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Color name
RGB 252 180.8 100.4

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 180.8 100.4 it is the complementary color RGB 3 74.2 154.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 180.8 100.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 180.8 100.4 shade: RGB 255 180.8 95.4, RGB 255 198.8 114.4, RGB 255 216.8 133.4, RGB 255 234.8 152.4 and RGB 255 252.8 171.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 180.8 100.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 180.8 100.4 shade: RGB 252 180.8 100.4, RGB 235 162.8 81.4, RGB 218 144.8 62.4, RGB 201 126.8 43.4 and RGB 184 108.8 24.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 180.8 100.4 shade: RGB 252 181 100, RGB 252 140 100 and RGB 252 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 180.8 100.4 shade: RGB 252 181 100, RGB 252 221 100, RGB 241 252 100, RGB 200 252 100 and RGB 159 252 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 180.8 100.4 shade matches the following richer shades: RGB 252 181 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 180.8 100.4 shade: RGB 252 181 100, RGB 239 180 113, RGB 226 179 126, RGB 213 178 138 and RGB 201 177 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 180.8 100.4 shade: RGB 252 100 103, RGB 252 138 100, RGB 252 178 100, RGB 252 219 100 and RGB 244 252 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 180.8 100.4 shade: RGB 250 142 19, RGB 251 161 60, RGB 252 181 100, RGB 253 200 140 and RGB 253 219 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 180.8 100.4 shade: RGB 252 180.8 100.4, RGB 143 252 100 and RGB 118 100 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 180.8 100.4 shade: RGB 252 180.8 100.4, RGB 100 252 178 and RGB 178 100 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 180.8 100.4 shade: RGB 252 180.8 100.4, RGB 143 252 100, RGB 100 173 252 and RGB 209 100 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 180.8 100.4 shade: RGB 252 180.8 100.4, RGB 100 252 103, RGB 100 173 252 and RGB 252 100 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 60 / 1

HEX #FCB464

RGB 252 180.8 100.4

HSL 31.82, 0.96%, 0.69%

LAB 78.8, 17.76, 50.55

 

Complementary color

CMYK 98 / 52 / 0 / 39

HEX #034A9A

RGB 3 74.2 154.6

HSL 211.82, 0.96%, 0.31%

LAB 32.47, 13.62, -49.12

 

CMYK 0 / 29 / 63 / 0

HEX #FFB45F

RGB 255 180.8 95.4

HSL 32.11, 1%, 0.69%

LAB 79.08, 18.65, 53.36

 

CMYK 0 / 22 / 55 / 0

HEX #FFC672

RGB 255 198.8 114.4

HSL 36.02, 1%, 0.72%

LAB 83.57, 10.61, 49.47

 

CMYK 0 / 15 / 48 / 0

HEX #FFD885

RGB 255 216.8 133.4

HSL 41.15, 1%, 0.76%

LAB 88.2, 2.95, 45.83

 

CMYK 0 / 8 / 40 / 0

HEX #FFEA98

RGB 255 234.8 152.4

HSL 48.19, 1%, 0.8%

LAB 92.95, -4.31, 42.44

 

CMYK 0 / 1 / 33 / 0

HEX #FFFCAB

RGB 255 252.8 171.4

HSL 58.42, 1%, 0.84%

LAB 97.77, -11.15, 39.3

 

CMYK 0 / 28 / 60 / 1

HEX #FCB464

RGB 252 180.8 100.4

HSL 31.82, 0.96%, 0.69%

LAB 78.8, 17.76, 50.55

 

CMYK 0 / 31 / 65 / 8

HEX #EBA251

RGB 235 162.8 81.4

HSL 31.8, 0.79%, 0.62%

LAB 72.49, 19.03, 51.96

 

CMYK 0 / 34 / 71 / 15

HEX #DA903E

RGB 218 144.8 62.4

HSL 31.77, 0.68%, 0.55%

LAB 66.1, 20.49, 53.29

 

CMYK 0 / 37 / 78 / 21

HEX #C97E2B

RGB 201 126.8 43.4

HSL 31.75, 0.64%, 0.48%

LAB 59.64, 22.16, 54.37

 

CMYK 0 / 41 / 87 / 28

HEX #B86C18

RGB 184 108.8 24.4

HSL 31.73, 0.77%, 0.41%

LAB 53.12, 24.07, 54.79

 

CMYK 0 / 28 / 60 / 1

HEX #FCB564

RGB 252 181 100

HSL 31.97, 0.96%, 0.69%

LAB 78.85, 17.62, 50.8

 

CMYK 0 / 44 / 60 / 1

HEX #FC8C64

RGB 252 140 100

HSL 15.79, 0.96%, 0.69%

LAB 69.73, 38.93, 39.87

 

CMYK 0 / 60 / 60 / 1

HEX #FC6464

RGB 252 100 100

HSL 0, 0.96%, 0.69%

LAB 62.28, 57.98, 30.51

 

CMYK 0 / 28 / 60 / 1

HEX #FCB564

RGB 252 181 100

HSL 31.97, 0.96%, 0.69%

LAB 78.85, 17.62, 50.8

 

CMYK 0 / 12 / 60 / 1

HEX #FCDD64

RGB 252 221 100

HSL 47.76, 0.96%, 0.69%

LAB 88.6, -3.03, 61.92

 

CMYK 4 / 0 / 60 / 1

HEX #F1FC64

RGB 241 252 100

HSL 64.34, 0.96%, 0.69%

LAB 95.68, -22.68, 69.41

 

CMYK 21 / 0 / 60 / 1

HEX #C8FC64

RGB 200 252 100

HSL 80.53, 0.96%, 0.69%

LAB 92.94, -38.43, 65.63

 

CMYK 37 / 0 / 60 / 1

HEX #9FFC64

RGB 159 252 100

HSL 96.71, 0.96%, 0.69%

LAB 90.74, -52.7, 62.58

 

CMYK 0 / 28 / 60 / 1

HEX #FCB564

RGB 252 181 100

HSL 31.97, 0.96%, 0.69%

LAB 78.85, 17.62, 50.8

 

CMYK 0 / 28 / 60 / 1

HEX #FCB564

RGB 252 181 100

HSL 31.97, 0.96%, 0.69%

LAB 78.85, 17.62, 50.8

 

CMYK 0 / 25 / 53 / 6

HEX #EFB471

RGB 239 180 113

HSL 31.9, 0.8%, 0.69%

LAB 77.39, 13.85, 42.25

 

CMYK 0 / 21 / 44 / 11

HEX #E2B37E

RGB 226 179 126

HSL 31.8, 0.63%, 0.69%

LAB 76.02, 10.34, 33.51

 

CMYK 0 / 16 / 35 / 16

HEX #D5B28A

RGB 213 178 138

HSL 32, 0.47%, 0.69%

LAB 74.71, 7.03, 25.19

 

CMYK 0 / 12 / 25 / 21

HEX #C9B197

RGB 201 177 151

HSL 31.2, 0.32%, 0.69%

LAB 73.61, 4.6, 16.48

 

CMYK 0 / 60 / 59 / 1

HEX #FC6467

RGB 252 100 103

HSL 358.82, 0.96%, 0.69%

LAB 62.33, 58.18, 28.88

 

CMYK 0 / 45 / 60 / 1

HEX #FC8A64

RGB 252 138 100

HSL 15, 0.96%, 0.69%

LAB 69.32, 39.95, 39.37

 

CMYK 0 / 29 / 60 / 1

HEX #FCB264

RGB 252 178 100

HSL 30.79, 0.96%, 0.69%

LAB 78.14, 19.2, 49.97

 

CMYK 0 / 13 / 60 / 1

HEX #FCDB64

RGB 252 219 100

HSL 46.97, 0.96%, 0.69%

LAB 88.1, -2.02, 61.36

 

CMYK 3 / 0 / 60 / 1

HEX #F4FC64

RGB 244 252 100

HSL 63.16, 0.96%, 0.69%

LAB 95.9, -21.5, 69.72

 

CMYK 0 / 43 / 92 / 2

HEX #FA8E13

RGB 250 142 19

HSL 31.95, 0.96%, 0.53%

LAB 69.27, 33.97, 72.25

 

CMYK 0 / 36 / 76 / 2

HEX #FBA13C

RGB 251 161 60

HSL 31.73, 0.96%, 0.61%

LAB 73.76, 25.55, 63.31

 

CMYK 0 / 28 / 60 / 1

HEX #FCB564

RGB 252 181 100

HSL 31.97, 0.96%, 0.69%

LAB 78.85, 17.62, 50.8

 

CMYK 0 / 21 / 45 / 1

HEX #FDC88C

RGB 253 200 140

HSL 31.86, 0.97%, 0.77%

LAB 84.01, 11.45, 37.13

 

CMYK 0 / 13 / 28 / 1

HEX #FDDBB5

RGB 253 219 181

HSL 31.67, 0.95%, 0.85%

LAB 89.34, 6.31, 23.05

 

CMYK 0 / 28 / 60 / 1

HEX #FCB464

RGB 252 180.8 100.4

HSL 31.82, 0.96%, 0.69%

LAB 78.8, 17.76, 50.55

 

CMYK 43 / 0 / 60 / 1

HEX #8FFC64

RGB 143 252 100

HSL 103.03, 0.96%, 0.69%

LAB 90.04, -57.67, 61.59

 

CMYK 53 / 60 / 0 / 1

HEX #7664FC

RGB 118 100 252

HSL 247.11, 0.96%, 0.69%

LAB 51.83, 46.54, -73.75

 

CMYK 0 / 28 / 60 / 1

HEX #FCB464

RGB 252 180.8 100.4

HSL 31.82, 0.96%, 0.69%

LAB 78.8, 17.76, 50.55

 

CMYK 60 / 0 / 29 / 1

HEX #64FCB2

RGB 100 252 178

HSL 150.79, 0.96%, 0.69%

LAB 89.65, -56.92, 23.68

 

CMYK 29 / 60 / 0 / 1

HEX #B264FC

RGB 178 100 252

HSL 270.79, 0.96%, 0.69%

LAB 57.66, 58.7, -64.04

 

CMYK 0 / 28 / 60 / 1

HEX #FCB464

RGB 252 180.8 100.4

HSL 31.82, 0.96%, 0.69%

LAB 78.8, 17.76, 50.55

 

CMYK 43 / 0 / 60 / 1

HEX #8FFC64

RGB 143 252 100

HSL 103.03, 0.96%, 0.69%

LAB 90.04, -57.67, 61.59

 

CMYK 60 / 31 / 0 / 1

HEX #64ADFC

RGB 100 173 252

HSL 211.18, 0.96%, 0.69%

LAB 69.2, 0.35, -46.04

 

CMYK 17 / 60 / 0 / 1

HEX #D164FC

RGB 209 100 252

HSL 283.03, 0.96%, 0.69%

LAB 61.39, 65.75, -57.86

 

CMYK 0 / 28 / 60 / 1

HEX #FCB464

RGB 252 180.8 100.4

HSL 31.82, 0.96%, 0.69%

LAB 78.8, 17.76, 50.55

 

CMYK 60 / 0 / 59 / 1

HEX #64FC67

RGB 100 252 103

HSL 121.18, 0.96%, 0.69%

LAB 88.6, -68.46, 58.29

 

CMYK 60 / 31 / 0 / 1

HEX #64ADFC

RGB 100 173 252

HSL 211.18, 0.96%, 0.69%

LAB 69.2, 0.35, -46.04

 

CMYK 0 / 60 / 1 / 1

HEX #FC64F9

RGB 252 100 249

HSL 301.18, 0.96%, 0.69%

LAB 67.01, 75.35, -46.93

 

Description

Color code: RGB 252 180.8 100.4 | qconv.com Color code: RGB 252 180.8 100.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 180.8 green and 100.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 180.8 100.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 60 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 60% 1% C M Y K

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Provide designers and agencies with accurate color values.

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