.08

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 0 / 27 / 17 / 1

HEX #FCB7D2

RGB 252 183 210

HSL 336.52, 0.92%, 0.85%

LAB 81.41, 28.87, -3.66

 

CMYK 0 / 30 / 19 / 8

HEX #EBA5BF

RGB 235 165 191

HSL 337.71, 0.64%, 0.78%

LAB 75.04, 29.55, -2.91

 

CMYK 0 / 33 / 21 / 15

HEX #DA93AC

RGB 218 147 172

HSL 338.87, 0.49%, 0.72%

LAB 68.57, 30.28, -2.1

 

CMYK 0 / 36 / 24 / 21

HEX #C98199

RGB 201 129 153

HSL 340, 0.4%, 0.65%

LAB 62.01, 31.07, -1.21

 

CMYK 0 / 40 / 27 / 28

HEX #B86F86

RGB 184 111 134

HSL 341.1, 0.34%, 0.58%

LAB 55.36, 31.92, -0.21

 

CMYK 0 / 27 / 17 / 1

HEX #FCB7D2

RGB 252 183 210

HSL 336.52, 0.92%, 0.85%

LAB 81.41, 28.87, -3.66

 

CMYK 0 / 28 / 22 / 2

HEX #FBB5C5

RGB 251 181 197

HSL 346.29, 0.9%, 0.85%

LAB 80.51, 27.64, 2.03

 

CMYK 0 / 28 / 26 / 2

HEX #FBB5BA

RGB 251 181 186

HSL 355.71, 0.9%, 0.85%

LAB 80.24, 26.09, 7.58

 

CMYK 0 / 25 / 28 / 2

HEX #FBBCB5

RGB 251 188 181

HSL 6, 0.9%, 0.85%

LAB 81.74, 21.73, 12.4

 

CMYK 0 / 20 / 28 / 2

HEX #FBC8B5

RGB 251 200 181

HSL 16.29, 0.9%, 0.85%

LAB 84.56, 15.43, 16.39

 

CMYK 0 / 27 / 17 / 1

HEX #FCB7D2

RGB 252 183 210

HSL 336.52, 0.92%, 0.85%

LAB 81.41, 28.87, -3.66

 

CMYK 0 / 27 / 17 / 81

HEX #302328

RGB 48 35 40

HSL 336.92, 0.16%, 0.16%

LAB 15.4, 7.21, -0.94

 

CMYK 0 / 27 / 16 / 61

HEX #634853

RGB 99 72 83

HSL 335.56, 0.16%, 0.34%

LAB 33.8, 13.45, -2.01

 

CMYK 0 / 27 / 17 / 41

HEX #966D7D

RGB 150 109 125

HSL 336.59, 0.16%, 0.51%

LAB 50.57, 18.87, -2.41

 

CMYK 0 / 27 / 16 / 21

HEX #C992A8

RGB 201 146 168

HSL 336, 0.34%, 0.68%

LAB 66.37, 24.08, -3.31

 

CMYK 0 / 27 / 17 / 1

HEX #FCB7D2

RGB 252 183 210

HSL 336.52, 0.92%, 0.85%

LAB 81.41, 28.87, -3.66

 

CMYK 0 / 6 / 28 / 2

HEX #FBEDB5

RGB 251 237 181

HSL 48, 0.9%, 0.85%

LAB 93.63, -3.61, 28.89

 

CMYK 28 / 6 / 0 / 2

HEX #B5EDFB

RGB 181 237 251

HSL 192, 0.9%, 0.85%

LAB 90.49, -14.55, -12.53

 

CMYK 0 / 27 / 17 / 1

HEX #FCB7D2

RGB 252 183 210

HSL 336.52, 0.92%, 0.85%

LAB 81.41, 28.87, -3.66

 

CMYK 17 / 0 / 28 / 2

HEX #D1FBB5

RGB 209 251 181

HSL 96, 0.9%, 0.85%

LAB 94.26, -25.61, 29.25

 

CMYK 28 / 17 / 0 / 2

HEX #B5D1FB

RGB 181 209 251

HSL 216, 0.9%, 0.85%

LAB 83.12, -0.07, -23.63

 

CMYK 0 / 27 / 17 / 1

HEX #FCB7D2

RGB 252 183 210

HSL 336.52, 0.92%, 0.85%

LAB 81.41, 28.87, -3.66

 

CMYK 0 / 6 / 28 / 2

HEX #FBEDB5

RGB 251 237 181

HSL 48, 0.9%, 0.85%

LAB 93.63, -3.61, 28.89

 

CMYK 28 / 0 / 11 / 2

HEX #B5FBDF

RGB 181 251 223

HSL 156, 0.9%, 0.85%

LAB 93.51, -27.34, 6.46

 

CMYK 28 / 22 / 0 / 2

HEX #B5C3FB

RGB 181 195 251

HSL 228, 0.9%, 0.85%

LAB 79.51, 7.44, -29.14

 

CMYK 0 / 27 / 17 / 1

HEX #FCB7D2

RGB 252 183 210

HSL 336.52, 0.92%, 0.85%

LAB 81.41, 28.87, -3.66

 

CMYK 3 / 0 / 28 / 2

HEX #F4FBB5

RGB 244 251 181

HSL 66, 0.9%, 0.85%

LAB 96.64, -13.15, 32.87

 

CMYK 28 / 0 / 11 / 2

HEX #B5FBDF

RGB 181 251 223

HSL 156, 0.9%, 0.85%

LAB 93.51, -27.34, 6.46

 

CMYK 25 / 28 / 0 / 2

HEX #BCB5FB

RGB 188 181 251

HSL 246, 0.9%, 0.85%

LAB 76.5, 17.13, -33.73

 

Description

Color code: RGB 252 183 210 | qconv.com Color code: RGB 252 183 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 183 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 183 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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