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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 154 7 it is the complementary color RGB 3 101 248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 154 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 252 154 7: RGB 255 154 2, RGB 255 172 21, RGB 255 190 40, RGB 255 208 59 and RGB 255 226 78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 154 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 252 154 7: RGB 252 154 7, RGB 235 136 0, RGB 218 118 0, RGB 201 100 0 and RGB 184 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 97 / 1

HEX #FC9A07

RGB 252 154 7

HSL 36, 0.98%, 0.51%

LAB 72.11, 28.47, 76.09

 

Complementary color

CMYK 99 / 59 / 0 / 3

HEX #0365F8

RGB 3 101 248

HSL 216, 0.98%, 0.49%

LAB 47.11, 33.26, -79.42

 

CMYK 0 / 40 / 99 / 0

HEX #FF9A02

RGB 255 154 2

HSL 36.05, 1%, 0.5%

LAB 72.48, 29.67, 77.13

 

CMYK 0 / 33 / 92 / 0

HEX #FFAC15

RGB 255 172 21

HSL 38.72, 1%, 0.54%

LAB 76.57, 20.48, 77.4

 

CMYK 0 / 25 / 84 / 0

HEX #FFBE28

RGB 255 190 40

HSL 41.86, 1%, 0.58%

LAB 80.87, 11.45, 76.53

 

CMYK 0 / 18 / 77 / 0

HEX #FFD03B

RGB 255 208 59

HSL 45.61, 1%, 0.62%

LAB 85.35, 2.74, 74.75

 

CMYK 0 / 11 / 69 / 0

HEX #FFE24E

RGB 255 226 78

HSL 50.17, 1%, 0.65%

LAB 89.95, -5.57, 72.43

 

CMYK 0 / 39 / 97 / 1

HEX #FC9A07

RGB 252 154 7

HSL 36, 0.98%, 0.51%

LAB 72.11, 28.47, 76.09

 

CMYK 0 / 42 / 100 / 8

HEX #EB8800

RGB 235 136 0

HSL 34.72, 1%, 0.46%

LAB 65.96, 30.76, 71.97

 

CMYK 0 / 46 / 100 / 15

HEX #DA7600

RGB 218 118 0

HSL 32.48, 1%, 0.43%

LAB 59.76, 33.15, 66.96

 

CMYK 0 / 50 / 100 / 21

HEX #C96400

RGB 201 100 0

HSL 29.85, 1%, 0.39%

LAB 53.53, 35.54, 61.94

 

CMYK 0 / 55 / 100 / 28

HEX #B85200

RGB 184 82 0

HSL 26.74, 1%, 0.36%

LAB 47.27, 37.89, 56.93

 

CMYK 0 / 39 / 97 / 1

HEX #FC9A07

RGB 252 154 7

HSL 36, 0.98%, 0.51%

LAB 72.11, 28.47, 76.09

 

CMYK 0 / 23 / 97 / 1

HEX #FCC307

RGB 252 195 7

HSL 46.04, 0.98%, 0.51%

LAB 81.7, 7.09, 82.68

 

CMYK 0 / 6 / 97 / 1

HEX #FCEC07

RGB 252 236 7

HSL 56.08, 0.98%, 0.51%

LAB 92, -13.59, 90.1

 

CMYK 10 / 0 / 97 / 1

HEX #E4FC07

RGB 228 252 7

HSL 65.88, 0.98%, 0.51%

LAB 94.37, -31.08, 91.05

 

CMYK 26 / 0 / 97 / 1

HEX #BBFC07

RGB 187 252 7

HSL 75.92, 0.98%, 0.51%

LAB 91.77, -47.03, 87.93

 

CMYK 0 / 39 / 97 / 1

HEX #FC9A07

RGB 252 154 7

HSL 36, 0.98%, 0.51%

LAB 72.11, 28.47, 76.09

 

CMYK 0 / 40 / 98 / 81

HEX #301D01

RGB 48 29 1

HSL 35.74, 0.96%, 0.1%

LAB 12.67, 6.26, 18.52

 

CMYK 0 / 38 / 97 / 61

HEX #633D03

RGB 99 61 3

HSL 36.25, 0.94%, 0.2%

LAB 29.4, 12.17, 38.06

 

CMYK 0 / 39 / 97 / 41

HEX #965C04

RGB 150 92 4

HSL 36.16, 0.95%, 0.3%

LAB 44.44, 17.98, 51.62

 

CMYK 0 / 39 / 97 / 21

HEX #C97B06

RGB 201 123 6

HSL 36, 0.94%, 0.41%

LAB 58.6, 23.38, 64.06

 

CMYK 0 / 39 / 97 / 1

HEX #FC9A07

RGB 252 154 7

HSL 36, 0.98%, 0.51%

LAB 72.11, 28.47, 76.09

 

CMYK 78 / 0 / 97 / 1

HEX #38FC07

RGB 56 252 7

HSL 108, 0.98%, 0.51%

LAB 87.23, -81.59, 82.41

 

CMYK 78 / 97 / 0 / 1

HEX #3807FC

RGB 56 7 252

HSL 252, 0.98%, 0.51%

LAB 34.03, 78.14, -103.25

 

CMYK 0 / 39 / 97 / 1

HEX #FC9A07

RGB 252 154 7

HSL 36, 0.98%, 0.51%

LAB 72.11, 28.47, 76.09

 

CMYK 97 / 0 / 39 / 1

HEX #07FC9A

RGB 7 252 154

HSL 156, 0.98%, 0.51%

LAB 87.97, -71.18, 33.3

 

CMYK 39 / 97 / 0 / 1

HEX #9A07FC

RGB 154 7 252

HSL 276, 0.98%, 0.51%

LAB 44.3, 84.14, -85.9

 

CMYK 0 / 39 / 97 / 1

HEX #FC9A07

RGB 252 154 7

HSL 36, 0.98%, 0.51%

LAB 72.11, 28.47, 76.09

 

CMYK 78 / 0 / 97 / 1

HEX #38FC07

RGB 56 252 7

HSL 108, 0.98%, 0.51%

LAB 87.23, -81.59, 82.41

 

CMYK 97 / 58 / 0 / 1

HEX #0769FC

RGB 7 105 252

HSL 216, 0.98%, 0.51%

LAB 48.48, 32.32, -79.41

 

CMYK 19 / 97 / 0 / 1

HEX #CB07FC

RGB 203 7 252

HSL 288, 0.98%, 0.51%

LAB 51.7, 89.87, -73.52

 

CMYK 0 / 39 / 97 / 1

HEX #FC9A07

RGB 252 154 7

HSL 36, 0.98%, 0.51%

LAB 72.11, 28.47, 76.09

 

CMYK 97 / 0 / 87 / 1

HEX #07FC20

RGB 7 252 32

HSL 126.12, 0.98%, 0.51%

LAB 86.88, -84.54, 78.95

 

CMYK 97 / 58 / 0 / 1

HEX #0769FC

RGB 7 105 252

HSL 216, 0.98%, 0.51%

LAB 48.48, 32.32, -79.41

 

CMYK 0 / 97 / 10 / 1

HEX #FC07E4

RGB 252 7 228

HSL 305.88, 0.98%, 0.51%

LAB 58.46, 93.74, -48.75

 

Description

Color code: RGB 252 154 7 | qconv.com Color code: RGB 252 154 7 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 154 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 154 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 97 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 97% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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