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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 132 76 it is the complementary color RGB 3 123 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 132 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 252 132 76: RGB 255 132 71, RGB 255 150 90, RGB 255 168 109, RGB 255 186 128 and RGB 255 204 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 132 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 252 132 76: RGB 252 132 76, RGB 235 114 57, RGB 218 96 38, RGB 201 78 19 and RGB 184 60 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 70 / 1

HEX #FC844C

RGB 252 132 76

HSL 19.09, 0.97%, 0.64%

LAB 67.81, 41.55, 49.97

 

Complementary color

CMYK 98 / 31 / 0 / 30

HEX #037BB3

RGB 3 123 179

HSL 199.09, 0.97%, 0.36%

LAB 48.81, -7.61, -37.47

 

CMYK 0 / 48 / 72 / 0

HEX #FF8447

RGB 255 132 71

HSL 19.89, 1%, 0.64%

LAB 68.18, 42.46, 52.93

 

CMYK 0 / 41 / 65 / 0

HEX #FF965A

RGB 255 150 90

HSL 21.82, 1%, 0.68%

LAB 72.1, 34.35, 47.96

 

CMYK 0 / 34 / 57 / 0

HEX #FFA86D

RGB 255 168 109

HSL 24.25, 1%, 0.71%

LAB 76.3, 26.28, 43.33

 

CMYK 0 / 27 / 50 / 0

HEX #FFBA80

RGB 255 186 128

HSL 27.4, 1%, 0.75%

LAB 80.7, 18.42, 39.09

 

CMYK 0 / 20 / 42 / 0

HEX #FFCC93

RGB 255 204 147

HSL 31.67, 1%, 0.79%

LAB 85.28, 10.87, 35.23

 

CMYK 0 / 48 / 70 / 1

HEX #FC844C

RGB 252 132 76

HSL 19.09, 0.97%, 0.64%

LAB 67.81, 41.55, 49.97

 

CMYK 0 / 51 / 76 / 8

HEX #EB7239

RGB 235 114 57

HSL 19.21, 0.82%, 0.57%

LAB 61.65, 43.16, 51.9

 

CMYK 0 / 56 / 83 / 15

HEX #DA6026

RGB 218 96 38

HSL 19.33, 0.71%, 0.5%

LAB 55.49, 44.84, 53.66

 

CMYK 0 / 61 / 91 / 21

HEX #C94E13

RGB 201 78 19

HSL 19.45, 0.83%, 0.43%

LAB 49.39, 46.54, 54.75

 

CMYK 0 / 67 / 100 / 28

HEX #B83C00

RGB 184 60 0

HSL 19.57, 1%, 0.36%

LAB 43.39, 48.1, 54.85

 

CMYK 0 / 48 / 70 / 1

HEX #FC844C

RGB 252 132 76

HSL 19.09, 0.97%, 0.64%

LAB 67.81, 41.55, 49.97

 

CMYK 0 / 37 / 71 / 1

HEX #FCA04A

RGB 252 160 74

HSL 28.99, 0.97%, 0.64%

LAB 73.76, 27.1, 57.35

 

CMYK 0 / 25 / 71 / 1

HEX #FCBD4A

RGB 252 189 74

HSL 38.76, 0.97%, 0.64%

LAB 80.51, 11.93, 64.37

 

CMYK 0 / 13 / 71 / 1

HEX #FCDB4A

RGB 252 219 74

HSL 48.88, 0.97%, 0.64%

LAB 87.9, -3.48, 71.8

 

CMYK 0 / 1 / 71 / 1

HEX #FCF94A

RGB 252 249 74

HSL 58.99, 0.97%, 0.64%

LAB 95.56, -18.28, 79.26

 

CMYK 0 / 48 / 70 / 1

HEX #FC844C

RGB 252 132 76

HSL 19.09, 0.97%, 0.64%

LAB 67.81, 41.55, 49.97

 

CMYK 0 / 48 / 71 / 81

HEX #30190E

RGB 48 25 14

HSL 19.41, 0.55%, 0.12%

LAB 11.66, 10.14, 11.65

 

CMYK 0 / 47 / 70 / 61

HEX #63341E

RGB 99 52 30

HSL 19.13, 0.53%, 0.25%

LAB 27.3, 18.94, 22.93

 

CMYK 0 / 47 / 70 / 41

HEX #964F2D

RGB 150 79 45

HSL 19.43, 0.54%, 0.38%

LAB 41.63, 26.77, 32.8

 

CMYK 0 / 48 / 70 / 21

HEX #C9693D

RGB 201 105 61

HSL 18.86, 0.56%, 0.51%

LAB 54.93, 34.65, 41.23

 

CMYK 0 / 48 / 70 / 1

HEX #FC844C

RGB 252 132 76

HSL 19.09, 0.97%, 0.64%

LAB 67.81, 41.55, 49.97

 

CMYK 37 / 0 / 71 / 1

HEX #A0FC4A

RGB 160 252 74

HSL 91.01, 0.97%, 0.64%

LAB 90.59, -54.36, 72.43

 

CMYK 71 / 65 / 0 / 1

HEX #4A58FC

RGB 74 88 252

HSL 235.28, 0.97%, 0.64%

LAB 46.26, 47.15, -82.97

 

CMYK 0 / 48 / 70 / 1

HEX #FC844C

RGB 252 132 76

HSL 19.09, 0.97%, 0.64%

LAB 67.81, 41.55, 49.97

 

CMYK 71 / 0 / 48 / 1

HEX #4AFC82

RGB 74 252 130

HSL 138.88, 0.97%, 0.64%

LAB 88.3, -69.75, 45.55

 

CMYK 48 / 71 / 0 / 1

HEX #824AFC

RGB 130 74 252

HSL 258.88, 0.97%, 0.64%

LAB 47.84, 62.29, -80.21

 

CMYK 0 / 48 / 70 / 1

HEX #FC844C

RGB 252 132 76

HSL 19.09, 0.97%, 0.64%

LAB 67.81, 41.55, 49.97

 

CMYK 37 / 0 / 71 / 1

HEX #A0FC4A

RGB 160 252 74

HSL 91.01, 0.97%, 0.64%

LAB 90.59, -54.36, 72.43

 

CMYK 71 / 23 / 0 / 1

HEX #4AC3FC

RGB 74 195 252

HSL 199.21, 0.97%, 0.64%

LAB 74.52, -15.75, -37.8

 

CMYK 34 / 71 / 0 / 1

HEX #A64AFC

RGB 166 74 252

HSL 271.01, 0.97%, 0.64%

LAB 51.87, 68.35, -73.47

 

CMYK 0 / 48 / 70 / 1

HEX #FC844C

RGB 252 132 76

HSL 19.09, 0.97%, 0.64%

LAB 67.81, 41.55, 49.97

 

CMYK 58 / 0 / 71 / 1

HEX #6AFC4A

RGB 106 252 74

HSL 109.21, 0.97%, 0.64%

LAB 88.53, -69.77, 69.68

 

CMYK 71 / 23 / 0 / 1

HEX #4AC3FC

RGB 74 195 252

HSL 199.21, 0.97%, 0.64%

LAB 74.52, -15.75, -37.8

 

CMYK 13 / 71 / 0 / 1

HEX #DB4AFC

RGB 219 74 252

HSL 288.88, 0.97%, 0.64%

LAB 58.96, 78.44, -61.67

 

Description

Color code: RGB 252 132 76 | qconv.com Color code: RGB 252 132 76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 132 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 132 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 70 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 70% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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