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Color name
RGB 250 53 247

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 53 247 it is the complementary color RGB 5 202 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 53 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 53 247 shade: RGB 255 53 242, RGB 255 71 255, RGB 255 89 255, RGB 255 107 255 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 53 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 53 247 shade: RGB 250 53 247, RGB 233 35 228, RGB 216 17 209, RGB 199 0 190 and RGB 182 0 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 53 247 shade: RGB 250 51 247, RGB 250 51 193, RGB 250 51 140, RGB 250 51 86 and RGB 250 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 53 247 shade: RGB 250 51 247, RGB 199 51 250, RGB 146 51 250, RGB 92 51 250 and RGB 51 51 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 53 247 shade matches the following richer shades: RGB 250 51 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 53 247 shade: RGB 250 51 247, RGB 233 68 230, RGB 216 85 214, RGB 199 102 198 and RGB 182 119 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 53 247 shade: RGB 144 51 250, RGB 197 51 250, RGB 250 51 250, RGB 250 51 197 and RGB 250 51 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 53 247 shade: RGB 213 5 210, RGB 249 11 245, RGB 250 51 247, RGB 251 91 248 and RGB 252 132 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 53 247 shade: RGB 250 53 247, RGB 250 91 51 and RGB 51 250 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 53 247 shade: RGB 250 53 247, RGB 250 250 51 and RGB 51 250 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 53 247 shade: RGB 250 53 247, RGB 250 91 51, RGB 51 250 51 and RGB 51 210 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 53 247 shade: RGB 250 53 247, RGB 250 150 51, RGB 51 250 51 and RGB 51 150 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 1 / 2

HEX #FA35F7

RGB 250 53 247

HSL 300.91, 0.95%, 0.59%

LAB 61.3, 89.67, -54.9

 

Complementary color

CMYK 98 / 0 / 96 / 21

HEX #05CA08

RGB 5 202 8

HSL 120.91, 0.95%, 0.41%

LAB 71.07, -71.95, 68.97

 

CMYK 0 / 79 / 5 / 0

HEX #FF35F2

RGB 255 53 242

HSL 303.86, 1%, 0.6%

LAB 61.84, 89.89, -51.2

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 79 / 1 / 2

HEX #FA35F7

RGB 250 53 247

HSL 300.91, 0.95%, 0.59%

LAB 61.3, 89.67, -54.9

 

CMYK 0 / 85 / 2 / 9

HEX #E923E4

RGB 233 35 228

HSL 301.52, 0.82%, 0.53%

LAB 56.21, 87.48, -52.52

 

CMYK 0 / 92 / 3 / 15

HEX #D811D1

RGB 216 17 209

HSL 302.11, 0.85%, 0.46%

LAB 51.39, 84.33, -49.58

 

CMYK 0 / 100 / 5 / 22

HEX #C700BE

RGB 199 0 190

HSL 302.71, 1%, 0.39%

LAB 46.79, 80.23, -46.09

 

CMYK 0 / 100 / 6 / 29

HEX #B600AB

RGB 182 0 171

HSL 303.63, 1%, 0.36%

LAB 42.59, 74.68, -41.76

 

CMYK 0 / 80 / 1 / 2

HEX #FA33F7

RGB 250 51 247

HSL 300.9, 0.95%, 0.59%

LAB 61.14, 90.13, -55.15

 

CMYK 0 / 80 / 23 / 2

HEX #FA33C1

RGB 250 51 193

HSL 317.19, 0.95%, 0.59%

LAB 58.55, 82.93, -28.72

 

CMYK 0 / 80 / 44 / 2

HEX #FA338C

RGB 250 51 140

HSL 333.17, 0.95%, 0.59%

LAB 56.67, 77.45, -0.62

 

CMYK 0 / 80 / 66 / 2

HEX #FA3356

RGB 250 51 86

HSL 349.45, 0.95%, 0.59%

LAB 55.44, 73.75, 29.79

 

CMYK 0 / 80 / 80 / 2

HEX #FA3333

RGB 250 51 51

HSL 0, 0.95%, 0.59%

LAB 55, 72.38, 49

 

CMYK 0 / 80 / 1 / 2

HEX #FA33F7

RGB 250 51 247

HSL 300.9, 0.95%, 0.59%

LAB 61.14, 90.13, -55.15

 

CMYK 20 / 80 / 0 / 2

HEX #C733FA

RGB 199 51 250

HSL 284.62, 0.95%, 0.59%

LAB 53.4, 81.69, -69.67

 

CMYK 42 / 80 / 0 / 2

HEX #9233FA

RGB 146 51 250

HSL 268.64, 0.95%, 0.59%

LAB 46.15, 73.64, -81.79

 

CMYK 63 / 80 / 0 / 2

HEX #5C33FA

RGB 92 51 250

HSL 252.36, 0.95%, 0.59%

LAB 40.48, 67.45, -91.33

 

CMYK 80 / 80 / 0 / 2

HEX #3333FA

RGB 51 51 250

HSL 240, 0.95%, 0.59%

LAB 37.79, 64.55, -95.86

 

CMYK 0 / 80 / 1 / 2

HEX #FA33F7

RGB 250 51 247

HSL 300.9, 0.95%, 0.59%

LAB 61.14, 90.13, -55.15

 

CMYK 0 / 80 / 1 / 2

HEX #FA33F7

RGB 250 51 247

HSL 300.9, 0.95%, 0.59%

LAB 61.14, 90.13, -55.15

 

CMYK 0 / 71 / 1 / 9

HEX #E944E6

RGB 233 68 230

HSL 301.09, 0.79%, 0.59%

LAB 59.13, 79.66, -49.01

 

CMYK 0 / 61 / 1 / 15

HEX #D855D6

RGB 216 85 214

HSL 300.92, 0.63%, 0.59%

LAB 57.99, 67, -41.97

 

CMYK 0 / 49 / 1 / 22

HEX #C766C6

RGB 199 102 198

HSL 300.62, 0.46%, 0.59%

LAB 57.77, 51.96, -33.39

 

CMYK 0 / 35 / 1 / 29

HEX #B677B5

RGB 182 119 181

HSL 300.95, 0.3%, 0.59%

LAB 58.49, 34.67, -22.75

 

CMYK 42 / 80 / 0 / 2

HEX #9033FA

RGB 144 51 250

HSL 268.04, 0.95%, 0.59%

LAB 45.91, 73.37, -82.2

 

CMYK 21 / 80 / 0 / 2

HEX #C533FA

RGB 197 51 250

HSL 284.02, 0.95%, 0.59%

LAB 53.1, 81.36, -70.17

 

CMYK 0 / 80 / 0 / 2

HEX #FA33FA

RGB 250 51 250

HSL 300, 0.95%, 0.59%

LAB 61.3, 90.57, -56.55

 

CMYK 0 / 80 / 21 / 2

HEX #FA33C5

RGB 250 51 197

HSL 315.98, 0.95%, 0.59%

LAB 58.72, 83.41, -30.76

 

CMYK 0 / 80 / 42 / 2

HEX #FA3390

RGB 250 51 144

HSL 331.96, 0.95%, 0.59%

LAB 56.79, 77.81, -2.81

 

CMYK 0 / 98 / 1 / 16

HEX #D505D2

RGB 213 5 210

HSL 300.87, 0.95%, 0.43%

LAB 50.58, 84.97, -51.48

 

CMYK 0 / 96 / 2 / 2

HEX #F90BF5

RGB 249 11 245

HSL 301.01, 0.95%, 0.51%

LAB 58.95, 95.28, -57.54

 

CMYK 0 / 80 / 1 / 2

HEX #FA33F7

RGB 250 51 247

HSL 300.9, 0.95%, 0.59%

LAB 61.14, 90.13, -55.15

 

CMYK 0 / 64 / 1 / 2

HEX #FB5BF8

RGB 251 91 248

HSL 301.13, 0.95%, 0.67%

LAB 65.57, 78.44, -48.67

 

CMYK 0 / 48 / 1 / 1

HEX #FC84FA

RGB 252 132 250

HSL 301, 0.95%, 0.75%

LAB 72.3, 61.4, -39.21

 

CMYK 0 / 79 / 1 / 2

HEX #FA35F7

RGB 250 53 247

HSL 300.91, 0.95%, 0.59%

LAB 61.3, 89.67, -54.9

 

CMYK 0 / 64 / 80 / 2

HEX #FA5B33

RGB 250 91 51

HSL 12.06, 0.95%, 0.59%

LAB 59.93, 58.81, 53.81

 

CMYK 80 / 0 / 32 / 2

HEX #33FAAA

RGB 51 250 170

HSL 155.88, 0.95%, 0.59%

LAB 87.96, -64.83, 25.28

 

CMYK 0 / 79 / 1 / 2

HEX #FA35F7

RGB 250 53 247

HSL 300.91, 0.95%, 0.59%

LAB 61.3, 89.67, -54.9

 

CMYK 0 / 0 / 80 / 2

HEX #FAFA33

RGB 250 250 51

HSL 60, 0.95%, 0.59%

LAB 95.55, -20.43, 85.95

 

CMYK 80 / 0 / 0 / 2

HEX #33FAFA

RGB 51 250 250

HSL 180, 0.95%, 0.59%

LAB 89.85, -45.2, -13.4

 

CMYK 0 / 79 / 1 / 2

HEX #FA35F7

RGB 250 53 247

HSL 300.91, 0.95%, 0.59%

LAB 61.3, 89.67, -54.9

 

CMYK 0 / 64 / 80 / 2

HEX #FA5B33

RGB 250 91 51

HSL 12.06, 0.95%, 0.59%

LAB 59.93, 58.81, 53.81

 

CMYK 80 / 0 / 80 / 2

HEX #33FA33

RGB 51 250 51

HSL 120, 0.95%, 0.59%

LAB 86.66, -80.24, 74.62

 

CMYK 80 / 16 / 0 / 2

HEX #33D2FA

RGB 51 210 250

HSL 192.06, 0.95%, 0.59%

LAB 78.29, -26.58, -30.94

 

CMYK 0 / 79 / 1 / 2

HEX #FA35F7

RGB 250 53 247

HSL 300.91, 0.95%, 0.59%

LAB 61.3, 89.67, -54.9

 

CMYK 0 / 40 / 80 / 2

HEX #FA9633

RGB 250 150 51

HSL 29.85, 0.95%, 0.59%

LAB 71.13, 30.55, 64.32

 

CMYK 80 / 0 / 80 / 2

HEX #33FA33

RGB 51 250 51

HSL 120, 0.95%, 0.59%

LAB 86.66, -80.24, 74.62

 

CMYK 80 / 40 / 0 / 2

HEX #3396FA

RGB 51 150 250

HSL 210.15, 0.95%, 0.59%

LAB 61.15, 6.09, -57.8

 

Description

Color code: RGB 250 53 247 | qconv.com Color code: RGB 250 53 247 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 53 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 53 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 1 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 1% 2% C M Y K

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Provide designers and agencies with accurate color values.

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