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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 174 55 it is the complementary color RGB 4 81 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 174 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 251 174 55: RGB 255 174 50, RGB 255 192 69, RGB 255 210 88, RGB 255 228 107 and RGB 255 246 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 174 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 251 174 55: RGB 251 174 55, RGB 234 156 36, RGB 217 138 17, RGB 200 120 0 and RGB 183 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 78 / 2

HEX #FBAE37

RGB 251 174 55

HSL 36.43, 0.96%, 0.6%

LAB 76.71, 18.56, 68.02

 

Complementary color

CMYK 98 / 60 / 0 / 22

HEX #0451C8

RGB 4 81 200

HSL 216.43, 0.96%, 0.4%

LAB 37.99, 27.64, -67.05

 

CMYK 0 / 32 / 80 / 0

HEX #FFAE32

RGB 255 174 50

HSL 36.29, 1%, 0.6%

LAB 77.14, 20.07, 70.33

 

CMYK 0 / 25 / 73 / 0

HEX #FFC045

RGB 255 192 69

HSL 39.68, 1%, 0.64%

LAB 81.5, 11.39, 67.48

 

CMYK 0 / 18 / 65 / 0

HEX #FFD258

RGB 255 210 88

HSL 43.83, 1%, 0.67%

LAB 86.04, 3.06, 64.38

 

CMYK 0 / 11 / 58 / 0

HEX #FFE46B

RGB 255 228 107

HSL 49.05, 1%, 0.71%

LAB 90.69, -4.85, 61.24

 

CMYK 0 / 4 / 51 / 0

HEX #FFF67E

RGB 255 246 126

HSL 55.81, 1%, 0.75%

LAB 95.45, -12.33, 58.15

 

CMYK 0 / 31 / 78 / 2

HEX #FBAE37

RGB 251 174 55

HSL 36.43, 0.96%, 0.6%

LAB 76.71, 18.56, 68.02

 

CMYK 0 / 33 / 85 / 8

HEX #EA9C24

RGB 234 156 36

HSL 36.36, 0.83%, 0.53%

LAB 70.45, 20.32, 68.08

 

CMYK 0 / 36 / 92 / 15

HEX #D98A11

RGB 217 138 17

HSL 36.3, 0.85%, 0.46%

LAB 64.14, 22.3, 67.02

 

CMYK 0 / 40 / 100 / 22

HEX #C87800

RGB 200 120 0

HSL 36, 1%, 0.39%

LAB 57.76, 24.5, 64.49

 

CMYK 0 / 44 / 100 / 28

HEX #B76600

RGB 183 102 0

HSL 33.44, 1%, 0.36%

LAB 51.35, 26.96, 59.29

 

CMYK 0 / 31 / 78 / 2

HEX #FBAE37

RGB 251 174 55

HSL 36.43, 0.96%, 0.6%

LAB 76.71, 18.56, 68.02

 

CMYK 0 / 18 / 78 / 2

HEX #FACD37

RGB 250 205 55

HSL 46.15, 0.95%, 0.6%

LAB 84.1, 2.03, 74.73

 

CMYK 0 / 5 / 78 / 2

HEX #FAED37

RGB 250 237 55

HSL 56, 0.95%, 0.6%

LAB 92.21, -14.02, 81.97

 

CMYK 8 / 0 / 78 / 2

HEX #E7FA37

RGB 231 250 55

HSL 65.85, 0.95%, 0.6%

LAB 94.16, -27.99, 83.15

 

CMYK 21 / 0 / 78 / 2

HEX #C6FA37

RGB 198 250 55

HSL 76, 0.95%, 0.6%

LAB 91.98, -40.92, 80.37

 

CMYK 0 / 31 / 78 / 2

HEX #FBAE37

RGB 251 174 55

HSL 36.43, 0.96%, 0.6%

LAB 76.71, 18.56, 68.02

 

CMYK 0 / 30 / 79 / 82

HEX #2F210A

RGB 47 33 10

HSL 37.3, 0.65%, 0.11%

LAB 13.91, 3.64, 16.48

 

CMYK 0 / 31 / 79 / 62

HEX #624415

RGB 98 68 21

HSL 36.62, 0.65%, 0.23%

LAB 31.31, 8.01, 32.21

 

CMYK 0 / 31 / 78 / 42

HEX #956721

RGB 149 103 33

HSL 36.21, 0.64%, 0.36%

LAB 47.24, 11.98, 44.58

 

CMYK 0 / 31 / 78 / 22

HEX #C88B2C

RGB 200 139 44

HSL 36.54, 0.64%, 0.48%

LAB 62.45, 15.08, 56.74

 

CMYK 0 / 31 / 78 / 2

HEX #FBAE37

RGB 251 174 55

HSL 36.43, 0.96%, 0.6%

LAB 76.71, 18.56, 68.02

 

CMYK 62 / 0 / 78 / 2

HEX #5EFA37

RGB 94 250 55

HSL 108, 0.95%, 0.6%

LAB 87.5, -73.01, 74.6

 

CMYK 62 / 78 / 0 / 2

HEX #5E37FA

RGB 94 55 250

HSL 252, 0.95%, 0.6%

LAB 41.24, 65.93, -90.07

 

CMYK 0 / 31 / 78 / 2

HEX #FBAE37

RGB 251 174 55

HSL 36.43, 0.96%, 0.6%

LAB 76.71, 18.56, 68.02

 

CMYK 78 / 0 / 31 / 2

HEX #37FAAC

RGB 55 250 172

HSL 156, 0.95%, 0.6%

LAB 88.05, -64.02, 24.39

 

CMYK 31 / 78 / 0 / 2

HEX #AC37FA

RGB 172 55 250

HSL 276, 0.95%, 0.6%

LAB 49.98, 76.12, -75.39

 

CMYK 0 / 31 / 78 / 2

HEX #FBAE37

RGB 251 174 55

HSL 36.43, 0.96%, 0.6%

LAB 76.71, 18.56, 68.02

 

CMYK 62 / 0 / 78 / 2

HEX #5EFA37

RGB 94 250 55

HSL 108, 0.95%, 0.6%

LAB 87.5, -73.01, 74.6

 

CMYK 78 / 47 / 0 / 2

HEX #3785FA

RGB 55 133 250

HSL 216, 0.95%, 0.6%

LAB 56.57, 16.75, -65.13

 

CMYK 16 / 78 / 0 / 2

HEX #D337FA

RGB 211 55 250

HSL 288, 0.95%, 0.6%

LAB 55.57, 82.62, -66.08

 

CMYK 0 / 31 / 78 / 2

HEX #FBAE37

RGB 251 174 55

HSL 36.43, 0.96%, 0.6%

LAB 76.71, 18.56, 68.02

 

CMYK 78 / 0 / 70 / 2

HEX #37FA4A

RGB 55 250 74

HSL 125.85, 0.95%, 0.6%

LAB 86.84, -78.2, 67.59

 

CMYK 78 / 47 / 0 / 2

HEX #3785FA

RGB 55 133 250

HSL 216, 0.95%, 0.6%

LAB 56.57, 16.75, -65.13

 

CMYK 0 / 78 / 8 / 2

HEX #FA37E7

RGB 250 55 231

HSL 305.85, 0.95%, 0.6%

LAB 60.63, 86.91, -47.03

 

Description

Color code: RGB 251 174 55 | qconv.com Color code: RGB 251 174 55 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 174 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 174 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 78 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 78% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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