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Color name
RGB 252.9 200.2 90

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252.9 200.2 90 it is the complementary color RGB 2.1 54.8 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252.9 200.2 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252.9 200.2 90 shade: RGB 255 200.2 85, RGB 255 218.2 104, RGB 255 236.2 123, RGB 255 254.2 142 and RGB 255 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252.9 200.2 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252.9 200.2 90 shade: RGB 252.9 200.2 90, RGB 235.9 182.2 71, RGB 218.9 164.2 52, RGB 201.9 146.2 33 and RGB 184.9 128.2 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252.9 200.2 90 shade: RGB 252 199 89, RGB 252 155 89, RGB 252 111 89 and RGB 252 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252.9 200.2 90 shade: RGB 252 199 89, RGB 252 243 89, RGB 217 252 89, RGB 173 252 89 and RGB 129 252 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252.9 200.2 90 shade matches the following richer shades: RGB 252 199 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252.9 200.2 90 shade: RGB 252 199 89, RGB 238 194 102, RGB 225 190 116, RGB 211 185 130 and RGB 198 180 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252.9 200.2 90 shade: RGB 252 110 89, RGB 252 154 89, RGB 252 198 89, RGB 252 241 89 and RGB 219 252 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252.9 200.2 90 shade: RGB 251 172 7, RGB 251 186 48, RGB 252 199 89, RGB 253 213 129 and RGB 253 226 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252.9 200.2 90 shade: RGB 252.9 200.2 90, RGB 110 252 89 and RGB 132 89 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252.9 200.2 90 shade: RGB 252.9 200.2 90, RGB 89 252 198 and RGB 198 89 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252.9 200.2 90 shade: RGB 252.9 200.2 90, RGB 110 252 89, RGB 89 143 252 and RGB 230 89 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252.9 200.2 90 shade: RGB 252.9 200.2 90, RGB 89 252 116, RGB 89 143 252 and RGB 252 89 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 64 / 1

HEX #FCC85A

RGB 252.9 200.2 90

HSL 40.59, 0.97%, 0.67%

LAB 83.44, 7.35, 60.66

 

Complementary color

CMYK 99 / 67 / 0 / 35

HEX #0236A5

RGB 2.1 54.8 165

HSL 220.59, 0.97%, 0.33%

LAB 27.96, 31.21, -62.78

 

CMYK 0 / 21 / 67 / 0

HEX #FFC855

RGB 255 200.2 85

HSL 40.66, 1%, 0.67%

LAB 83.61, 7.94, 63.07

 

CMYK 0 / 14 / 59 / 0

HEX #FFDA68

RGB 255 218.2 104

HSL 45.38, 1%, 0.7%

LAB 88.21, -0.11, 59.77

 

CMYK 0 / 7 / 52 / 0

HEX #FFEC7B

RGB 255 236.2 123

HSL 51.45, 1%, 0.74%

LAB 92.93, -7.74, 56.55

 

CMYK 0 / 0 / 44 / 0

HEX #FFFE8E

RGB 255 254.2 142

HSL 59.58, 1%, 0.78%

LAB 97.72, -14.92, 53.46

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 21 / 64 / 1

HEX #FCC85A

RGB 252.9 200.2 90

HSL 40.59, 0.97%, 0.67%

LAB 83.44, 7.35, 60.66

 

CMYK 0 / 23 / 70 / 7

HEX #EBB647

RGB 235.9 182.2 71

HSL 40.46, 0.81%, 0.6%

LAB 77.17, 8.58, 61.66

 

CMYK 0 / 25 / 76 / 14

HEX #DAA434

RGB 218.9 164.2 52

HSL 40.34, 0.7%, 0.53%

LAB 70.81, 9.99, 62.34

 

CMYK 0 / 28 / 84 / 21

HEX #C99221

RGB 201.9 146.2 33

HSL 40.21, 0.72%, 0.46%

LAB 64.38, 11.62, 62.39

 

CMYK 0 / 31 / 92 / 27

HEX #B8800E

RGB 184.9 128.2 14

HSL 40.09, 0.86%, 0.39%

LAB 57.87, 13.53, 61.24

 

CMYK 0 / 21 / 65 / 1

HEX #FCC759

RGB 252 199 89

HSL 40.49, 0.96%, 0.67%

LAB 83.05, 7.54, 60.65

 

CMYK 0 / 38 / 65 / 1

HEX #FC9B59

RGB 252 155 89

HSL 24.29, 0.96%, 0.67%

LAB 72.8, 30.51, 49.17

 

CMYK 0 / 56 / 65 / 1

HEX #FC6F59

RGB 252 111 89

HSL 8.1, 0.96%, 0.67%

LAB 63.99, 52.38, 38.75

 

CMYK 0 / 65 / 65 / 1

HEX #FC5959

RGB 252 89 89

HSL 0, 0.96%, 0.67%

LAB 60.39, 61.92, 34.34

 

CMYK 0 / 21 / 65 / 1

HEX #FCC759

RGB 252 199 89

HSL 40.49, 0.96%, 0.67%

LAB 83.05, 7.54, 60.65

 

CMYK 0 / 4 / 65 / 1

HEX #FCF359

RGB 252 243 89

HSL 56.69, 0.96%, 0.67%

LAB 94.11, -14.62, 72.38

 

CMYK 14 / 0 / 65 / 1

HEX #D9FC59

RGB 217 252 89

HSL 72.88, 0.96%, 0.67%

LAB 93.92, -32.78, 71.39

 

CMYK 31 / 0 / 65 / 1

HEX #ADFC59

RGB 173 252 89

HSL 89.08, 0.96%, 0.67%

LAB 91.34, -48.93, 67.87

 

CMYK 49 / 0 / 65 / 1

HEX #81FC59

RGB 129 252 89

HSL 105.28, 0.96%, 0.67%

LAB 89.4, -62.69, 65.22

 

CMYK 0 / 21 / 65 / 1

HEX #FCC759

RGB 252 199 89

HSL 40.49, 0.96%, 0.67%

LAB 83.05, 7.54, 60.65

 

CMYK 0 / 21 / 65 / 1

HEX #FCC759

RGB 252 199 89

HSL 40.49, 0.96%, 0.67%

LAB 83.05, 7.54, 60.65

 

CMYK 0 / 18 / 57 / 7

HEX #EEC266

RGB 238 194 102

HSL 40.59, 0.8%, 0.67%

LAB 80.58, 5.22, 51.5

 

CMYK 0 / 16 / 48 / 12

HEX #E1BE74

RGB 225 190 116

HSL 40.73, 0.64%, 0.67%

LAB 78.52, 3.15, 41.83

 

CMYK 0 / 12 / 38 / 17

HEX #D3B982

RGB 211 185 130

HSL 40.74, 0.48%, 0.67%

LAB 76.17, 1.57, 31.34

 

CMYK 0 / 9 / 28 / 22

HEX #C6B48F

RGB 198 180 143

HSL 40.36, 0.33%, 0.67%

LAB 73.95, 0.72, 21.24

 

CMYK 0 / 56 / 65 / 1

HEX #FC6E59

RGB 252 110 89

HSL 7.73, 0.96%, 0.67%

LAB 63.81, 52.84, 38.54

 

CMYK 0 / 39 / 65 / 1

HEX #FC9A59

RGB 252 154 89

HSL 23.93, 0.96%, 0.67%

LAB 72.58, 31.03, 48.91

 

CMYK 0 / 21 / 65 / 1

HEX #FCC659

RGB 252 198 89

HSL 40.12, 0.96%, 0.67%

LAB 82.81, 8.06, 60.38

 

CMYK 0 / 4 / 65 / 1

HEX #FCF159

RGB 252 241 89

HSL 55.95, 0.96%, 0.67%

LAB 93.59, -13.65, 71.84

 

CMYK 13 / 0 / 65 / 1

HEX #DBFC59

RGB 219 252 89

HSL 72.15, 0.96%, 0.67%

LAB 94.06, -32, 71.57

 

CMYK 0 / 31 / 97 / 2

HEX #FBAC07

RGB 251 172 7

HSL 40.57, 0.97%, 0.51%

LAB 76.09, 18.65, 78.72

 

CMYK 0 / 26 / 81 / 2

HEX #FBBA30

RGB 251 186 48

HSL 40.79, 0.96%, 0.59%

LAB 79.52, 12.06, 72.91

 

CMYK 0 / 21 / 65 / 1

HEX #FCC759

RGB 252 199 89

HSL 40.49, 0.96%, 0.67%

LAB 83.05, 7.54, 60.65

 

CMYK 0 / 16 / 49 / 1

HEX #FDD581

RGB 253 213 129

HSL 40.65, 0.97%, 0.75%

LAB 87.02, 3.7, 46.49

 

CMYK 0 / 11 / 33 / 1

HEX #FDE2AA

RGB 253 226 170

HSL 40.48, 0.95%, 0.83%

LAB 90.86, 1.35, 30.8

 

CMYK 0 / 21 / 64 / 1

HEX #FCC85A

RGB 252.9 200.2 90

HSL 40.59, 0.97%, 0.67%

LAB 83.44, 7.35, 60.66

 

CMYK 56 / 0 / 65 / 1

HEX #6EFC59

RGB 110 252 89

HSL 112.27, 0.96%, 0.67%

LAB 88.76, -67.58, 64.34

 

CMYK 48 / 65 / 0 / 1

HEX #8459FC

RGB 132 89 252

HSL 255.83, 0.96%, 0.67%

LAB 50.78, 55.07, -75.41

 

CMYK 0 / 21 / 64 / 1

HEX #FCC85A

RGB 252.9 200.2 90

HSL 40.59, 0.97%, 0.67%

LAB 83.44, 7.35, 60.66

 

CMYK 65 / 0 / 21 / 1

HEX #59FCC6

RGB 89 252 198

HSL 160.12, 0.96%, 0.67%

LAB 89.78, -54.68, 13.56

 

CMYK 21 / 65 / 0 / 1

HEX #C659FC

RGB 198 89 252

HSL 280.12, 0.96%, 0.67%

LAB 58.21, 68.2, -63.04

 

CMYK 0 / 21 / 64 / 1

HEX #FCC85A

RGB 252.9 200.2 90

HSL 40.59, 0.97%, 0.67%

LAB 83.44, 7.35, 60.66

 

CMYK 56 / 0 / 65 / 1

HEX #6EFC59

RGB 110 252 89

HSL 112.27, 0.96%, 0.67%

LAB 88.76, -67.58, 64.34

 

CMYK 65 / 43 / 0 / 1

HEX #598FFC

RGB 89 143 252

HSL 220.12, 0.96%, 0.67%

LAB 60.6, 15.88, -59.7

 

CMYK 9 / 65 / 0 / 1

HEX #E659FC

RGB 230 89 252

HSL 291.9, 0.96%, 0.67%

LAB 62.5, 75.16, -55.92

 

CMYK 0 / 21 / 64 / 1

HEX #FCC85A

RGB 252.9 200.2 90

HSL 40.59, 0.97%, 0.67%

LAB 83.44, 7.35, 60.66

 

CMYK 65 / 0 / 54 / 1

HEX #59FC74

RGB 89 252 116

HSL 129.94, 0.96%, 0.67%

LAB 88.45, -69.13, 52.31

 

CMYK 65 / 43 / 0 / 1

HEX #598FFC

RGB 89 143 252

HSL 220.12, 0.96%, 0.67%

LAB 60.6, 15.88, -59.7

 

CMYK 0 / 65 / 11 / 1

HEX #FC59E1

RGB 252 89 225

HSL 309.94, 0.96%, 0.67%

LAB 64.38, 75.92, -37.75

 

Description

Color code: RGB 252.9 200.2 90 | qconv.com Color code: RGB 252.9 200.2 90 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252.9 red, 200.2 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252.9 200.2 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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