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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 196 46 it is the complementary color RGB 5 59 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 196 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 196 46: RGB 255 196 41, RGB 255 214 60, RGB 255 232 79, RGB 255 250 98 and RGB 255 255 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 196 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 196 46: RGB 250 196 46, RGB 233 178 27, RGB 216 160 8, RGB 199 142 0 and RGB 182 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 82 / 2

HEX #FAC42E

RGB 250 196 46

HSL 44.12, 0.95%, 0.58%

LAB 81.84, 6.38, 75.48

 

Complementary color

CMYK 98 / 72 / 0 / 18

HEX #053BD1

RGB 5 59 209

HSL 224.12, 0.95%, 0.42%

LAB 33.49, 45.2, -79.67

 

CMYK 0 / 23 / 84 / 0

HEX #FFC429

RGB 255 196 41

HSL 43.46, 1%, 0.58%

LAB 82.32, 8.37, 77.47

 

CMYK 0 / 16 / 76 / 0

HEX #FFD63C

RGB 255 214 60

HSL 47.38, 1%, 0.62%

LAB 86.84, -0.28, 75.79

 

CMYK 0 / 9 / 69 / 0

HEX #FFE84F

RGB 255 232 79

HSL 52.16, 1%, 0.65%

LAB 91.48, -8.51, 73.58

 

CMYK 0 / 2 / 62 / 0

HEX #FFFA62

RGB 255 250 98

HSL 58.09, 1%, 0.69%

LAB 96.21, -16.28, 71.1

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 22 / 82 / 2

HEX #FAC42E

RGB 250 196 46

HSL 44.12, 0.95%, 0.58%

LAB 81.84, 6.38, 75.48

 

CMYK 0 / 24 / 88 / 9

HEX #E9B21B

RGB 233 178 27

HSL 43.98, 0.82%, 0.51%

LAB 75.6, 8.04, 74.44

 

CMYK 0 / 26 / 96 / 15

HEX #D8A008

RGB 216 160 8

HSL 43.85, 0.93%, 0.44%

LAB 69.3, 9.93, 72.04

 

CMYK 0 / 29 / 100 / 22

HEX #C78E00

RGB 199 142 0

HSL 42.81, 1%, 0.39%

LAB 62.92, 12.06, 67.82

 

CMYK 0 / 32 / 100 / 29

HEX #B67C00

RGB 182 124 0

HSL 40.88, 1%, 0.36%

LAB 56.45, 14.37, 62.52

 

CMYK 0 / 22 / 82 / 2

HEX #FAC42E

RGB 250 196 46

HSL 44.12, 0.95%, 0.58%

LAB 81.84, 6.38, 75.48

 

CMYK 0 / 8 / 82 / 2

HEX #F9E52E

RGB 249 229 46

HSL 54.09, 0.94%, 0.58%

LAB 90.03, -10.77, 82.44

 

CMYK 5 / 0 / 82 / 2

HEX #ECF92E

RGB 236 249 46

HSL 63.84, 0.94%, 0.58%

LAB 94.22, -25.79, 85.59

 

CMYK 19 / 0 / 82 / 2

HEX #CAF92E

RGB 202 249 46

HSL 73.89, 0.94%, 0.58%

LAB 91.91, -39.27, 82.69

 

CMYK 33 / 0 / 82 / 2

HEX #A8F92E

RGB 168 249 46

HSL 83.94, 0.94%, 0.58%

LAB 89.99, -51.82, 80.26

 

CMYK 0 / 22 / 82 / 2

HEX #FAC42E

RGB 250 196 46

HSL 44.12, 0.95%, 0.58%

LAB 81.84, 6.38, 75.48

 

CMYK 0 / 22 / 83 / 82

HEX #2E2408

RGB 46 36 8

HSL 44.21, 0.7%, 0.11%

LAB 14.74, 0.83, 18.34

 

CMYK 0 / 22 / 81 / 62

HEX #614C12

RGB 97 76 18

HSL 44.05, 0.69%, 0.23%

LAB 33.47, 2.42, 35.62

 

CMYK 0 / 22 / 82 / 42

HEX #94741B

RGB 148 116 27

HSL 44.13, 0.69%, 0.34%

LAB 50.53, 3.81, 49.95

 

CMYK 0 / 22 / 81 / 22

HEX #C79C25

RGB 199 156 37

HSL 44.07, 0.69%, 0.46%

LAB 66.56, 5.15, 62.9

 

CMYK 0 / 22 / 82 / 2

HEX #FAC42E

RGB 250 196 46

HSL 44.12, 0.95%, 0.58%

LAB 81.84, 6.38, 75.48

 

CMYK 76 / 0 / 82 / 2

HEX #3BF92E

RGB 59 249 46

HSL 116.16, 0.94%, 0.58%

LAB 86.44, -79.23, 75.75

 

CMYK 55 / 82 / 0 / 2

HEX #712EF9

RGB 113 46 249

HSL 259.8, 0.94%, 0.58%

LAB 41.7, 71.18, -88.7

 

CMYK 0 / 22 / 82 / 2

HEX #FAC42E

RGB 250 196 46

HSL 44.12, 0.95%, 0.58%

LAB 81.84, 6.38, 75.48

 

CMYK 82 / 0 / 22 / 2

HEX #2EF9C3

RGB 46 249 195

HSL 164.04, 0.94%, 0.58%

LAB 88.1, -59.43, 12.63

 

CMYK 22 / 82 / 0 / 2

HEX #C32EF9

RGB 195 46 249

HSL 284.04, 0.94%, 0.58%

LAB 52.28, 82.18, -70.95

 

CMYK 0 / 22 / 82 / 2

HEX #FAC42E

RGB 250 196 46

HSL 44.12, 0.95%, 0.58%

LAB 81.84, 6.38, 75.48

 

CMYK 76 / 0 / 82 / 2

HEX #3BF92E

RGB 59 249 46

HSL 116.16, 0.94%, 0.58%

LAB 86.44, -79.23, 75.75

 

CMYK 82 / 60 / 0 / 2

HEX #2E64F9

RGB 46 100 249

HSL 224.04, 0.94%, 0.58%

LAB 47.67, 36.16, -79.04

 

CMYK 5 / 82 / 0 / 2

HEX #EC2EF9

RGB 236 46 249

HSL 296.16, 0.94%, 0.58%

LAB 58.63, 89.01, -60.4

 

CMYK 0 / 22 / 82 / 2

HEX #FAC42E

RGB 250 196 46

HSL 44.12, 0.95%, 0.58%

LAB 81.84, 6.38, 75.48

 

CMYK 82 / 0 / 63 / 2

HEX #2EF95D

RGB 46 249 93

HSL 133.89, 0.94%, 0.58%

LAB 86.56, -77.08, 59.92

 

CMYK 82 / 60 / 0 / 2

HEX #2E64F9

RGB 46 100 249

HSL 224.04, 0.94%, 0.58%

LAB 47.67, 36.16, -79.04

 

CMYK 0 / 82 / 19 / 2

HEX #F92ECA

RGB 249 46 202

HSL 313.89, 0.94%, 0.58%

LAB 58.38, 84.93, -34.16

 

Description

Color code: RGB 250 196 46 | qconv.com Color code: RGB 250 196 46 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 196 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 196 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 82 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 82% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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