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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 220 34 it is the complementary color RGB 5 35 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 220 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 220 34: RGB 255 220 29, RGB 255 238 48, RGB 255 255 67, RGB 255 255 86 and RGB 255 255 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 220 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 220 34: RGB 250 220 34, RGB 233 202 15, RGB 216 184 0, RGB 199 166 0 and RGB 182 148 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 86 / 2

HEX #FADC22

RGB 250 220 34

HSL 51.67, 0.96%, 0.56%

LAB 87.79, -6.16, 83.33

 

Complementary color

CMYK 98 / 84 / 0 / 13

HEX #0523DD

RGB 5 35 221

HSL 231.67, 0.96%, 0.44%

LAB 30.53, 61.68, -91.5

 

CMYK 0 / 14 / 89 / 0

HEX #FFDC1D

RGB 255 220 29

HSL 50.71, 1%, 0.56%

LAB 88.23, -4.14, 84.81

 

CMYK 0 / 7 / 81 / 0

HEX #FFEE30

RGB 255 238 48

HSL 55.07, 1%, 0.59%

LAB 92.85, -12.65, 84.54

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 12 / 86 / 2

HEX #FADC22

RGB 250 220 34

HSL 51.67, 0.96%, 0.56%

LAB 87.79, -6.16, 83.33

 

CMYK 0 / 13 / 94 / 9

HEX #E9CA0F

RGB 233 202 15

HSL 51.47, 0.88%, 0.49%

LAB 81.62, -4.6, 80.97

 

CMYK 0 / 15 / 100 / 15

HEX #D8B800

RGB 216 184 0

HSL 51.11, 1%, 0.42%

LAB 75.38, -2.84, 77.28

 

CMYK 0 / 17 / 100 / 22

HEX #C7A600

RGB 199 166 0

HSL 50.05, 1%, 0.39%

LAB 69.05, -0.89, 72.05

 

CMYK 0 / 19 / 100 / 29

HEX #B69400

RGB 182 148 0

HSL 48.79, 1%, 0.36%

LAB 62.61, 1.13, 66.74

 

CMYK 0 / 12 / 86 / 2

HEX #FADC22

RGB 250 220 34

HSL 51.67, 0.96%, 0.56%

LAB 87.79, -6.16, 83.33

 

CMYK 2 / 0 / 86 / 2

HEX #F6FA23

RGB 246 250 35

HSL 61.12, 0.96%, 0.56%

LAB 95.2, -22.46, 88.95

 

CMYK 16 / 0 / 86 / 2

HEX #D3FA23

RGB 211 250 35

HSL 70.88, 0.96%, 0.56%

LAB 92.73, -36.53, 85.92

 

CMYK 30 / 0 / 86 / 2

HEX #AFFA23

RGB 175 250 35

HSL 80.93, 0.96%, 0.56%

LAB 90.6, -50.1, 83.28

 

CMYK 44 / 0 / 86 / 2

HEX #8BFA23

RGB 139 250 35

HSL 90.98, 0.96%, 0.56%

LAB 88.91, -62.12, 81.18

 

CMYK 0 / 12 / 86 / 2

HEX #FADC22

RGB 250 220 34

HSL 51.67, 0.96%, 0.56%

LAB 87.79, -6.16, 83.33

 

CMYK 0 / 13 / 87 / 82

HEX #2E2806

RGB 46 40 6

HSL 51, 0.77%, 0.1%

LAB 16.06, -2.06, 20.85

 

CMYK 0 / 12 / 87 / 62

HEX #61550D

RGB 97 85 13

HSL 51.43, 0.76%, 0.22%

LAB 36.11, -3.24, 39.9

 

CMYK 0 / 12 / 86 / 42

HEX #948214

RGB 148 130 20

HSL 51.56, 0.76%, 0.33%

LAB 54.36, -4.28, 55.39

 

CMYK 0 / 12 / 86 / 22

HEX #C7AF1B

RGB 199 175 27

HSL 51.63, 0.76%, 0.44%

LAB 71.47, -5.24, 69.74

 

CMYK 0 / 12 / 86 / 2

HEX #FADC22

RGB 250 220 34

HSL 51.67, 0.96%, 0.56%

LAB 87.79, -6.16, 83.33

 

CMYK 86 / 0 / 82 / 2

HEX #23FA2D

RGB 35 250 45

HSL 122.79, 0.96%, 0.56%

LAB 86.46, -82.07, 75.9

 

CMYK 47 / 86 / 0 / 2

HEX #8423FA

RGB 132 35 250

HSL 267.07, 0.96%, 0.56%

LAB 42.78, 76.83, -87.4

 

CMYK 0 / 12 / 86 / 2

HEX #FADC22

RGB 250 220 34

HSL 51.67, 0.96%, 0.56%

LAB 87.79, -6.16, 83.33

 

CMYK 86 / 0 / 13 / 2

HEX #23FADA

RGB 35 250 218

HSL 171.07, 0.96%, 0.56%

LAB 88.82, -54.95, 1.72

 

CMYK 13 / 86 / 0 / 2

HEX #DA23FA

RGB 218 35 250

HSL 291.07, 0.96%, 0.56%

LAB 55.08, 88.35, -66.81

 

CMYK 0 / 12 / 86 / 2

HEX #FADC22

RGB 250 220 34

HSL 51.67, 0.96%, 0.56%

LAB 87.79, -6.16, 83.33

 

CMYK 86 / 0 / 82 / 2

HEX #23FA2D

RGB 35 250 45

HSL 122.79, 0.96%, 0.56%

LAB 86.46, -82.07, 75.9

 

CMYK 86 / 73 / 0 / 2

HEX #2343FA

RGB 35 67 250

HSL 231.07, 0.96%, 0.56%

LAB 40.04, 55.63, -92.16

 

CMYK 0 / 86 / 4 / 2

HEX #FA23EF

RGB 250 35 239

HSL 303.07, 0.96%, 0.56%

LAB 59.67, 92.02, -53.03

 

CMYK 0 / 12 / 86 / 2

HEX #FADC22

RGB 250 220 34

HSL 51.67, 0.96%, 0.56%

LAB 87.79, -6.16, 83.33

 

CMYK 86 / 0 / 56 / 2

HEX #23FA6E

RGB 35 250 110

HSL 140.93, 0.96%, 0.56%

LAB 86.93, -76.3, 52.98

 

CMYK 86 / 73 / 0 / 2

HEX #2343FA

RGB 35 67 250

HSL 231.07, 0.96%, 0.56%

LAB 40.04, 55.63, -92.16

 

CMYK 0 / 86 / 30 / 2

HEX #FA23AF

RGB 250 35 175

HSL 320.93, 0.96%, 0.56%

LAB 56.7, 84.14, -21.15

 

Description

Color code: RGB 250 220 34 | qconv.com Color code: RGB 250 220 34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 220 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 220 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 86 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 86% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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