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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 31 56 it is the complementary color RGB 231 224 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 31 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 24 31 56: RGB 29 31 51, RGB 46 49 70, RGB 63 67 89, RGB 80 85 108 and RGB 97 103 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 31 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 24 31 56: RGB 24 31 56, RGB 7 13 37, RGB 0 0 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 45 / 0 / 78

HEX #181F38

RGB 24 31 56

HSL 226.88, 0.4%, 0.16%

LAB 12.35, 5.42, -17.27

 

Complementary color

CMYK 0 / 3 / 14 / 9

HEX #E7E0C7

RGB 231 224 199

HSL 46.88, 0.4%, 0.84%

LAB 89.12, -1.75, 13.09

 

CMYK 43 / 39 / 0 / 80

HEX #1D1F33

RGB 29 31 51

HSL 234.55, 0.28%, 0.16%

LAB 12.48, 5.22, -13.46

 

CMYK 34 / 30 / 0 / 73

HEX #2E3146

RGB 46 49 70

HSL 232.5, 0.21%, 0.23%

LAB 20.9, 4.55, -13.48

 

CMYK 29 / 25 / 0 / 65

HEX #3F4359

RGB 63 67 89

HSL 230.77, 0.17%, 0.3%

LAB 28.88, 4.07, -13.63

 

CMYK 26 / 21 / 0 / 58

HEX #50556C

RGB 80 85 108

HSL 229.29, 0.15%, 0.37%

LAB 36.53, 3.69, -13.84

 

CMYK 24 / 19 / 0 / 50

HEX #61677F

RGB 97 103 127

HSL 228, 0.13%, 0.44%

LAB 43.91, 3.37, -14.11

 

CMYK 57 / 45 / 0 / 78

HEX #181F38

RGB 24 31 56

HSL 226.88, 0.4%, 0.16%

LAB 12.35, 5.42, -17.27

 

CMYK 81 / 65 / 0 / 85

HEX #070D25

RGB 7 13 37

HSL 228, 0.68%, 0.09%

LAB 4.21, 5, -16.2

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 57 / 45 / 0 / 78

HEX #181F38

RGB 24 31 56

HSL 226.88, 0.4%, 0.16%

LAB 12.35, 5.42, -17.27

 

CMYK 58 / 54 / 0 / 78

HEX #181A39

RGB 24 26 57

HSL 236.36, 0.41%, 0.16%

LAB 10.77, 9.62, -20.5

 

CMYK 53 / 58 / 0 / 78

HEX #1B1839

RGB 27 24 57

HSL 245.45, 0.41%, 0.16%

LAB 10.42, 12.01, -21.04

 

CMYK 42 / 58 / 0 / 78

HEX #211839

RGB 33 24 57

HSL 256.36, 0.41%, 0.16%

LAB 11.08, 13.85, -19.95

 

CMYK 33 / 58 / 0 / 78

HEX #261839

RGB 38 24 57

HSL 265.45, 0.41%, 0.16%

LAB 11.69, 15.48, -18.93

 

CMYK 57 / 45 / 0 / 78

HEX #181F38

RGB 24 31 56

HSL 226.88, 0.4%, 0.16%

LAB 12.35, 5.42, -17.27

 

CMYK 57 / 45 / 0 / 58

HEX #2E3B6B

RGB 46 59 107

HSL 227.21, 0.4%, 0.3%

LAB 26.07, 10.22, -29.71

 

CMYK 57 / 45 / 0 / 38

HEX #44579E

RGB 68 87 158

HSL 227.33, 0.4%, 0.44%

LAB 38.75, 14.59, -40.95

 

CMYK 57 / 44 / 0 / 18

HEX #5A74D1

RGB 90 116 209

HSL 226.89, 0.56%, 0.59%

LAB 51, 18.07, -51.04

 

CMYK 60 / 40 / 0 / 98

HEX #020305

RGB 2 3 5

HSL 220, 0.43%, 0.01%

LAB 0.8, 0.02, -0.85

 

CMYK 57 / 45 / 0 / 78

HEX #181F38

RGB 24 31 56

HSL 226.88, 0.4%, 0.16%

LAB 12.35, 5.42, -17.27

 

CMYK 2 / 58 / 0 / 78

HEX #381839

RGB 56 24 57

HSL 298.18, 0.41%, 0.16%

LAB 14.34, 21.71, -14.58

 

CMYK 21 / 0 / 58 / 78

HEX #2D3918

RGB 45 57 24

HSL 81.82, 0.41%, 0.16%

LAB 22.12, -11.58, 18.8

 

CMYK 57 / 45 / 0 / 78

HEX #181F38

RGB 24 31 56

HSL 226.88, 0.4%, 0.16%

LAB 12.35, 5.42, -17.27

 

CMYK 0 / 58 / 44 / 78

HEX #391820

RGB 57 24 32

HSL 345.45, 0.41%, 0.16%

LAB 13.4, 17.38, 2.1

 

CMYK 44 / 0 / 58 / 78

HEX #203918

RGB 32 57 24

HSL 105.45, 0.41%, 0.16%

LAB 21.2, -17.36, 17.47

 

CMYK 57 / 45 / 0 / 78

HEX #181F38

RGB 24 31 56

HSL 226.88, 0.4%, 0.16%

LAB 12.35, 5.42, -17.27

 

CMYK 2 / 58 / 0 / 78

HEX #381839

RGB 56 24 57

HSL 298.18, 0.41%, 0.16%

LAB 14.34, 21.71, -14.58

 

CMYK 0 / 14 / 58 / 78

HEX #393118

RGB 57 49 24

HSL 45.45, 0.41%, 0.16%

LAB 20.57, -0.47, 17.18

 

CMYK 56 / 0 / 58 / 78

HEX #193918

RGB 25 57 24

HSL 118.18, 0.41%, 0.16%

LAB 20.82, -20.02, 16.92

 

CMYK 57 / 45 / 0 / 78

HEX #181F38

RGB 24 31 56

HSL 226.88, 0.4%, 0.16%

LAB 12.35, 5.42, -17.27

 

CMYK 0 / 58 / 16 / 78

HEX #391830

RGB 57 24 48

HSL 316.36, 0.41%, 0.16%

LAB 14.04, 20.15, -8.6

 

CMYK 0 / 14 / 58 / 78

HEX #393118

RGB 57 49 24

HSL 45.45, 0.41%, 0.16%

LAB 20.57, -0.47, 17.18

 

CMYK 58 / 0 / 42 / 78

HEX #183921

RGB 24 57 33

HSL 136.36, 0.41%, 0.16%

LAB 20.94, -18.62, 11.36

 

Description

Color code: RGB 24 31 56 | qconv.com Color code: RGB 24 31 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 31 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 31 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 45 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 45% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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