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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 159 192 it is the complementary color RGB 4 96 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 159 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 251 159 192: RGB 255 159 187, RGB 255 177 206, RGB 255 195 225, RGB 255 213 244 and RGB 255 231 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 159 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 251 159 192: RGB 251 159 192, RGB 234 141 173, RGB 217 123 154, RGB 200 105 135 and RGB 183 87 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 24 / 2

HEX #FB9FC0

RGB 251 159 192

HSL 338.48, 0.92%, 0.8%

LAB 75.52, 38.44, -2.54

 

Complementary color

CMYK 96 / 0 / 34 / 62

HEX #04603F

RGB 4 96 63

HSL 158.48, 0.92%, 0.2%

LAB 35.5, -33.02, 12.18

 

CMYK 0 / 38 / 27 / 0

HEX #FF9FBB

RGB 255 159 187

HSL 342.5, 1%, 0.81%

LAB 75.85, 39.14, 0.74

 

CMYK 0 / 31 / 19 / 0

HEX #FFB1CE

RGB 255 177 206

HSL 337.69, 1%, 0.85%

LAB 80.27, 32.46, -3.14

 

CMYK 0 / 24 / 12 / 0

HEX #FFC3E1

RGB 255 195 225

HSL 330, 1%, 0.88%

LAB 84.86, 25.96, -6.58

 

CMYK 0 / 16 / 4 / 0

HEX #FFD5F4

RGB 255 213 244

HSL 315.71, 1%, 0.92%

LAB 89.57, 19.71, -9.66

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 37 / 24 / 2

HEX #FB9FC0

RGB 251 159 192

HSL 338.48, 0.92%, 0.8%

LAB 75.52, 38.44, -2.54

 

CMYK 0 / 40 / 26 / 8

HEX #EA8DAD

RGB 234 141 173

HSL 339.35, 0.69%, 0.74%

LAB 69.15, 39.25, -1.58

 

CMYK 0 / 43 / 29 / 15

HEX #D97B9A

RGB 217 123 154

HSL 340.21, 0.55%, 0.67%

LAB 62.72, 40.11, -0.51

 

CMYK 0 / 48 / 33 / 22

HEX #C86987

RGB 200 105 135

HSL 341.05, 0.46%, 0.6%

LAB 56.22, 41, 0.71

 

CMYK 0 / 52 / 37 / 28

HEX #B75774

RGB 183 87 116

HSL 341.88, 0.4%, 0.53%

LAB 49.67, 41.88, 2.15

 

CMYK 0 / 37 / 24 / 2

HEX #FB9FC0

RGB 251 159 192

HSL 338.48, 0.92%, 0.8%

LAB 75.52, 38.44, -2.54

 

CMYK 0 / 37 / 30 / 2

HEX #FA9DAF

RGB 250 157 175

HSL 348.39, 0.9%, 0.8%

LAB 74.53, 36.84, 5.35

 

CMYK 0 / 37 / 36 / 2

HEX #FA9DA0

RGB 250 157 160

HSL 358.06, 0.9%, 0.8%

LAB 74.17, 34.99, 13.1

 

CMYK 0 / 32 / 37 / 2

HEX #FAA99D

RGB 250 169 157

HSL 7.74, 0.9%, 0.8%

LAB 76.76, 28.37, 18.36

 

CMYK 0 / 26 / 37 / 2

HEX #FAB99D

RGB 250 185 157

HSL 18.06, 0.9%, 0.8%

LAB 80.44, 19.96, 23.42

 

CMYK 0 / 37 / 24 / 2

HEX #FB9FC0

RGB 251 159 192

HSL 338.48, 0.92%, 0.8%

LAB 75.52, 38.44, -2.54

 

CMYK 0 / 36 / 23 / 82

HEX #2F1E24

RGB 47 30 36

HSL 338.82, 0.22%, 0.15%

LAB 13.59, 9.44, -0.73

 

CMYK 0 / 37 / 23 / 62

HEX #623E4B

RGB 98 62 75

HSL 338.33, 0.23%, 0.31%

LAB 30.76, 17.84, -1.36

 

CMYK 0 / 37 / 23 / 42

HEX #955E72

RGB 149 94 114

HSL 338.18, 0.23%, 0.48%

LAB 46.46, 25.35, -1.89

 

CMYK 0 / 37 / 24 / 22

HEX #C87F99

RGB 200 127 153

HSL 338.63, 0.4%, 0.64%

LAB 61.44, 31.79, -2.06

 

CMYK 0 / 37 / 24 / 2

HEX #FB9FC0

RGB 251 159 192

HSL 338.48, 0.92%, 0.8%

LAB 75.52, 38.44, -2.54

 

CMYK 0 / 6 / 37 / 2

HEX #FAEB9D

RGB 250 235 157

HSL 50.32, 0.9%, 0.8%

LAB 92.65, -5.84, 39.7

 

CMYK 37 / 8 / 0 / 2

HEX #9DE5FA

RGB 157 229 250

HSL 193.55, 0.9%, 0.8%

LAB 87.05, -17.23, -17.29

 

CMYK 0 / 37 / 24 / 2

HEX #FB9FC0

RGB 251 159 192

HSL 338.48, 0.92%, 0.8%

LAB 75.52, 38.44, -2.54

 

CMYK 24 / 0 / 37 / 2

HEX #BFFA9D

RGB 191 250 157

HSL 98.06, 0.9%, 0.8%

LAB 92.52, -34.71, 38.74

 

CMYK 37 / 24 / 0 / 2

HEX #9DBFFA

RGB 157 191 250

HSL 218.06, 0.9%, 0.8%

LAB 76.88, 2.72, -32.78

 

CMYK 0 / 37 / 24 / 2

HEX #FB9FC0

RGB 251 159 192

HSL 338.48, 0.92%, 0.8%

LAB 75.52, 38.44, -2.54

 

CMYK 0 / 6 / 37 / 2

HEX #FAEB9D

RGB 250 235 157

HSL 50.32, 0.9%, 0.8%

LAB 92.65, -5.84, 39.7

 

CMYK 37 / 0 / 14 / 2

HEX #9DFAD8

RGB 157 250 216

HSL 158.06, 0.9%, 0.8%

LAB 91.91, -35.05, 7.62

 

CMYK 37 / 31 / 0 / 2

HEX #9DACFA

RGB 157 172 250

HSL 230.32, 0.9%, 0.8%

LAB 71.94, 13.25, -40.44

 

CMYK 0 / 37 / 24 / 2

HEX #FB9FC0

RGB 251 159 192

HSL 338.48, 0.92%, 0.8%

LAB 75.52, 38.44, -2.54

 

CMYK 5 / 0 / 37 / 2

HEX #EEFA9D

RGB 238 250 157

HSL 67.74, 0.9%, 0.8%

LAB 95.57, -17.79, 43.29

 

CMYK 37 / 0 / 14 / 2

HEX #9DFAD8

RGB 157 250 216

HSL 158.06, 0.9%, 0.8%

LAB 91.91, -35.05, 7.62

 

CMYK 32 / 37 / 0 / 2

HEX #A99DFA

RGB 169 157 250

HSL 247.74, 0.9%, 0.8%

LAB 69.08, 24.93, -44.86

 

Description

Color code: RGB 251 159 192 | qconv.com Color code: RGB 251 159 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 159 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 159 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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