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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 96 84 it is the complementary color RGB 5 159 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 96 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 96 84: RGB 255 96 79, RGB 255 114 98, RGB 255 132 117, RGB 255 150 136 and RGB 255 168 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 96 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 96 84: RGB 250 96 84, RGB 233 78 65, RGB 216 60 46, RGB 199 42 27 and RGB 182 24 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 66 / 2

HEX #FA6054

RGB 250 96 84

HSL 4.34, 0.94%, 0.65%

LAB 61.07, 58.09, 37.89

 

Complementary color

CMYK 97 / 7 / 0 / 33

HEX #059FAB

RGB 5 159 171

HSL 184.34, 0.94%, 0.35%

LAB 59.68, -29.75, -16.08

 

CMYK 0 / 62 / 69 / 0

HEX #FF604F

RGB 255 96 79

HSL 5.8, 1%, 0.65%

LAB 61.82, 59.5, 41.71

 

CMYK 0 / 55 / 62 / 0

HEX #FF7262

RGB 255 114 98

HSL 6.11, 1%, 0.69%

LAB 65.1, 52.59, 35.3

 

CMYK 0 / 48 / 54 / 0

HEX #FF8475

RGB 255 132 117

HSL 6.52, 1%, 0.73%

LAB 68.79, 45.32, 29.56

 

CMYK 0 / 41 / 47 / 0

HEX #FF9688

RGB 255 150 136

HSL 7.06, 1%, 0.77%

LAB 72.79, 37.9, 24.46

 

CMYK 0 / 34 / 39 / 0

HEX #FFA89B

RGB 255 168 155

HSL 7.8, 1%, 0.8%

LAB 77.06, 30.54, 19.94

 

CMYK 0 / 62 / 66 / 2

HEX #FA6054

RGB 250 96 84

HSL 4.34, 0.94%, 0.65%

LAB 61.07, 58.09, 37.89

 

CMYK 0 / 67 / 72 / 9

HEX #E94E41

RGB 233 78 65

HSL 4.64, 0.79%, 0.58%

LAB 55.23, 58.98, 40.81

 

CMYK 0 / 72 / 79 / 15

HEX #D83C2E

RGB 216 60 46

HSL 4.94, 0.69%, 0.51%

LAB 49.53, 59.59, 44.04

 

CMYK 0 / 79 / 86 / 22

HEX #C72A1B

RGB 199 42 27

HSL 5.23, 0.76%, 0.44%

LAB 44.06, 59.69, 47.31

 

CMYK 0 / 87 / 96 / 29

HEX #B61808

RGB 182 24 8

HSL 5.52, 0.92%, 0.37%

LAB 38.93, 58.96, 49.67

 

CMYK 0 / 62 / 66 / 2

HEX #FA6054

RGB 250 96 84

HSL 4.34, 0.94%, 0.65%

LAB 61.07, 58.09, 37.89

 

CMYK 0 / 51 / 67 / 2

HEX #F97951

RGB 249 121 81

HSL 14.29, 0.93%, 0.65%

LAB 65.29, 46.11, 44.45

 

CMYK 0 / 41 / 67 / 2

HEX #F99451

RGB 249 148 81

HSL 23.93, 0.93%, 0.65%

LAB 70.81, 32.49, 50.74

 

CMYK 0 / 29 / 67 / 2

HEX #F9B051

RGB 249 176 81

HSL 33.93, 0.93%, 0.65%

LAB 77.15, 17.84, 57.72

 

CMYK 0 / 18 / 67 / 2

HEX #F9CC51

RGB 249 204 81

HSL 43.93, 0.93%, 0.65%

LAB 83.92, 3.26, 64.91

 

CMYK 0 / 62 / 66 / 2

HEX #FA6054

RGB 250 96 84

HSL 4.34, 0.94%, 0.65%

LAB 61.07, 58.09, 37.89

 

CMYK 0 / 61 / 67 / 82

HEX #2E120F

RGB 46 18 15

HSL 5.81, 0.51%, 0.12%

LAB 9.38, 14, 7.9

 

CMYK 0 / 62 / 66 / 62

HEX #612521

RGB 97 37 33

HSL 3.75, 0.49%, 0.25%

LAB 23.59, 26.96, 16.41

 

CMYK 0 / 61 / 66 / 42

HEX #943932

RGB 148 57 50

HSL 4.29, 0.49%, 0.39%

LAB 36.84, 37.87, 24.12

 

CMYK 0 / 62 / 66 / 22

HEX #C74C43

RGB 199 76 67

HSL 4.09, 0.54%, 0.52%

LAB 49.15, 48.48, 31.08

 

CMYK 0 / 62 / 66 / 2

HEX #FA6054

RGB 250 96 84

HSL 4.34, 0.94%, 0.65%

LAB 61.07, 58.09, 37.89

 

CMYK 18 / 0 / 67 / 2

HEX #CCF951

RGB 204 249 81

HSL 76.07, 0.93%, 0.65%

LAB 92.21, -36.89, 72.36

 

CMYK 67 / 45 / 0 / 2

HEX #5189F9

RGB 81 137 249

HSL 220, 0.93%, 0.65%

LAB 58.49, 17.21, -61.45

 

CMYK 0 / 62 / 66 / 2

HEX #FA6054

RGB 250 96 84

HSL 4.34, 0.94%, 0.65%

LAB 61.07, 58.09, 37.89

 

CMYK 67 / 0 / 63 / 2

HEX #51F95D

RGB 81 249 93

HSL 124.29, 0.93%, 0.65%

LAB 87.14, -72.25, 60.73

 

CMYK 63 / 67 / 0 / 2

HEX #5D51F9

RGB 93 81 249

HSL 244.29, 0.93%, 0.65%

LAB 45.7, 52.48, -82.16

 

CMYK 0 / 62 / 66 / 2

HEX #FA6054

RGB 250 96 84

HSL 4.34, 0.94%, 0.65%

LAB 61.07, 58.09, 37.89

 

CMYK 18 / 0 / 67 / 2

HEX #CCF951

RGB 204 249 81

HSL 76.07, 0.93%, 0.65%

LAB 92.21, -36.89, 72.36

 

CMYK 67 / 4 / 0 / 2

HEX #51EEF9

RGB 81 238 249

HSL 183.93, 0.93%, 0.65%

LAB 86.87, -36.92, -17.3

 

CMYK 49 / 67 / 0 / 2

HEX #7E51F9

RGB 126 81 249

HSL 256.07, 0.93%, 0.65%

LAB 48.46, 57.38, -77.54

 

CMYK 0 / 62 / 66 / 2

HEX #FA6054

RGB 250 96 84

HSL 4.34, 0.94%, 0.65%

LAB 61.07, 58.09, 37.89

 

CMYK 38 / 0 / 67 / 2

HEX #9AF951

RGB 154 249 81

HSL 93.93, 0.93%, 0.65%

LAB 89.49, -54.65, 68.7

 

CMYK 67 / 4 / 0 / 2

HEX #51EEF9

RGB 81 238 249

HSL 183.93, 0.93%, 0.65%

LAB 86.87, -36.92, -17.3

 

CMYK 29 / 67 / 0 / 2

HEX #B051F9

RGB 176 81 249

HSL 273.93, 0.93%, 0.65%

LAB 53.98, 66.53, -68.33

 

Description

Color code: RGB 250 96 84 | qconv.com Color code: RGB 250 96 84 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 96 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 96 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 66 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 66% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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