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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 109 231 it is the complementary color RGB 3 146 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 109 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 252 109 231: RGB 255 109 226, RGB 255 127 245, RGB 255 145 255, RGB 255 163 255 and RGB 255 181 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 109 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 252 109 231: RGB 252 109 231, RGB 235 91 212, RGB 218 73 193, RGB 201 55 174 and RGB 184 37 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 8 / 1

HEX #FC6DE7

RGB 252 109 231

HSL 308.81, 0.96%, 0.71%

LAB 67.58, 68.76, -36.11

 

Complementary color

CMYK 98 / 0 / 84 / 43

HEX #039218

RGB 3 146 24

HSL 128.81, 0.96%, 0.29%

LAB 52.56, -55.73, 50.11

 

CMYK 0 / 57 / 11 / 0

HEX #FF6DE2

RGB 255 109 226

HSL 311.92, 1%, 0.71%

LAB 67.79, 68.79, -32.98

 

CMYK 0 / 50 / 4 / 0

HEX #FF7FF5

RGB 255 127 245

HSL 304.69, 1%, 0.75%

LAB 71.58, 63.73, -37.57

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 57 / 8 / 1

HEX #FC6DE7

RGB 252 109 231

HSL 308.81, 0.96%, 0.71%

LAB 67.58, 68.76, -36.11

 

CMYK 0 / 61 / 10 / 8

HEX #EB5BD4

RGB 235 91 212

HSL 309.58, 0.78%, 0.64%

LAB 61.57, 68.98, -35.04

 

CMYK 0 / 67 / 11 / 15

HEX #DA49C1

RGB 218 73 193

HSL 310.34, 0.66%, 0.57%

LAB 55.6, 68.91, -33.71

 

CMYK 0 / 73 / 13 / 21

HEX #C937AE

RGB 201 55 174

HSL 311.1, 0.57%, 0.5%

LAB 49.74, 68.37, -32.02

 

CMYK 0 / 80 / 16 / 28

HEX #B8259B

RGB 184 37 155

HSL 311.84, 0.67%, 0.43%

LAB 44.06, 67.12, -29.84

 

CMYK 0 / 57 / 8 / 1

HEX #FC6DE7

RGB 252 109 231

HSL 308.81, 0.96%, 0.71%

LAB 67.58, 68.76, -36.11

 

CMYK 0 / 56 / 17 / 1

HEX #FC6ED1

RGB 252 110 209

HSL 318.17, 0.96%, 0.71%

LAB 66.86, 65.04, -24.96

 

CMYK 0 / 56 / 27 / 1

HEX #FC6EB9

RGB 252 110 185

HSL 328.31, 0.96%, 0.71%

LAB 66.02, 61.8, -12.73

 

CMYK 0 / 56 / 36 / 1

HEX #FC6EA2

RGB 252 110 162

HSL 338.03, 0.96%, 0.71%

LAB 65.32, 59.04, -0.7

 

CMYK 0 / 56 / 45 / 1

HEX #FC6E8A

RGB 252 110 138

HSL 348.17, 0.96%, 0.71%

LAB 64.71, 56.57, 12.13

 

CMYK 0 / 57 / 8 / 1

HEX #FC6DE7

RGB 252 109 231

HSL 308.81, 0.96%, 0.71%

LAB 67.58, 68.76, -36.11

 

CMYK 0 / 56 / 8 / 81

HEX #30152C

RGB 48 21 44

HSL 308.89, 0.39%, 0.14%

LAB 11.6, 17.73, -9.57

 

CMYK 0 / 57 / 8 / 61

HEX #632B5B

RGB 99 43 91

HSL 308.57, 0.39%, 0.28%

LAB 27.12, 32.33, -17.29

 

CMYK 0 / 57 / 8 / 41

HEX #96418A

RGB 150 65 138

HSL 308.47, 0.4%, 0.42%

LAB 41.37, 45.34, -24.16

 

CMYK 0 / 57 / 8 / 21

HEX #C957B8

RGB 201 87 184

HSL 308.95, 0.51%, 0.56%

LAB 54.76, 57.27, -30.03

 

CMYK 0 / 57 / 8 / 1

HEX #FC6DE7

RGB 252 109 231

HSL 308.81, 0.96%, 0.71%

LAB 67.58, 68.76, -36.11

 

CMYK 0 / 38 / 56 / 1

HEX #FC9D6E

RGB 252 157 110

HSL 19.86, 0.96%, 0.71%

LAB 73.5, 30.91, 39.28

 

CMYK 56 / 0 / 15 / 1

HEX #6EFCD6

RGB 110 252 214

HSL 163.94, 0.96%, 0.71%

LAB 90.68, -47.33, 6.67

 

CMYK 0 / 57 / 8 / 1

HEX #FC6DE7

RGB 252 109 231

HSL 308.81, 0.96%, 0.71%

LAB 67.58, 68.76, -36.11

 

CMYK 8 / 0 / 56 / 1

HEX #E9FC6E

RGB 233 252 110

HSL 68.03, 0.96%, 0.71%

LAB 95.19, -25.11, 64.53

 

CMYK 56 / 8 / 0 / 1

HEX #6EE9FC

RGB 110 233 252

HSL 188.03, 0.96%, 0.71%

LAB 86.32, -29.11, -19.63

 

CMYK 0 / 57 / 8 / 1

HEX #FC6DE7

RGB 252 109 231

HSL 308.81, 0.96%, 0.71%

LAB 67.58, 68.76, -36.11

 

CMYK 0 / 38 / 56 / 1

HEX #FC9D6E

RGB 252 157 110

HSL 19.86, 0.96%, 0.71%

LAB 73.5, 30.91, 39.28

 

CMYK 56 / 0 / 49 / 1

HEX #6EFC80

RGB 110 252 128

HSL 127.61, 0.96%, 0.71%

LAB 89.16, -63.16, 47.75

 

CMYK 56 / 19 / 0 / 1

HEX #6ECCFC

RGB 110 204 252

HSL 200.28, 0.96%, 0.71%

LAB 78.19, -14.57, -32.03

 

CMYK 0 / 57 / 8 / 1

HEX #FC6DE7

RGB 252 109 231

HSL 308.81, 0.96%, 0.71%

LAB 67.58, 68.76, -36.11

 

CMYK 0 / 21 / 56 / 1

HEX #FCC76E

RGB 252 199 110

HSL 37.61, 0.96%, 0.71%

LAB 83.27, 8.95, 51.17

 

CMYK 56 / 0 / 49 / 1

HEX #6EFC80

RGB 110 252 128

HSL 127.61, 0.96%, 0.71%

LAB 89.16, -63.16, 47.75

 

CMYK 56 / 36 / 0 / 1

HEX #6EA2FC

RGB 110 162 252

HSL 218.03, 0.96%, 0.71%

LAB 66.66, 8.53, -50.01

 

Description

Color code: RGB 252 109 231 | qconv.com Color code: RGB 252 109 231 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 109 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 109 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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