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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 3 74.2 154.6 it is the complementary color RGB 252 180.8 100.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 3 74.2 154.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 3 74.2 154.6 shade: RGB 8 74.2 149.6, RGB 25 92.2 168.6, RGB 42 110.2 187.6, RGB 59 128.2 206.6 and RGB 76 146.2 225.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 3 74.2 154.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 3 74.2 154.6 shade: RGB 3 74.2 154.6, RGB 0 56.2 135.6, RGB 0 38.2 116.6, RGB 0 20.2 97.6 and RGB 0 2.2 78.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 3 74.2 154.6 shade: RGB 3 74 155, RGB 3 34 155, RGB 14 3 155, RGB 55 3 155 and RGB 96 3 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 3 74.2 154.6 shade: RGB 3 74 155, RGB 3 34 155 and RGB 3 3 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 3 74.2 154.6 shade matches the following richer shades: RGB 3 74 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 3 74.2 154.6 shade: RGB 3 74 155, RGB 16 75 142, RGB 29 76 129, RGB 42 77 117 and RGB 54 78 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 3 74.2 154.6 shade: RGB 3 155 152, RGB 3 117 155, RGB 3 77 155, RGB 3 36 155 and RGB 11 3 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 3 74.2 154.6 shade: RGB 2 36 74, RGB 2 55 115, RGB 3 74 155, RGB 4 94 195 and RGB 5 113 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 3 74.2 154.6 shade: RGB 3 74.2 154.6, RGB 112 3 155 and RGB 137 155 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 3 74.2 154.6 shade: RGB 3 74.2 154.6, RGB 155 3 77 and RGB 77 155 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 3 74.2 154.6 shade: RGB 3 74.2 154.6, RGB 112 3 155, RGB 155 82 3 and RGB 46 155 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 3 74.2 154.6 shade: RGB 3 74.2 154.6, RGB 155 3 152, RGB 155 82 3 and RGB 3 155 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 52 / 0 / 39

HEX #034A9A

RGB 3 74.2 154.6

HSL 211.82, 0.96%, 0.31%

LAB 32.47, 13.62, -49.12

 

Complementary color

CMYK 0 / 28 / 60 / 1

HEX #FCB464

RGB 252 180.8 100.4

HSL 31.82, 0.96%, 0.69%

LAB 78.8, 17.76, 50.55

 

CMYK 95 / 50 / 0 / 41

HEX #084A95

RGB 8 74.2 149.6

HSL 211.95, 0.9%, 0.31%

LAB 32.18, 11.77, -46.56

 

CMYK 85 / 45 / 0 / 34

HEX #195CA8

RGB 25 92.2 168.6

HSL 211.92, 0.74%, 0.38%

LAB 39.15, 8.65, -46.73

 

CMYK 78 / 41 / 0 / 26

HEX #2A6EBB

RGB 42 110.2 187.6

HSL 211.9, 0.63%, 0.45%

LAB 46.04, 6.25, -46.79

 

CMYK 71 / 38 / 0 / 19

HEX #3B80CE

RGB 59 128.2 206.6

HSL 211.87, 0.6%, 0.52%

LAB 52.85, 4.38, -46.82

 

CMYK 66 / 35 / 0 / 12

HEX #4C92E1

RGB 76 146.2 225.6

HSL 211.84, 0.72%, 0.59%

LAB 59.55, 2.89, -46.82

 

CMYK 98 / 52 / 0 / 39

HEX #034A9A

RGB 3 74.2 154.6

HSL 211.82, 0.96%, 0.31%

LAB 32.47, 13.62, -49.12

 

CMYK 100 / 59 / 0 / 47

HEX #003887

RGB 0 56.2 135.6

HSL 215.13, 1%, 0.27%

LAB 25.61, 17.96, -48.62

 

CMYK 100 / 67 / 0 / 54

HEX #002674

RGB 0 38.2 116.6

HSL 220.34, 1%, 0.23%

LAB 18.69, 22.75, -47.93

 

CMYK 100 / 79 / 0 / 62

HEX #001461

RGB 0 20.2 97.6

HSL 227.58, 1%, 0.19%

LAB 11.84, 27.51, -46.81

 

CMYK 100 / 97 / 0 / 69

HEX #00024E

RGB 0 2.2 78.6

HSL 238.32, 1%, 0.15%

LAB 5.48, 30.59, -44.45

 

CMYK 98 / 52 / 0 / 39

HEX #034A9B

RGB 3 74 155

HSL 211.97, 0.96%, 0.31%

LAB 32.44, 13.93, -49.41

 

CMYK 98 / 78 / 0 / 39

HEX #03229B

RGB 3 34 155

HSL 227.76, 0.96%, 0.31%

LAB 22.05, 40.72, -66.45

 

CMYK 91 / 98 / 0 / 39

HEX #0E039B

RGB 14 3 155

HSL 244.34, 0.96%, 0.31%

LAB 18.03, 53.83, -73.14

 

CMYK 65 / 98 / 0 / 39

HEX #37039B

RGB 55 3 155

HSL 260.53, 0.96%, 0.31%

LAB 21, 55.23, -68.13

 

CMYK 38 / 98 / 0 / 39

HEX #60039B

RGB 96 3 155

HSL 276.71, 0.96%, 0.31%

LAB 26.5, 58.78, -58.85

 

CMYK 98 / 52 / 0 / 39

HEX #034A9B

RGB 3 74 155

HSL 211.97, 0.96%, 0.31%

LAB 32.44, 13.93, -49.41

 

CMYK 98 / 78 / 0 / 39

HEX #03229B

RGB 3 34 155

HSL 227.76, 0.96%, 0.31%

LAB 22.05, 40.72, -66.45

 

CMYK 98 / 98 / 0 / 39

HEX #03039B

RGB 3 3 155

HSL 240, 0.96%, 0.31%

LAB 17.7, 53.7, -73.71

 

CMYK 98 / 52 / 0 / 39

HEX #034A9B

RGB 3 74 155

HSL 211.97, 0.96%, 0.31%

LAB 32.44, 13.93, -49.41

 

CMYK 98 / 52 / 0 / 39

HEX #034A9B

RGB 3 74 155

HSL 211.97, 0.96%, 0.31%

LAB 32.44, 13.93, -49.41

 

CMYK 89 / 47 / 0 / 44

HEX #104B8E

RGB 16 75 142

HSL 211.9, 0.8%, 0.31%

LAB 32.02, 8.53, -42.17

 

CMYK 78 / 41 / 0 / 49

HEX #1D4C81

RGB 29 76 129

HSL 211.8, 0.63%, 0.31%

LAB 31.84, 3.9, -34.43

 

CMYK 64 / 34 / 0 / 54

HEX #2A4D75

RGB 42 77 117

HSL 212, 0.47%, 0.31%

LAB 32, 0.88, -26.68

 

CMYK 48 / 25 / 0 / 59

HEX #364E68

RGB 54 78 104

HSL 211.2, 0.32%, 0.31%

LAB 32.33, -1.32, -17.95

 

CMYK 98 / 0 / 2 / 39

HEX #039B98

RGB 3 155 152

HSL 178.82, 0.96%, 0.31%

LAB 57.78, -33.96, -8.15

 

CMYK 98 / 25 / 0 / 39

HEX #03759B

RGB 3 117 155

HSL 195, 0.96%, 0.31%

LAB 45.78, -13.29, -28.2

 

CMYK 98 / 50 / 0 / 39

HEX #034D9B

RGB 3 77 155

HSL 210.79, 0.96%, 0.31%

LAB 33.34, 11.88, -47.97

 

CMYK 98 / 77 / 0 / 39

HEX #03249B

RGB 3 36 155

HSL 226.97, 0.96%, 0.31%

LAB 22.47, 39.53, -65.76

 

CMYK 93 / 98 / 0 / 39

HEX #0B039B

RGB 11 3 155

HSL 243.16, 0.96%, 0.31%

LAB 17.93, 53.79, -73.31

 

CMYK 97 / 51 / 0 / 71

HEX #02244A

RGB 2 36 74

HSL 211.67, 0.95%, 0.15%

LAB 14.23, 5.22, -26.93

 

CMYK 98 / 52 / 0 / 55

HEX #023773

RGB 2 55 115

HSL 211.86, 0.97%, 0.23%

LAB 23.62, 9.93, -38.87

 

CMYK 98 / 52 / 0 / 39

HEX #034A9B

RGB 3 74 155

HSL 211.97, 0.96%, 0.31%

LAB 32.44, 13.93, -49.41

 

CMYK 98 / 52 / 0 / 24

HEX #045EC3

RGB 4 94 195

HSL 211.73, 0.96%, 0.39%

LAB 41.17, 17.02, -58.96

 

CMYK 98 / 52 / 0 / 7

HEX #0571EC

RGB 5 113 236

HSL 211.95, 0.96%, 0.47%

LAB 49.37, 21.01, -69.03

 

CMYK 98 / 52 / 0 / 39

HEX #034A9A

RGB 3 74.2 154.6

HSL 211.82, 0.96%, 0.31%

LAB 32.47, 13.62, -49.12

 

CMYK 28 / 98 / 0 / 39

HEX #70039B

RGB 112 3 155

HSL 283.03, 0.96%, 0.31%

LAB 29.1, 60.76, -54.49

 

CMYK 12 / 0 / 98 / 39

HEX #899B03

RGB 137 155 3

HSL 67.11, 0.96%, 0.31%

LAB 60.58, -22.82, 63

 

CMYK 98 / 52 / 0 / 39

HEX #034A9A

RGB 3 74.2 154.6

HSL 211.82, 0.96%, 0.31%

LAB 32.47, 13.62, -49.12

 

CMYK 0 / 98 / 50 / 39

HEX #9B034D

RGB 155 3 77

HSL 330.79, 0.96%, 0.31%

LAB 33.07, 58.03, 1.91

 

CMYK 50 / 0 / 98 / 39

HEX #4D9B03

RGB 77 155 3

HSL 90.79, 0.96%, 0.31%

LAB 57.1, -46.11, 58.8

 

CMYK 98 / 52 / 0 / 39

HEX #034A9A

RGB 3 74.2 154.6

HSL 211.82, 0.96%, 0.31%

LAB 32.47, 13.62, -49.12

 

CMYK 28 / 98 / 0 / 39

HEX #70039B

RGB 112 3 155

HSL 283.03, 0.96%, 0.31%

LAB 29.1, 60.76, -54.49

 

CMYK 0 / 47 / 98 / 39

HEX #9B5203

RGB 155 82 3

HSL 31.18, 0.96%, 0.31%

LAB 42.78, 25.86, 51.11

 

CMYK 70 / 0 / 98 / 39

HEX #2E9B03

RGB 46 155 3

HSL 103.03, 0.96%, 0.31%

LAB 56.12, -54.14, 57.6

 

CMYK 98 / 52 / 0 / 39

HEX #034A9A

RGB 3 74.2 154.6

HSL 211.82, 0.96%, 0.31%

LAB 32.47, 13.62, -49.12

 

CMYK 0 / 98 / 2 / 39

HEX #9B0398

RGB 155 3 152

HSL 301.18, 0.96%, 0.31%

LAB 36.56, 66.93, -40.23

 

CMYK 0 / 47 / 98 / 39

HEX #9B5203

RGB 155 82 3

HSL 31.18, 0.96%, 0.31%

LAB 42.78, 25.86, 51.11

 

CMYK 98 / 0 / 96 / 39

HEX #039B06

RGB 3 155 6

HSL 121.18, 0.96%, 0.31%

LAB 55.56, -59.07, 56.44

 

Description

Color code: RGB 3 74.2 154.6 | qconv.com Color code: RGB 3 74.2 154.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 74.2 green and 154.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 74.2 154.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 52 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 52% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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