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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 225 145 it is the complementary color RGB 4 30 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 225 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 251 225 145: RGB 255 225 140, RGB 255 243 159, RGB 255 255 178, RGB 255 255 197 and RGB 255 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 225 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 251 225 145: RGB 251 225 145, RGB 234 207 126, RGB 217 189 107, RGB 200 171 88 and RGB 183 153 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 42 / 2

HEX #FBE191

RGB 251 225 145

HSL 45.28, 0.93%, 0.78%

LAB 90.05, -1.68, 42.34

 

Complementary color

CMYK 96 / 73 / 0 / 57

HEX #041E6E

RGB 4 30 110

HSL 225.28, 0.93%, 0.22%

LAB 15.9, 26.08, -48.24

 

CMYK 0 / 12 / 45 / 0

HEX #FFE18C

RGB 255 225 140

HSL 44.35, 1%, 0.77%

LAB 90.32, -0.61, 45.24

 

CMYK 0 / 5 / 38 / 0

HEX #FFF39F

RGB 255 243 159

HSL 52.5, 1%, 0.81%

LAB 95.1, -7.7, 41.96

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 10 / 42 / 2

HEX #FBE191

RGB 251 225 145

HSL 45.28, 0.93%, 0.78%

LAB 90.05, -1.68, 42.34

 

CMYK 0 / 12 / 46 / 8

HEX #EACF7E

RGB 234 207 126

HSL 45, 0.72%, 0.71%

LAB 83.77, -1.1, 43.55

 

CMYK 0 / 13 / 51 / 15

HEX #D9BD6B

RGB 217 189 107

HSL 44.73, 0.59%, 0.64%

LAB 77.41, -0.42, 44.8

 

CMYK 0 / 15 / 56 / 22

HEX #C8AB58

RGB 200 171 88

HSL 44.46, 0.5%, 0.56%

LAB 70.95, 0.37, 46.06

 

CMYK 0 / 16 / 62 / 28

HEX #B79945

RGB 183 153 69

HSL 44.21, 0.45%, 0.49%

LAB 64.39, 1.32, 47.27

 

CMYK 0 / 10 / 42 / 2

HEX #FBE191

RGB 251 225 145

HSL 45.28, 0.93%, 0.78%

LAB 90.05, -1.68, 42.34

 

CMYK 0 / 4 / 42 / 2

HEX #FBF292

RGB 251 242 146

HSL 54.86, 0.93%, 0.78%

LAB 94.35, -10.1, 47.3

 

CMYK 4 / 0 / 42 / 2

HEX #F2FB92

RGB 242 251 146

HSL 65.14, 0.93%, 0.78%

LAB 95.97, -17.95, 49.19

 

CMYK 11 / 0 / 42 / 2

HEX #E0FB92

RGB 224 251 146

HSL 75.43, 0.93%, 0.78%

LAB 94.7, -24.72, 47.32

 

CMYK 18 / 0 / 42 / 2

HEX #CFFB92

RGB 207 251 146

HSL 85.14, 0.93%, 0.78%

LAB 93.6, -30.94, 45.69

 

CMYK 0 / 10 / 42 / 2

HEX #FBE191

RGB 251 225 145

HSL 45.28, 0.93%, 0.78%

LAB 90.05, -1.68, 42.34

 

CMYK 0 / 11 / 43 / 82

HEX #2F2A1B

RGB 47 42 27

HSL 45, 0.27%, 0.15%

LAB 17.18, -0.55, 10.65

 

CMYK 0 / 10 / 42 / 62

HEX #625839

RGB 98 88 57

HSL 45.37, 0.26%, 0.3%

LAB 37.61, -0.97, 19.46

 

CMYK 0 / 10 / 42 / 42

HEX #958656

RGB 149 134 86

HSL 45.71, 0.27%, 0.46%

LAB 56.2, -1.45, 27.89

 

CMYK 0 / 11 / 42 / 22

HEX #C8B374

RGB 200 179 116

HSL 45, 0.43%, 0.62%

LAB 73.4, -1.25, 34.88

 

CMYK 0 / 10 / 42 / 2

HEX #FBE191

RGB 251 225 145

HSL 45.28, 0.93%, 0.78%

LAB 90.05, -1.68, 42.34

 

CMYK 40 / 0 / 42 / 2

HEX #97FB92

RGB 151 251 146

HSL 117.14, 0.93%, 0.78%

LAB 90.62, -49.46, 41.29

 

CMYK 27 / 42 / 0 / 2

HEX #B792FB

RGB 183 146 251

HSL 261.14, 0.93%, 0.78%

LAB 67.72, 35.15, -47.46

 

CMYK 0 / 10 / 42 / 2

HEX #FBE191

RGB 251 225 145

HSL 45.28, 0.93%, 0.78%

LAB 90.05, -1.68, 42.34

 

CMYK 42 / 0 / 11 / 2

HEX #92FBE0

RGB 146 251 224

HSL 164.57, 0.93%, 0.78%

LAB 91.9, -36.64, 3.41

 

CMYK 11 / 42 / 0 / 2

HEX #E092FB

RGB 224 146 251

HSL 284.57, 0.93%, 0.78%

LAB 71.81, 46.68, -40.76

 

CMYK 0 / 10 / 42 / 2

HEX #FBE191

RGB 251 225 145

HSL 45.28, 0.93%, 0.78%

LAB 90.05, -1.68, 42.34

 

CMYK 40 / 0 / 42 / 2

HEX #97FB92

RGB 151 251 146

HSL 117.14, 0.93%, 0.78%

LAB 90.62, -49.46, 41.29

 

CMYK 42 / 31 / 0 / 2

HEX #92ACFB

RGB 146 172 251

HSL 225.14, 0.93%, 0.78%

LAB 71.27, 10.68, -42.09

 

CMYK 2 / 42 / 0 / 2

HEX #F592FB

RGB 245 146 251

HSL 296.57, 0.93%, 0.78%

LAB 74.15, 52.73, -36.94

 

CMYK 0 / 10 / 42 / 2

HEX #FBE191

RGB 251 225 145

HSL 45.28, 0.93%, 0.78%

LAB 90.05, -1.68, 42.34

 

CMYK 42 / 0 / 31 / 2

HEX #92FBAC

RGB 146 251 172

HSL 134.86, 0.93%, 0.78%

LAB 90.82, -46.83, 28.58

 

CMYK 42 / 31 / 0 / 2

HEX #92ACFB

RGB 146 172 251

HSL 225.14, 0.93%, 0.78%

LAB 71.27, 10.68, -42.09

 

CMYK 0 / 42 / 11 / 2

HEX #FB92E0

RGB 251 146 224

HSL 315.43, 0.93%, 0.78%

LAB 73.84, 49.92, -22.63

 

Description

Color code: RGB 251 225 145 | qconv.com Color code: RGB 251 225 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 225 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 225 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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