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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 175 83 it is the complementary color RGB 4 80 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 175 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 251 175 83: RGB 255 175 78, RGB 255 193 97, RGB 255 211 116, RGB 255 229 135 and RGB 255 247 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 175 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 251 175 83: RGB 251 175 83, RGB 234 157 64, RGB 217 139 45, RGB 200 121 26 and RGB 183 103 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 67 / 2

HEX #FBAF53

RGB 251 175 83

HSL 32.86, 0.95%, 0.65%

LAB 77.16, 19.3, 56.88

 

Complementary color

CMYK 98 / 53 / 0 / 33

HEX #0450AC

RGB 4 80 172

HSL 212.86, 0.95%, 0.35%

LAB 35.48, 16.98, -54.68

 

CMYK 0 / 31 / 69 / 0

HEX #FFAF4E

RGB 255 175 78

HSL 32.88, 1%, 0.65%

LAB 77.56, 20.68, 59.69

 

CMYK 0 / 24 / 62 / 0

HEX #FFC161

RGB 255 193 97

HSL 36.46, 1%, 0.69%

LAB 81.98, 12.39, 55.91

 

CMYK 0 / 17 / 55 / 0

HEX #FFD374

RGB 255 211 116

HSL 41.01, 1%, 0.73%

LAB 86.56, 4.44, 52.28

 

CMYK 0 / 10 / 47 / 0

HEX #FFE587

RGB 255 229 135

HSL 47, 1%, 0.76%

LAB 91.26, -3.1, 48.84

 

CMYK 0 / 3 / 40 / 0

HEX #FFF79A

RGB 255 247 154

HSL 55.25, 1%, 0.8%

LAB 96.04, -10.21, 45.62

 

CMYK 0 / 30 / 67 / 2

HEX #FBAF53

RGB 251 175 83

HSL 32.86, 0.95%, 0.65%

LAB 77.16, 19.3, 56.88

 

CMYK 0 / 33 / 73 / 8

HEX #EA9D40

RGB 234 157 64

HSL 32.82, 0.8%, 0.58%

LAB 70.85, 20.77, 58.09

 

CMYK 0 / 36 / 79 / 15

HEX #D98B2D

RGB 217 139 45

HSL 32.79, 0.69%, 0.51%

LAB 64.49, 22.44, 58.99

 

CMYK 0 / 40 / 87 / 22

HEX #C8791A

RGB 200 121 26

HSL 32.76, 0.77%, 0.44%

LAB 58.06, 24.35, 59.19

 

CMYK 0 / 44 / 96 / 28

HEX #B76707

RGB 183 103 7

HSL 32.73, 0.93%, 0.37%

LAB 51.59, 26.51, 57.98

 

CMYK 0 / 30 / 67 / 2

HEX #FBAF53

RGB 251 175 83

HSL 32.86, 0.95%, 0.65%

LAB 77.16, 19.3, 56.88

 

CMYK 0 / 20 / 68 / 2

HEX #FAC750

RGB 250 199 80

HSL 42, 0.94%, 0.65%

LAB 82.78, 6.21, 64.16

 

CMYK 0 / 9 / 68 / 2

HEX #FAE350

RGB 250 227 80

HSL 51.88, 0.94%, 0.65%

LAB 89.79, -8.03, 71.36

 

CMYK 2 / 0 / 68 / 2

HEX #F4FA50

RGB 244 250 80

HSL 62.12, 0.94%, 0.65%

LAB 95.24, -21.7, 76.67

 

CMYK 14 / 0 / 68 / 2

HEX #D8FA50

RGB 216 250 80

HSL 72, 0.94%, 0.65%

LAB 93.25, -32.79, 74.03

 

CMYK 0 / 30 / 67 / 2

HEX #FBAF53

RGB 251 175 83

HSL 32.86, 0.95%, 0.65%

LAB 77.16, 19.3, 56.88

 

CMYK 0 / 30 / 66 / 82

HEX #2F2110

RGB 47 33 16

HSL 32.9, 0.49%, 0.12%

LAB 14, 4.21, 13.71

 

CMYK 0 / 31 / 67 / 62

HEX #624420

RGB 98 68 32

HSL 32.73, 0.51%, 0.25%

LAB 31.43, 8.73, 26.51

 

CMYK 0 / 30 / 67 / 42

HEX #956831

RGB 149 104 49

HSL 33, 0.51%, 0.39%

LAB 47.64, 12.29, 37.4

 

CMYK 0 / 31 / 67 / 22

HEX #C88B42

RGB 200 139 66

HSL 32.69, 0.55%, 0.52%

LAB 62.62, 16.16, 47.26

 

CMYK 0 / 30 / 67 / 2

HEX #FBAF53

RGB 251 175 83

HSL 32.86, 0.95%, 0.65%

LAB 77.16, 19.3, 56.88

 

CMYK 50 / 0 / 68 / 2

HEX #7EFA50

RGB 126 250 80

HSL 103.76, 0.94%, 0.65%

LAB 88.63, -63.51, 67.81

 

CMYK 59 / 68 / 0 / 2

HEX #6750FA

RGB 103 80 250

HSL 248.12, 0.94%, 0.65%

LAB 46.34, 54.68, -81.65

 

CMYK 0 / 30 / 67 / 2

HEX #FBAF53

RGB 251 175 83

HSL 32.86, 0.95%, 0.65%

LAB 77.16, 19.3, 56.88

 

CMYK 68 / 0 / 32 / 2

HEX #50FAAB

RGB 80 250 171

HSL 152.12, 0.94%, 0.65%

LAB 88.46, -60.99, 25.53

 

CMYK 32 / 68 / 0 / 2

HEX #AB50FA

RGB 171 80 250

HSL 272.12, 0.94%, 0.65%

LAB 53.27, 66.22, -70.06

 

CMYK 0 / 30 / 67 / 2

HEX #FBAF53

RGB 251 175 83

HSL 32.86, 0.95%, 0.65%

LAB 77.16, 19.3, 56.88

 

CMYK 50 / 0 / 68 / 2

HEX #7EFA50

RGB 126 250 80

HSL 103.76, 0.94%, 0.65%

LAB 88.63, -63.51, 67.81

 

CMYK 68 / 36 / 0 / 2

HEX #50A0FA

RGB 80 160 250

HSL 211.76, 0.94%, 0.65%

LAB 64.76, 3.78, -52

 

CMYK 18 / 68 / 0 / 2

HEX #CD50FA

RGB 205 80 250

HSL 284.12, 0.94%, 0.65%

LAB 57.67, 73.01, -62.74

 

CMYK 0 / 30 / 67 / 2

HEX #FBAF53

RGB 251 175 83

HSL 32.86, 0.95%, 0.65%

LAB 77.16, 19.3, 56.88

 

CMYK 68 / 0 / 66 / 2

HEX #50FA56

RGB 80 250 86

HSL 122.12, 0.94%, 0.65%

LAB 87.36, -73.43, 63.78

 

CMYK 68 / 36 / 0 / 2

HEX #50A0FA

RGB 80 160 250

HSL 211.76, 0.94%, 0.65%

LAB 64.76, 3.78, -52

 

CMYK 0 / 68 / 2 / 2

HEX #FA50F4

RGB 250 80 244

HSL 302.12, 0.94%, 0.65%

LAB 63.83, 81.51, -49.21

 

Description

Color code: RGB 251 175 83 | qconv.com Color code: RGB 251 175 83 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 175 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 175 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 67 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 67% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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