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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 30 32 it is the complementary color RGB 231 225 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 30 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 24 30 32: RGB 29 30 27, RGB 46 48 46, RGB 63 66 65, RGB 80 84 84 and RGB 97 102 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 30 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 24 30 32: RGB 24 30 32, RGB 7 12 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 6 / 0 / 87

HEX #181E20

RGB 24 30 32

HSL 195, 0.14%, 0.11%

LAB 10.76, -2.17, -2.29

 

Complementary color

CMYK 0 / 3 / 3 / 9

HEX #E7E1DF

RGB 231 225 223

HSL 15, 0.14%, 0.89%

LAB 89.94, 1.69, 1.69

 

CMYK 3 / 0 / 10 / 88

HEX #1D1E1B

RGB 29 30 27

HSL 80, 0.05%, 0.11%

LAB 11.06, -1.21, 1.89

 

CMYK 4 / 0 / 4 / 81

HEX #2E302E

RGB 46 48 46

HSL 120, 0.02%, 0.18%

LAB 19.61, -1.35, 0.97

 

CMYK 5 / 0 / 2 / 74

HEX #3F4241

RGB 63 66 65

HSL 160, 0.02%, 0.25%

LAB 27.67, -1.48, 0.17

 

CMYK 5 / 0 / 0 / 67

HEX #505454

RGB 80 84 84

HSL 180, 0.02%, 0.32%

LAB 35.37, -1.6, -0.56

 

CMYK 6 / 1 / 0 / 60

HEX #616667

RGB 97 102 103

HSL 190, 0.03%, 0.39%

LAB 42.8, -1.71, -1.24

 

CMYK 25 / 6 / 0 / 87

HEX #181E20

RGB 24 30 32

HSL 195, 0.14%, 0.11%

LAB 10.76, -2.17, -2.29

 

CMYK 46 / 8 / 0 / 95

HEX #070C0D

RGB 7 12 13

HSL 190, 0.3%, 0.04%

LAB 3.05, -1.18, -0.91

 

CMYK 25 / 6 / 0 / 87

HEX #181E20

RGB 24 30 32

HSL 195, 0.14%, 0.11%

LAB 10.76, -2.17, -2.29

 

CMYK 23 / 10 / 0 / 88

HEX #181C1F

RGB 24 28 31

HSL 205.71, 0.13%, 0.11%

LAB 9.98, -1.01, -2.7

 

CMYK 23 / 13 / 0 / 88

HEX #181B1F

RGB 24 27 31

HSL 214.29, 0.13%, 0.11%

LAB 9.62, -0.28, -3.25

 

CMYK 23 / 16 / 0 / 88

HEX #181A1F

RGB 24 26 31

HSL 222.86, 0.13%, 0.11%

LAB 9.25, 0.46, -3.79

 

CMYK 23 / 23 / 0 / 88

HEX #18181F

RGB 24 24 31

HSL 240, 0.13%, 0.11%

LAB 8.54, 1.97, -4.87

 

CMYK 25 / 6 / 0 / 87

HEX #181E20

RGB 24 30 32

HSL 195, 0.14%, 0.11%

LAB 10.76, -2.17, -2.29

 

CMYK 25 / 6 / 0 / 67

HEX #3E4E53

RGB 62 78 83

HSL 194.29, 0.14%, 0.28%

LAB 32.03, -4.96, -5.03

 

CMYK 25 / 6 / 0 / 47

HEX #657E86

RGB 101 126 134

HSL 194.55, 0.14%, 0.46%

LAB 51.16, -7.06, -7.32

 

CMYK 25 / 6 / 0 / 27

HEX #8BADB9

RGB 139 173 185

HSL 195.65, 0.25%, 0.64%

LAB 68.66, -8.79, -9.95

 

CMYK 25 / 6 / 0 / 7

HEX #B1DDEC

RGB 177 221 236

HSL 195.25, 0.61%, 0.81%

LAB 85.56, -10.94, -12.03

 

CMYK 25 / 6 / 0 / 87

HEX #181E20

RGB 24 30 32

HSL 195, 0.14%, 0.11%

LAB 10.76, -2.17, -2.29

 

CMYK 13 / 23 / 0 / 88

HEX #1B181F

RGB 27 24 31

HSL 265.71, 0.13%, 0.11%

LAB 8.87, 3.31, -4.34

 

CMYK 0 / 3 / 23 / 88

HEX #1F1E18

RGB 31 30 24

HSL 51.43, 0.13%, 0.11%

LAB 11.18, -0.9, 4.29

 

CMYK 25 / 6 / 0 / 87

HEX #181E20

RGB 24 30 32

HSL 195, 0.14%, 0.11%

LAB 10.76, -2.17, -2.29

 

CMYK 0 / 23 / 3 / 88

HEX #1F181E

RGB 31 24 30

HSL 308.57, 0.13%, 0.11%

LAB 9.31, 4.9, -2.88

 

CMYK 3 / 0 / 23 / 88

HEX #1E1F18

RGB 30 31 24

HSL 68.57, 0.13%, 0.11%

LAB 11.43, -2.11, 4.63

 

CMYK 25 / 6 / 0 / 87

HEX #181E20

RGB 24 30 32

HSL 195, 0.14%, 0.11%

LAB 10.76, -2.17, -2.29

 

CMYK 13 / 23 / 0 / 88

HEX #1B181F

RGB 27 24 31

HSL 265.71, 0.13%, 0.11%

LAB 8.87, 3.31, -4.34

 

CMYK 0 / 16 / 23 / 88

HEX #1F1A18

RGB 31 26 24

HSL 17.14, 0.13%, 0.11%

LAB 9.77, 2.01, 2.3

 

CMYK 10 / 0 / 23 / 88

HEX #1C1F18

RGB 28 31 24

HSL 85.71, 0.13%, 0.11%

LAB 11.23, -3.11, 4.32

 

CMYK 25 / 6 / 0 / 87

HEX #181E20

RGB 24 30 32

HSL 195, 0.14%, 0.11%

LAB 10.76, -2.17, -2.29

 

CMYK 3 / 23 / 0 / 88

HEX #1E181F

RGB 30 24 31

HSL 291.43, 0.13%, 0.11%

LAB 9.22, 4.69, -3.77

 

CMYK 0 / 16 / 23 / 88

HEX #1F1A18

RGB 31 26 24

HSL 17.14, 0.13%, 0.11%

LAB 9.77, 2.01, 2.3

 

CMYK 16 / 0 / 23 / 88

HEX #1A1F18

RGB 26 31 24

HSL 102.86, 0.13%, 0.11%

LAB 11.03, -4.08, 4.02

 

Description

Color code: RGB 24 30 32 | qconv.com Color code: RGB 24 30 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 30 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 30 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 6 magenta, none yellow and 87 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 6% 0% 87% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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