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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAA434 it is the complementary color #255BCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAA434. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DAA434: #DFA42F, #F0B642, #FFC855, #FFDA68 and #FFEC7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAA434. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DAA434: #DAA434, #C99221, #B8800E, #A76E00 and #965C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 76 / 15

HEX #DAA434

RGB 218 164 52

HSL 40.48, 0.69%, 0.53%

LAB 70.67, 9.7, 62.17

 

Complementary color

CMYK 82 / 55 / 0 / 20

HEX #255BCB

RGB 37 91 203

HSL 220.48, 0.69%, 0.47%

LAB 41.51, 24, -63.01

 

CMYK 0 / 26 / 79 / 13

HEX #DFA42F

RGB 223 164 47

HSL 39.89, 0.73%, 0.53%

LAB 71.18, 11.67, 64.66

 

CMYK 0 / 24 / 73 / 6

HEX #F0B642

RGB 240 182 66

HSL 40, 0.85%, 0.6%

LAB 77.5, 10.17, 64.18

 

CMYK 0 / 22 / 67 / 0

HEX #FFC855

RGB 255 200 85

HSL 40.59, 1%, 0.67%

LAB 83.56, 8.04, 63.02

 

CMYK 0 / 15 / 59 / 0

HEX #FFDA68

RGB 255 218 104

HSL 45.3, 1%, 0.7%

LAB 88.16, -0.01, 59.71

 

CMYK 0 / 7 / 52 / 0

HEX #FFEC7B

RGB 255 236 123

HSL 51.36, 1%, 0.74%

LAB 92.87, -7.64, 56.49

 

CMYK 0 / 25 / 76 / 15

HEX #DAA434

RGB 218 164 52

HSL 40.48, 0.69%, 0.53%

LAB 70.67, 9.7, 62.17

 

CMYK 0 / 27 / 84 / 21

HEX #C99221

RGB 201 146 33

HSL 40.36, 0.72%, 0.46%

LAB 64.23, 11.33, 62.22

 

CMYK 0 / 30 / 92 / 28

HEX #B8800E

RGB 184 128 14

HSL 40.24, 0.86%, 0.39%

LAB 57.71, 13.23, 61.08

 

CMYK 0 / 34 / 100 / 35

HEX #A76E00

RGB 167 110 0

HSL 39.52, 1%, 0.33%

LAB 51.11, 15.42, 58.09

 

CMYK 0 / 39 / 100 / 41

HEX #965C00

RGB 150 92 0

HSL 36.8, 1%, 0.29%

LAB 44.43, 17.91, 52.64

 

CMYK 0 / 25 / 76 / 15

HEX #DAA434

RGB 218 164 52

HSL 40.48, 0.69%, 0.53%

LAB 70.67, 9.7, 62.17

 

CMYK 0 / 12 / 76 / 15

HEX #D9BE34

RGB 217 190 52

HSL 50.18, 0.68%, 0.53%

LAB 77.18, -4.43, 68.24

 

CMYK 0 / 0 / 76 / 15

HEX #D9D934

RGB 217 217 52

HSL 60, 0.68%, 0.53%

LAB 84.29, -18.05, 74.75

 

CMYK 12 / 0 / 76 / 15

HEX #BED934

RGB 190 217 52

HSL 69.82, 0.68%, 0.53%

LAB 82.28, -29.18, 72.17

 

CMYK 25 / 0 / 76 / 15

HEX #A2D934

RGB 162 217 52

HSL 80, 0.68%, 0.53%

LAB 80.49, -40.18, 69.86

 

CMYK 0 / 25 / 76 / 15

HEX #DAA434

RGB 218 164 52

HSL 40.48, 0.69%, 0.53%

LAB 70.67, 9.7, 62.17

 

CMYK 0 / 21 / 79 / 95

HEX #0E0B03

RGB 14 11 3

HSL 43.64, 0.65%, 0.03%

LAB 3.06, -0.22, 3.35

 

CMYK 0 / 25 / 75 / 75

HEX #413110

RGB 65 49 16

HSL 40.41, 0.6%, 0.16%

LAB 21.42, 2.98, 23.2

 

CMYK 0 / 25 / 76 / 55

HEX #74571C

RGB 116 87 28

HSL 40.23, 0.61%, 0.28%

LAB 38.92, 5.6, 37.27

 

CMYK 0 / 25 / 76 / 35

HEX #A77E28

RGB 167 126 40

HSL 40.63, 0.61%, 0.41%

LAB 55.37, 7.43, 50.26

 

CMYK 0 / 25 / 76 / 15

HEX #DAA434

RGB 218 164 52

HSL 40.48, 0.69%, 0.53%

LAB 70.67, 9.7, 62.17

 

CMYK 66 / 0 / 76 / 15

HEX #4AD934

RGB 74 217 52

HSL 112, 0.68%, 0.53%

LAB 76.88, -66.63, 65.14

 

CMYK 56 / 76 / 0 / 15

HEX #6034D9

RGB 96 52 217

HSL 256, 0.68%, 0.53%

LAB 37.76, 58.45, -77.08

 

CMYK 0 / 25 / 76 / 15

HEX #DAA434

RGB 218 164 52

HSL 40.48, 0.69%, 0.53%

LAB 70.67, 9.7, 62.17

 

CMYK 76 / 0 / 25 / 15

HEX #34D9A2

RGB 52 217 162

HSL 160, 0.68%, 0.53%

LAB 77.85, -54.01, 15.45

 

CMYK 25 / 76 / 0 / 15

HEX #A234D9

RGB 162 52 217

HSL 280, 0.68%, 0.53%

LAB 45.84, 68.73, -63.55

 

CMYK 0 / 25 / 76 / 15

HEX #DAA434

RGB 218 164 52

HSL 40.48, 0.69%, 0.53%

LAB 70.67, 9.7, 62.17

 

CMYK 66 / 0 / 76 / 15

HEX #4AD934

RGB 74 217 52

HSL 112, 0.68%, 0.53%

LAB 76.88, -66.63, 65.14

 

CMYK 76 / 51 / 0 / 15

HEX #346BD9

RGB 52 107 217

HSL 220, 0.68%, 0.53%

LAB 47.31, 20.49, -61.61

 

CMYK 10 / 76 / 0 / 15

HEX #C334D9

RGB 195 52 217

HSL 292, 0.68%, 0.53%

LAB 50.77, 74.84, -55.35

 

CMYK 0 / 25 / 76 / 15

HEX #DAA434

RGB 218 164 52

HSL 40.48, 0.69%, 0.53%

LAB 70.67, 9.7, 62.17

 

CMYK 76 / 0 / 63 / 15

HEX #34D950

RGB 52 217 80

HSL 130.18, 0.68%, 0.53%

LAB 76.64, -67.9, 54.27

 

CMYK 76 / 51 / 0 / 15

HEX #346BD9

RGB 52 107 217

HSL 220, 0.68%, 0.53%

LAB 47.31, 20.49, -61.61

 

CMYK 0 / 76 / 12 / 15

HEX #D934BE

RGB 217 52 190

HSL 309.82, 0.68%, 0.53%

LAB 52.87, 75.14, -36.27

 

Description

Color code: HEX #DAA434 | qconv.com Color code: HEX #DAA434 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 164 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 164 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 76 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 76% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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