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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 125 69 it is the complementary color RGB 4 130 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 125 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 251 125 69: RGB 255 125 64, RGB 255 143 83, RGB 255 161 102, RGB 255 179 121 and RGB 255 197 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 125 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 251 125 69: RGB 251 125 69, RGB 234 107 50, RGB 217 89 31, RGB 200 71 12 and RGB 183 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 73 / 2

HEX #FB7D45

RGB 251 125 69

HSL 18.46, 0.96%, 0.63%

LAB 66.22, 44.31, 51.63

 

Complementary color

CMYK 98 / 30 / 0 / 27

HEX #0482BA

RGB 4 130 186

HSL 198.46, 0.96%, 0.37%

LAB 51.31, -8.99, -37.56

 

CMYK 0 / 51 / 75 / 0

HEX #FF7D40

RGB 255 125 64

HSL 19.16, 1%, 0.63%

LAB 66.75, 45.61, 54.75

 

CMYK 0 / 44 / 67 / 0

HEX #FF8F53

RGB 255 143 83

HSL 20.93, 1%, 0.66%

LAB 70.55, 37.53, 49.67

 

CMYK 0 / 37 / 60 / 0

HEX #FFA166

RGB 255 161 102

HSL 23.14, 1%, 0.7%

LAB 74.64, 29.43, 44.89

 

CMYK 0 / 30 / 53 / 0

HEX #FFB379

RGB 255 179 121

HSL 25.97, 1%, 0.74%

LAB 78.97, 21.48, 40.5

 

CMYK 0 / 23 / 45 / 0

HEX #FFC58C

RGB 255 197 140

HSL 29.74, 1%, 0.77%

LAB 83.49, 13.8, 36.5

 

CMYK 0 / 50 / 73 / 2

HEX #FB7D45

RGB 251 125 69

HSL 18.46, 0.96%, 0.63%

LAB 66.22, 44.31, 51.63

 

CMYK 0 / 54 / 79 / 8

HEX #EA6B32

RGB 234 107 50

HSL 18.59, 0.81%, 0.56%

LAB 60.1, 45.93, 53.56

 

CMYK 0 / 59 / 86 / 15

HEX #D9591F

RGB 217 89 31

HSL 18.71, 0.75%, 0.49%

LAB 54.02, 47.58, 55.18

 

CMYK 0 / 65 / 94 / 22

HEX #C8470C

RGB 200 71 12

HSL 18.83, 0.89%, 0.42%

LAB 48.02, 49.19, 55.79

 

CMYK 0 / 71 / 100 / 28

HEX #B73500

RGB 183 53 0

HSL 17.38, 1%, 0.36%

LAB 42.17, 50.56, 54.15

 

CMYK 0 / 50 / 73 / 2

HEX #FB7D45

RGB 251 125 69

HSL 18.46, 0.96%, 0.63%

LAB 66.22, 44.31, 51.63

 

CMYK 0 / 39 / 72 / 2

HEX #FB9A46

RGB 251 154 70

HSL 27.85, 0.96%, 0.63%

LAB 72.27, 29.63, 57.56

 

CMYK 0 / 27 / 72 / 2

HEX #FBB846

RGB 251 184 70

HSL 37.79, 0.96%, 0.63%

LAB 79.17, 13.93, 64.62

 

CMYK 0 / 15 / 72 / 2

HEX #FBD646

RGB 251 214 70

HSL 47.73, 0.96%, 0.63%

LAB 86.53, -1.55, 71.9

 

CMYK 0 / 2 / 72 / 2

HEX #FBF546

RGB 251 245 70

HSL 58.01, 0.96%, 0.63%

LAB 94.42, -16.93, 79.48

 

CMYK 0 / 50 / 73 / 2

HEX #FB7D45

RGB 251 125 69

HSL 18.46, 0.96%, 0.63%

LAB 66.22, 44.31, 51.63

 

CMYK 0 / 51 / 72 / 82

HEX #2F170D

RGB 47 23 13

HSL 17.65, 0.57%, 0.12%

LAB 10.89, 10.91, 11.07

 

CMYK 0 / 50 / 72 / 62

HEX #62311B

RGB 98 49 27

HSL 18.59, 0.57%, 0.25%

LAB 26.37, 20.08, 23.62

 

CMYK 0 / 50 / 72 / 42

HEX #954A29

RGB 149 74 41

HSL 18.33, 0.57%, 0.37%

LAB 40.32, 28.88, 33.49

 

CMYK 0 / 50 / 73 / 22

HEX #C86437

RGB 200 100 55

HSL 18.62, 0.57%, 0.5%

LAB 53.67, 36.54, 42.92

 

CMYK 0 / 50 / 73 / 2

HEX #FB7D45

RGB 251 125 69

HSL 18.46, 0.96%, 0.63%

LAB 66.22, 44.31, 51.63

 

CMYK 36 / 0 / 72 / 2

HEX #A0FB46

RGB 160 251 70

HSL 90.17, 0.96%, 0.63%

LAB 90.28, -54.21, 73.48

 

CMYK 72 / 65 / 0 / 2

HEX #4658FB

RGB 70 88 251

HSL 234.03, 0.96%, 0.63%

LAB 45.97, 46.39, -82.9

 

CMYK 0 / 50 / 73 / 2

HEX #FB7D45

RGB 251 125 69

HSL 18.46, 0.96%, 0.63%

LAB 66.22, 44.31, 51.63

 

CMYK 72 / 0 / 51 / 2

HEX #46FB7C

RGB 70 251 124

HSL 137.9, 0.96%, 0.63%

LAB 87.85, -70.88, 47.8

 

CMYK 51 / 72 / 0 / 2

HEX #7C46FB

RGB 124 70 251

HSL 257.9, 0.96%, 0.63%

LAB 46.49, 63.02, -81.9

 

CMYK 0 / 50 / 73 / 2

HEX #FB7D45

RGB 251 125 69

HSL 18.46, 0.96%, 0.63%

LAB 66.22, 44.31, 51.63

 

CMYK 36 / 0 / 72 / 2

HEX #A0FB46

RGB 160 251 70

HSL 90.17, 0.96%, 0.63%

LAB 90.28, -54.21, 73.48

 

CMYK 72 / 22 / 0 / 2

HEX #46C4FB

RGB 70 196 251

HSL 198.23, 0.96%, 0.63%

LAB 74.67, -17.11, -37.04

 

CMYK 36 / 72 / 0 / 2

HEX #A046FB

RGB 160 70 251

HSL 269.83, 0.96%, 0.63%

LAB 50.47, 68.75, -75.22

 

CMYK 0 / 50 / 73 / 2

HEX #FB7D45

RGB 251 125 69

HSL 18.46, 0.96%, 0.63%

LAB 66.22, 44.31, 51.63

 

CMYK 58 / 0 / 72 / 2

HEX #6AFB46

RGB 106 251 70

HSL 108.07, 0.96%, 0.63%

LAB 88.21, -69.71, 70.73

 

CMYK 72 / 22 / 0 / 2

HEX #46C4FB

RGB 70 196 251

HSL 198.23, 0.96%, 0.63%

LAB 74.67, -17.11, -37.04

 

CMYK 15 / 72 / 0 / 2

HEX #D646FB

RGB 214 70 251

HSL 287.73, 0.96%, 0.63%

LAB 57.7, 78.67, -63.19

 

Description

Color code: RGB 251 125 69 | qconv.com Color code: RGB 251 125 69 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 125 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 125 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 73 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 73% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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