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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 157 131 it is the complementary color RGB 5 98 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 157 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 157 131: RGB 255 157 126, RGB 255 175 145, RGB 255 193 164, RGB 255 211 183 and RGB 255 229 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 157 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 157 131: RGB 250 157 131, RGB 233 139 112, RGB 216 121 93, RGB 199 103 74 and RGB 182 85 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 48 / 2

HEX #FA9D83

RGB 250 157 131

HSL 13.11, 0.92%, 0.75%

LAB 73.6, 31.92, 28.15

 

Complementary color

CMYK 96 / 21 / 0 / 51

HEX #05627C

RGB 5 98 124

HSL 193.11, 0.92%, 0.25%

LAB 38.24, -14.05, -21.33

 

CMYK 0 / 38 / 51 / 0

HEX #FF9D7E

RGB 255 157 126

HSL 14.42, 1%, 0.75%

LAB 74.11, 33.38, 31.64

 

CMYK 0 / 31 / 43 / 0

HEX #FFAF91

RGB 255 175 145

HSL 16.36, 1%, 0.78%

LAB 78.44, 25.81, 27.2

 

CMYK 0 / 24 / 36 / 0

HEX #FFC1A4

RGB 255 193 164

HSL 19.12, 1%, 0.82%

LAB 82.96, 18.48, 23.23

 

CMYK 0 / 17 / 28 / 0

HEX #FFD3B7

RGB 255 211 183

HSL 23.33, 1%, 0.86%

LAB 87.61, 11.45, 19.65

 

CMYK 0 / 10 / 21 / 0

HEX #FFE5CA

RGB 255 229 202

HSL 30.57, 1%, 0.9%

LAB 92.38, 4.77, 16.41

 

CMYK 0 / 37 / 48 / 2

HEX #FA9D83

RGB 250 157 131

HSL 13.11, 0.92%, 0.75%

LAB 73.6, 31.92, 28.15

 

CMYK 0 / 40 / 52 / 9

HEX #E98B70

RGB 233 139 112

HSL 13.39, 0.73%, 0.68%

LAB 67.25, 33.06, 29.74

 

CMYK 0 / 44 / 57 / 15

HEX #D8795D

RGB 216 121 93

HSL 13.66, 0.61%, 0.61%

LAB 60.84, 34.32, 31.51

 

CMYK 0 / 48 / 63 / 22

HEX #C7674A

RGB 199 103 74

HSL 13.92, 0.53%, 0.54%

LAB 54.38, 35.69, 33.5

 

CMYK 0 / 53 / 70 / 29

HEX #B65537

RGB 182 85 55

HSL 14.17, 0.54%, 0.46%

LAB 47.9, 37.17, 35.72

 

CMYK 0 / 37 / 48 / 2

HEX #FA9D83

RGB 250 157 131

HSL 13.11, 0.92%, 0.75%

LAB 73.6, 31.92, 28.15

 

CMYK 0 / 29 / 47 / 2

HEX #F9B184

RGB 249 177 132

HSL 23.08, 0.91%, 0.75%

LAB 78.02, 21.14, 33.43

 

CMYK 0 / 21 / 47 / 2

HEX #F9C584

RGB 249 197 132

HSL 33.33, 0.91%, 0.75%

LAB 82.77, 10.66, 39.56

 

CMYK 0 / 13 / 47 / 2

HEX #F9D884

RGB 249 216 132

HSL 43.08, 0.91%, 0.75%

LAB 87.44, 0.84, 45.46

 

CMYK 0 / 5 / 47 / 2

HEX #F9EC84

RGB 249 236 132

HSL 53.33, 0.91%, 0.75%

LAB 92.49, -9.24, 51.68

 

CMYK 0 / 37 / 48 / 2

HEX #FA9D83

RGB 250 157 131

HSL 13.11, 0.92%, 0.75%

LAB 73.6, 31.92, 28.15

 

CMYK 0 / 37 / 48 / 82

HEX #2E1D18

RGB 46 29 24

HSL 13.64, 0.31%, 0.14%

LAB 12.77, 7.54, 6.8

 

CMYK 0 / 37 / 47 / 62

HEX #613D33

RGB 97 61 51

HSL 13.04, 0.31%, 0.29%

LAB 29.71, 14.5, 12.69

 

CMYK 0 / 37 / 47 / 42

HEX #945D4E

RGB 148 93 78

HSL 12.86, 0.31%, 0.44%

LAB 45.19, 20.73, 17.99

 

CMYK 0 / 37 / 48 / 22

HEX #C77D68

RGB 199 125 104

HSL 13.26, 0.46%, 0.59%

LAB 59.72, 26.42, 23.48

 

CMYK 0 / 37 / 48 / 2

HEX #FA9D83

RGB 250 157 131

HSL 13.11, 0.92%, 0.75%

LAB 73.6, 31.92, 28.15

 

CMYK 19 / 0 / 47 / 2

HEX #C9F984

RGB 201 249 132

HSL 84.62, 0.91%, 0.75%

LAB 92.5, -33.75, 50.92

 

CMYK 47 / 38 / 0 / 2

HEX #849AF9

RGB 132 154 249

HSL 228.72, 0.91%, 0.75%

LAB 65.64, 17.01, -49.91

 

CMYK 0 / 37 / 48 / 2

HEX #FA9D83

RGB 250 157 131

HSL 13.11, 0.92%, 0.75%

LAB 73.6, 31.92, 28.15

 

CMYK 47 / 0 / 37 / 2

HEX #84F99E

RGB 132 249 158

HSL 133.33, 0.91%, 0.75%

LAB 89.45, -52.09, 33.69

 

CMYK 37 / 47 / 0 / 2

HEX #9E84F9

RGB 158 132 249

HSL 253.33, 0.91%, 0.75%

LAB 62.18, 36, -55.28

 

CMYK 0 / 37 / 48 / 2

HEX #FA9D83

RGB 250 157 131

HSL 13.11, 0.92%, 0.75%

LAB 73.6, 31.92, 28.15

 

CMYK 19 / 0 / 47 / 2

HEX #C9F984

RGB 201 249 132

HSL 84.62, 0.91%, 0.75%

LAB 92.5, -33.75, 50.92

 

CMYK 47 / 10 / 0 / 2

HEX #84E0F9

RGB 132 224 249

HSL 192.82, 0.91%, 0.75%

LAB 84.51, -21, -20.7

 

CMYK 27 / 47 / 0 / 2

HEX #B584F9

RGB 181 132 249

HSL 265.13, 0.91%, 0.75%

LAB 64.29, 41.88, -51.78

 

CMYK 0 / 37 / 48 / 2

HEX #FA9D83

RGB 250 157 131

HSL 13.11, 0.92%, 0.75%

LAB 73.6, 31.92, 28.15

 

CMYK 34 / 0 / 47 / 2

HEX #A5F984

RGB 165 249 132

HSL 103.08, 0.91%, 0.75%

LAB 90.51, -46.13, 48.02

 

CMYK 47 / 10 / 0 / 2

HEX #84E0F9

RGB 132 224 249

HSL 192.82, 0.91%, 0.75%

LAB 84.51, -21, -20.7

 

CMYK 13 / 47 / 0 / 2

HEX #D884F9

RGB 216 132 249

HSL 283.08, 0.91%, 0.75%

LAB 67.98, 51.3, -45.73

 

Description

Color code: RGB 250 157 131 | qconv.com Color code: RGB 250 157 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 157 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 157 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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