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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 124 147 it is the complementary color RGB 3 131 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 124 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 252 124 147: RGB 255 124 142, RGB 255 142 161, RGB 255 160 180, RGB 255 178 199 and RGB 255 196 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 124 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 252 124 147: RGB 252 124 147, RGB 235 106 128, RGB 218 88 109, RGB 201 70 90 and RGB 184 52 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 42 / 1

HEX #FC7C93

RGB 252 124 147

HSL 349.22, 0.96%, 0.74%

LAB 67.44, 50.9, 10.87

 

Complementary color

CMYK 98 / 0 / 18 / 49

HEX #03836C

RGB 3 131 108

HSL 169.22, 0.96%, 0.26%

LAB 48.68, -36.16, 3.9

 

CMYK 0 / 51 / 44 / 0

HEX #FF7C8E

RGB 255 124 142

HSL 351.76, 1%, 0.74%

LAB 67.75, 51.42, 14.18

 

CMYK 0 / 44 / 37 / 0

HEX #FF8EA1

RGB 255 142 161

HSL 349.91, 1%, 0.78%

LAB 71.68, 44.58, 9.09

 

CMYK 0 / 37 / 29 / 0

HEX #FFA0B4

RGB 255 160 180

HSL 347.37, 1%, 0.81%

LAB 75.88, 37.7, 4.63

 

CMYK 0 / 30 / 22 / 0

HEX #FFB2C7

RGB 255 178 199

HSL 343.64, 1%, 0.85%

LAB 80.31, 30.91, 0.7

 

CMYK 0 / 23 / 15 / 0

HEX #FFC4DA

RGB 255 196 218

HSL 337.63, 1%, 0.88%

LAB 84.9, 24.32, -2.79

 

CMYK 0 / 51 / 42 / 1

HEX #FC7C93

RGB 252 124 147

HSL 349.22, 0.96%, 0.74%

LAB 67.44, 50.9, 10.87

 

CMYK 0 / 55 / 46 / 8

HEX #EB6A80

RGB 235 106 128

HSL 349.77, 0.76%, 0.67%

LAB 61.25, 51.81, 12.64

 

CMYK 0 / 60 / 50 / 15

HEX #DA586D

RGB 218 88 109

HSL 350.31, 0.64%, 0.6%

LAB 55.06, 52.64, 14.71

 

CMYK 0 / 65 / 55 / 21

HEX #C9465A

RGB 201 70 90

HSL 350.84, 0.55%, 0.53%

LAB 48.93, 53.32, 17.2

 

CMYK 0 / 72 / 61 / 28

HEX #B83447

RGB 184 52 71

HSL 351.36, 0.56%, 0.46%

LAB 42.92, 53.66, 20.24

 

CMYK 0 / 51 / 42 / 1

HEX #FC7C93

RGB 252 124 147

HSL 349.22, 0.96%, 0.74%

LAB 67.44, 50.9, 10.87

 

CMYK 0 / 50 / 50 / 1

HEX #FC7D7F

RGB 252 125 127

HSL 359.06, 0.95%, 0.74%

LAB 67.2, 48.51, 21.81

 

CMYK 0 / 43 / 50 / 1

HEX #FC907D

RGB 252 144 125

HSL 8.98, 0.95%, 0.74%

LAB 70.96, 38.85, 27.95

 

CMYK 0 / 35 / 50 / 1

HEX #FCA57D

RGB 252 165 125

HSL 18.9, 0.95%, 0.74%

LAB 75.51, 27.97, 33.92

 

CMYK 0 / 26 / 50 / 1

HEX #FCBA7D

RGB 252 186 125

HSL 28.82, 0.95%, 0.74%

LAB 80.34, 16.96, 40.11

 

CMYK 0 / 51 / 42 / 1

HEX #FC7C93

RGB 252 124 147

HSL 349.22, 0.96%, 0.74%

LAB 67.44, 50.9, 10.87

 

CMYK 0 / 50 / 42 / 81

HEX #30181C

RGB 48 24 28

HSL 350, 0.33%, 0.14%

LAB 11.73, 12.65, 2.45

 

CMYK 0 / 51 / 41 / 61

HEX #63313A

RGB 99 49 58

HSL 349.2, 0.34%, 0.29%

LAB 27.17, 23.58, 4.63

 

CMYK 0 / 51 / 41 / 41

HEX #964A58

RGB 150 74 88

HSL 348.95, 0.34%, 0.44%

LAB 41.35, 33.33, 6.65

 

CMYK 0 / 51 / 42 / 21

HEX #C96375

RGB 201 99 117

HSL 349.41, 0.49%, 0.59%

LAB 54.68, 42.29, 9.09

 

CMYK 0 / 51 / 42 / 1

HEX #FC7C93

RGB 252 124 147

HSL 349.22, 0.96%, 0.74%

LAB 67.44, 50.9, 10.87

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7D

RGB 250 252 125

HSL 60.94, 0.95%, 0.74%

LAB 96.58, -17.29, 59.85

 

CMYK 50 / 21 / 0 / 1

HEX #7DC7FC

RGB 125 199 252

HSL 205.04, 0.95%, 0.74%

LAB 77.42, -8.83, -33.16

 

CMYK 0 / 51 / 42 / 1

HEX #FC7C93

RGB 252 124 147

HSL 349.22, 0.96%, 0.74%

LAB 67.44, 50.9, 10.87

 

CMYK 41 / 0 / 50 / 1

HEX #94FC7D

RGB 148 252 125

HSL 109.13, 0.95%, 0.74%

LAB 90.5, -53.5, 51.12

 

CMYK 50 / 41 / 0 / 1

HEX #7D94FC

RGB 125 148 252

HSL 229.13, 0.95%, 0.74%

LAB 63.81, 19.81, -54.48

 

CMYK 0 / 51 / 42 / 1

HEX #FC7C93

RGB 252 124 147

HSL 349.22, 0.96%, 0.74%

LAB 67.44, 50.9, 10.87

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7D

RGB 250 252 125

HSL 60.94, 0.95%, 0.74%

LAB 96.58, -17.29, 59.85

 

CMYK 50 / 0 / 9 / 1

HEX #7DFCE5

RGB 125 252 229

HSL 169.13, 0.95%, 0.74%

LAB 91.52, -40.8, 0.17

 

CMYK 50 / 50 / 0 / 1

HEX #7F7DFC

RGB 127 125 252

HSL 240.94, 0.95%, 0.74%

LAB 58.23, 33.77, -63.38

 

CMYK 0 / 51 / 42 / 1

HEX #FC7C93

RGB 252 124 147

HSL 349.22, 0.96%, 0.74%

LAB 67.44, 50.9, 10.87

 

CMYK 16 / 0 / 50 / 1

HEX #D4FC7D

RGB 212 252 125

HSL 78.9, 0.95%, 0.74%

LAB 93.93, -31.81, 56.05

 

CMYK 50 / 0 / 9 / 1

HEX #7DFCE5

RGB 125 252 229

HSL 169.13, 0.95%, 0.74%

LAB 91.52, -40.8, 0.17

 

CMYK 35 / 50 / 0 / 1

HEX #A57DFC

RGB 165 125 252

HSL 258.9, 0.95%, 0.74%

LAB 61.39, 42.43, -58.15

 

Description

Color code: RGB 252 124 147 | qconv.com Color code: RGB 252 124 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 124 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 124 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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